Yamaha T100C
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Yamaha T100C : l'avis de nickname009
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Caractéristiques
Hmmm cet examen sera de la mémoire et des notes que je déterre en ligne que je me souviens vaguement de cet ampli étant aussi bon que c'est d'être déliré.
2 canaux tous les amplis à lampes conçu par Mike Soldano, produites par Yamaha.
50 watts et 100 watts combos ont été produites ainsi que quelques têtes.
6L6 et 12AX7
Chaque canal a ses propres reverb, master, treble, middle, bass et de boutons de gain préampli avec un contrôle de présence partagée.
Boucle FX avec des esclaves à
Ampli à tubes assez simpliste, design simple esthétiquement. Juste tout noir avec des boutons noirs et les logos d'une ou deux Yamaha. Me semblait très élégant pour moi.
2 canaux tous les amplis à lampes conçu par Mike Soldano, produites par Yamaha.
50 watts et 100 watts combos ont été produites ainsi que quelques têtes.
6L6 et 12AX7
Chaque canal a ses propres reverb, master, treble, middle, bass et de boutons de gain préampli avec un contrôle de présence partagée.
Boucle FX avec des esclaves à
Ampli à tubes assez simpliste, design simple esthétiquement. Juste tout noir avec des boutons noirs et les logos d'une ou deux Yamaha. Me semblait très élégant pour moi.
Voir / éditer source la source en anglais
Hmmm this review will be from memory and notes that I dig up online as I faintly remember this amp being as good as it's raved to be.
2 channel all tube amp designed by mike soldano, produced by yamaha.
50 watt and 100 watt combos were produced as well some heads.
6l6 and 12ax7s
each channel has their own reverb, master, treble, middle, bass and preamp gain knobs with a shared presence control.
FX Loop with slave out
Pretty simplistic tube amp, simple design aesthetically. Just all black with black knobs and the one or two yamaha logos. Looked pretty sleek to me.
2 channel all tube amp designed by mike soldano, produced by yamaha.
50 watt and 100 watt combos were produced as well some heads.
6l6 and 12ax7s
each channel has their own reverb, master, treble, middle, bass and preamp gain knobs with a shared presence control.
FX Loop with slave out
Pretty simplistic tube amp, simple design aesthetically. Just all black with black knobs and the one or two yamaha logos. Looked pretty sleek to me.
Utilisation
Simple à utiliser. Toutes les commandes sont simplement énoncés et lisibles. Un canal est propre, on est pour distorsion de cours.
Pas trop grand fan de la détection de présence partagée, cependant. Mais je suppose que c'est mieux qu'une réverbération mondiale comme je l'ai vu sur certains autres amplificateurs.
Niveau du préampli est une sorte de là où vous décidez combien de pré-gain de distorsion il va y être. Vous pouvez tourner la manivelle et obtenir un peu de saleté sur le canal clean, ou aller sur le 2ème canal pour des trucs à gain élevé.
Pas trop grand fan de la détection de présence partagée, cependant. Mais je suppose que c'est mieux qu'une réverbération mondiale comme je l'ai vu sur certains autres amplificateurs.
Niveau du préampli est une sorte de là où vous décidez combien de pré-gain de distorsion il va y être. Vous pouvez tourner la manivelle et obtenir un peu de saleté sur le canal clean, ou aller sur le 2ème canal pour des trucs à gain élevé.
Voir / éditer source la source en anglais
Simple to use. All the controls are simply laid out and legible. One channel is clean, one is for distortion of course.
Not too big a fan of the shared presence control however. But I guess that's better than a global reverb like I've seen on some other amps.
Preamp level is sort of where you decide how much pre-gain distortion there's going to be. You can crank it and get quite a bit of dirt on the clean channel, or go all out on the 2nd channel for high gain stuff.
Not too big a fan of the shared presence control however. But I guess that's better than a global reverb like I've seen on some other amps.
Preamp level is sort of where you decide how much pre-gain distortion there's going to be. You can crank it and get quite a bit of dirt on the clean channel, or go all out on the 2nd channel for high gain stuff.
Sonorités
Pour être honnête, le son était très fade aussi loin que je me souviens. Ce n'était pas une bonne marshally-vintage sonores ni un son moderne raflé non plus. C'était plus comme, juste quelques ampli à lampes lumineuses de sondage. C'était un son neutre, je dirais sans vie, en termes de distorsion, il n'a rien fait pour moi. Ce n'était pas gazeuse ou quelque chose comme ça, il était plus épais et brillants mais toujours en douceur. Mais il m'a semblé être qu'il manquait quelque chose. Je ne sais pas quoi?
Le nettoie ont été globalement assez bon. Pas trop fender-ish, mais encore beaucoup d'espace libre et très utilisable. Le bouton de démarrage à préampli sur le canal clean vous procure une bonne bluesy, le son overdrive pourtant légèrement brillante-ish.
Le nettoie ont été globalement assez bon. Pas trop fender-ish, mais encore beaucoup d'espace libre et très utilisable. Le bouton de démarrage à préampli sur le canal clean vous procure une bonne bluesy, le son overdrive pourtant légèrement brillante-ish.
Voir / éditer source la source en anglais
To be honest the sound was very bland as far as I remember. It wasn't a smooth marshally-vintage sound nor was it a modern scooped sound either. It was more like, just some bright sounding tube amp. It was a neutral sound, I'd have to say lifeless in terms of the distortion, it did nothing for me. It wasn't fizzy or anything like that, it was more thick and bright but still smooth. But it just seemed like there was something missing. I'm not sure what?
The cleans were quite good overall. Not too fender-ish but still plenty of headroom and very usable. Cranking the preamp knob on the clean channel gets you a good bluesy, yet slightly bright-ish overdrive sound.
The cleans were quite good overall. Not too fender-ish but still plenty of headroom and very usable. Cranking the preamp knob on the clean channel gets you a good bluesy, yet slightly bright-ish overdrive sound.
Avis Global
Globalement, un ampli médiocre. Oui, il a été conçu par Mike Soldano, mais je ne pense vraiment pas, c'est encore dans le même ordre que ses trucs. Il semble juste d'avoir été un hors idée qu'il pourrait avoir eu pour un ampli Yamaha lors engagé à faire quelque chose pour lui, c'est ce que lui est venue et Yamaha mis leur touche sur elle et la laisser voler. Il n'a pas vraiment décollé, mais il conserve toujours une valeur décente utilisé probablement à cause de Mike Soldano avoir quelque chose à voir avec cela.
Voir / éditer source la source en anglais
Overall, a mediocre amp. Yes it was designed by mike soldano but I really don't think it's even in the same ballpark as his stuff. It just seems to have been a one off idea that he may have had for an amp when Yamaha hired him to do something for him, that's what he came up with and Yamaha put their touch on it and let it fly. It didn't really take off, yet it still retains a decent used value probably due to Mike Soldano having something to do with it.
Texte original anglais : Characteristics
Hmmm this review will be from memory and notes that I dig up online as I faintly remember this amp being as good as it's raved to be.
2 channel all tube amp designed by mike soldano, produced by yamaha.
50 watt and 100 watt combos were produced as well some heads.
6l6 and 12ax7s
each channel has their own reverb, master, treble, middle, bass and preamp gain knobs with a shared presence control.
FX Loop with slave out
Pretty simplistic tube amp, simple design aesthetically. Just all black with black knobs and the one or two yamaha logos. Looked pretty sleek to me.
2 channel all tube amp designed by mike soldano, produced by yamaha.
50 watt and 100 watt combos were produced as well some heads.
6l6 and 12ax7s
each channel has their own reverb, master, treble, middle, bass and preamp gain knobs with a shared presence control.
FX Loop with slave out
Pretty simplistic tube amp, simple design aesthetically. Just all black with black knobs and the one or two yamaha logos. Looked pretty sleek to me.
Utilization
Simple to use. All the controls are simply laid out and legible. One channel is clean, one is for distortion of course.
Not too big a fan of the shared presence control however. But I guess that's better than a global reverb like I've seen on some other amps.
Preamp level is sort of where you decide how much pre-gain distortion there's going to be. You can crank it and get quite a bit of dirt on the clean channel, or go all out on the 2nd channel for high gain stuff.
Not too big a fan of the shared presence control however. But I guess that's better than a global reverb like I've seen on some other amps.
Preamp level is sort of where you decide how much pre-gain distortion there's going to be. You can crank it and get quite a bit of dirt on the clean channel, or go all out on the 2nd channel for high gain stuff.
Sounds
To be honest the sound was very bland as far as I remember. It wasn't a smooth marshally-vintage sound nor was it a modern scooped sound either. It was more like, just some bright sounding tube amp. It was a neutral sound, I'd have to say lifeless in terms of the distortion, it did nothing for me. It wasn't fizzy or anything like that, it was more thick and bright but still smooth. But it just seemed like there was something missing. I'm not sure what?
The cleans were quite good overall. Not too fender-ish but still plenty of headroom and very usable. Cranking the preamp knob on the clean channel gets you a good bluesy, yet slightly bright-ish overdrive sound.
The cleans were quite good overall. Not too fender-ish but still plenty of headroom and very usable. Cranking the preamp knob on the clean channel gets you a good bluesy, yet slightly bright-ish overdrive sound.
Overall Opinion
Overall, a mediocre amp. Yes it was designed by mike soldano but I really don't think it's even in the same ballpark as his stuff. It just seems to have been a one off idea that he may have had for an amp when Yamaha hired him to do something for him, that's what he came up with and Yamaha put their touch on it and let it fly. It didn't really take off, yet it still retains a decent used value probably due to Mike Soldano having something to do with it.
