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Gibson Les Paul Standard 50
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Gibson Les Paul Standard 50

Guitare de forme LP de la marque Gibson appartenant à la série Les Paul

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GarcymooreGarcymoore

La meilleure guitare du monde ... ou pas

Gibson Les Paul Standard 50Publié le 18/04/13 à 23:36
USA
Année 2005
manche 50'
2 volumes 2 tone

UTILISATION

Le manche devient très agréable quand on s'y habitue .
Le poids ,on s'y habitue .
L'accès aux aigus n'est pas des plus aisés mais ça reste acceptable .La beauté de la guitare justifie largement ce petit effort .
Obtient-on facilement un bon son ? Vous plaisantez j'espère !

SONORITÉS

Ca convient à tout les styles de musique excepté peut-être la funk mais ça reste envisageable .Après c'est surtout une question de goût .La Les Paul ,c'est le son gras .
Les micros sont très importants mais ce qui m'avais frappé la première fois ,c'est l'équilibre sonore ,toutes les fréquences sont bien détachées ,c'est surprenant car la Les Paul est...…
Lire la suite
USA
Année 2005
manche 50'
2 volumes 2 tone

UTILISATION

Le manche devient très agréable quand on s'y habitue .
Le poids ,on s'y habitue .
L'accès aux aigus n'est pas des plus aisés mais ça reste acceptable .La beauté de la guitare justifie largement ce petit effort .
Obtient-on facilement un bon son ? Vous plaisantez j'espère !

SONORITÉS

Ca convient à tout les styles de musique excepté peut-être la funk mais ça reste envisageable .Après c'est surtout une question de goût .La Les Paul ,c'est le son gras .
Les micros sont très importants mais ce qui m'avais frappé la première fois ,c'est l'équilibre sonore ,toutes les fréquences sont bien détachées ,c'est surprenant car la Les Paul est surtout connue pour ses crunchs et ses mediums tape a l'oeil .L'aspect "percussif" aussi grâce au corps assez massif .De grosses basses naturelles des aigus cristallins et des mediums assez présents contrairement à la strat qui est plus creusée dans les mediums (je dis peut être une connerie mais c'est le ressenti) .
Je joue sur un Marshall .
Je trouve pitoyable qu'on fasse du gros metal avec cette guitare (et j'aime beaucoup le Metal) .

AVIS GLOBAL

Que dire de plus ,qui n'ait pas déjà été dit sur cette légende absolue de la musique amplifiée .
Encore faut-il trouver la bonne !
Toutes les Les Paul ne se valent pas et on finit forcément par rechercher celle qui fera la différence .
Bien sûr une Les Paul aura le grain d'une Les Paul mais certaines ont un petit quelque chose en plus ,une personnalité ,une vie .
La mienne me déçoit un peu ,elle manque de caractère .Je sais que c'est ça que je veux mais je cherche encore MA Les Paul .D'une manière globale évidemment je suis satisfait ,j'ai le grain ,mais c'est moi qui fait tout ,elle n'apporte rien ,genre wow ! (Par contre mon Marshall le fait lui ,ça compense)
Ce que j'aime le moins : les mécaniques .
Le rapport qualité/prix ? Comme je le dis souvent ,comparez le prix d'une guitare haut de gamme avec le prix de la moindre voiture d'occasion et vous aurez mon avis sur la question .Les guitares ,c'est pas cher .Y en a qui se mettent un crédit de 10 ans pour une voiture classe ,c'est un choix .
Et comme le dit mon grand-père : "Vieux ,c'est mieux" .
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HatsubaiHatsubai

Nice, le cou gros

Gibson Les Paul Standard 50Publié le 16/07/11 à 02:56
contenu en anglais (contenu en anglais)
There are generally two different Standards out there in terms of neck profiles -- the 50 and the 60. The 50 is the larger of the two, and some people tend to feel there is a tonal difference because of the extra wood. The guitar features a mahogany body with a maple top, mahogany neck with a rosewood fretboard, 22 frets, trapezoid inlays, pickguard, binding, hard tail bridge, two humbuckers, two volumes, two tones and a three way switch.

UTILIZATION

I noticed that these guitars tend to have some fretwork and nut issues. The frets can sometimes have level issues which will cause issues with you start to lower the action. If you notice some fretting out on certain frets, this is probably a good indicator that you need to get your frets leveled. The edges can sometimes be sharp, too. The nuts can also be problematic at times. If you ever tune your guitar and notice some odd sort of ping, then the guitar goes sharp, your nut is binding. You'll need to get your nut recut if that's the case.

SOUNDS

This guitar was killer, but it had aftermarket pickups installed in it. The guitar had a JB and a Jazz installed. The JB in the bridge is awesome for everything from blues to metal. It can really do every genre, it's that versatile. The mahogany body helps keep the JB sounding fat, and the bass on it is perfect enough to where it's not super tight to where it sounds sterile but it's also not super loose to where it sounds flabby. The Jazz in the neck is like a cleaner, more polite 59. It has a bit more treble and sounds a bit more linear, but it delivers some awesome clean and lead tones. I find that it's a bit clearer sounding than the 59.

OVERALL OPINION

The aftermarket pickups that were installed in this really made the guitar that much better. I'm not a huge fan of the stock Gibson pickups, and those Duncans are some of my persona favorites. If you're in the market for one of these, be sure to check it thoroughly for QC issues as that'll be its biggest downfall. They generally all sound good, though.
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iamqmaniamqman

Ax incroyable!

Gibson Les Paul Standard 50Publié le 13/09/11 à 06:04
contenu en anglais (contenu en anglais)
The Gibson Les Paul is a great guitar that has a great feeling and just an absolute iconic look. So Mini guitar makers and manufactures today have taken what Les Paul did back in the 50s and use it as their influence to build their modern guitars. So many guitar makers just flat out copy these guitars because are so widely used in extremely versatile. These are the kind guitars I discussed it in pretty much any style of music out there. They're very transcendent and they have just a great voice and tone and overall feel for any guitar player out there. They have a good way to them if you like a heavy thick mahogany guitar. They're going to be very warm and very soothing when you have a good overdriving amplifier . These are such beautiful feeling and sounding guitars.

UTILIZATION

These are the kind of guitars that you wish you could start it out playing the guitar with. If you were lucky enough to have a Gibson Les Paul when you first started the guitar chances are you're probably still playing the electric guitar. Anyone who got the opportunity to pick up this kind of guitar when they first started playing probably had the right element in the right tools to use to help get them going in their guitar playing career. And if you didn't continue that career then shame on you because this is a great guitar. Overall the feeling and tone of this guitar is unmatched in any area.


SOUNDS

They are very easy to dial in and you have two volume control knobs into tone control knobs. You also have a pick up selector that will allow you to pick up a bridge pick up for the neck pick up. This is a pretty easy guitar to figure out and you just basically turn your tone control knobs all the way up and you turn your volume controls all the way up. If you want to get the sound of switching a guitar on and off then you would turn the neck pick up volume down all the way and use your click pick up selector to flick it up and down to get a cool jolting type of sound. Van Halen also used a Gibson Les Paul to get some of his recording tones. If you've ever heard the song hot for teacher then you know that the intro was played problem on a Gibson Les Paul and using the two pick ups and rolling the volume control knob down to get a clean town and having the other control all the way up. See you get over driving test. This was good when Eddie Van Halen used to switch quickly from a clean too hot rotted overdriven distortion tone.

These guitars match very well with the Marshall amplifier. It's like that you were made for each other even know they were built on different continents. They have a great chemistry and by far have the best sound in buying any guitar to any guitar amplifier. Again this is my opinion and I generally lean towards hard rock and metal tones so the mix between a Gibson Les Paul and Marshall amplifier is really right up my alley.

OVERALL OPINION


I highly recommend this guitar to anyone looking to step up to one of the best guitars ever been created. It has a great feeling a great tone that matches pretty much any style of music. It's good to be a warm and sick fat sounding tone that will get you a great classic rock tone and modern rock tone. You can find these guitars pretty easily on the used market so I would go there first if you're on a budget.
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Fiche technique

  • Fabricant : Gibson
  • Modèle : Les Paul Standard 50
  • Série : Les Paul
  • Catégorie : Guitares de forme LP
  • Fiche créée le : 23/02/2005
Caractéristiques :
  • Corps acajou avec table bombée en érable flammé grade AA avec binding
  • manche collé acajou / touche palissandre 22 cases avec binding profil '50
  • 2 micros humbucking Burstbucker V
  • 2 volumes et 2 tonalités
  • chevalet tun-o-matic + cordier stop bar
  • accastillage nickel
  • livrée en étui rigide
  • Couleurs : Heritage Cherry Sunburst - Goldtop - Light Burst - Desert Burst - Wine Red - Ebony - Trans Amber - Honey Burst - Root Beer - Cayenne - Iced Tea - ( Gecko - Latte Crème : sur commande spéciale, nous consulter )

Source : Gibson

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Autres guitares de forme LP Gibson

Autres catégories dans Guitares électriques Solid Body

Autres dénominations : lespaulstandard 50, lespaulstandard50, les paul standard50, lespaul standard 50, lespaul standard50