Latin Percussion patato serie
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Latin Percussion patato serie : l'avis de Drummerguy
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Ces tambours sont pas mal du tout-je les jouais beaucoup au collège et ont beaucoup d'expérience sur des tambours d'autres (dans une variété de situations!) Pour les comparer.
Tout d'abord, vous avez à réaliser ce que vous donnez et ce que vous obtenez: Ces tambours sont faits de fibre de verre (pas de Siam chêne, ou de la cendre comme les autres tambours LP prix comparable) et de ce fait vous n'avez vraiment finir par sacrifier un peu de bonnes de chaleur et de l'extrémité inférieure à la tonalité de ces tambours. Qu'est-ce que vous obtenez: tambours qui sont un fort lot entier (et plus durable aussi bien).
Si vous avez déjà joué derrière une bande de grands latine ou bruyant groupe R & B vous savez ce que c'est comme-vous jamais miced comme vous devraient être et vous devez vraiment vous tuer pour votre son à l'auditoire. Ces tambours va vraiment vous faire économiser un peu de peau (littéralement) à projeter plus fort groupes. J'ai joué quelques concerts big band où je n'aurais pas été entendu du tout si ce n'était pas pour la projection supérieure de ces tambours.
Ils sont aussi plus durables que leurs concurrents ligneux. Si vous vivez dans un climat humide et très variable comme le sud-est Etats-Unis (comme je le fais!), Alors vous savez que les fûts de bois peuvent se fissurer sous de mauvaises circonstances. Heureusement qu'ils n'ont pas inventé un climat encore que peut craquer en fibre de verre!
Bien sûr, vous avez malheureusement abandonner un grand nombre de la chaleur et l'authenticité de la tonalité du tambour pour obtenir cette revanche. Ces fûts ne sont certainement pas optimale pour les situations de studio, ni plus douce des situations qui exigent un plus grand degré de finesse. Dans ces situations, le son de batterie est plus lumineux et plus longtemps que je pense est approprié.
Dans l'ensemble je pense que ces tambours sont grands pour l'argent et essentielle pour couper à travers de nombreux réalistes vivent des situations de jouer.
Tout d'abord, vous avez à réaliser ce que vous donnez et ce que vous obtenez: Ces tambours sont faits de fibre de verre (pas de Siam chêne, ou de la cendre comme les autres tambours LP prix comparable) et de ce fait vous n'avez vraiment finir par sacrifier un peu de bonnes de chaleur et de l'extrémité inférieure à la tonalité de ces tambours. Qu'est-ce que vous obtenez: tambours qui sont un fort lot entier (et plus durable aussi bien).
Si vous avez déjà joué derrière une bande de grands latine ou bruyant groupe R & B vous savez ce que c'est comme-vous jamais miced comme vous devraient être et vous devez vraiment vous tuer pour votre son à l'auditoire. Ces tambours va vraiment vous faire économiser un peu de peau (littéralement) à projeter plus fort groupes. J'ai joué quelques concerts big band où je n'aurais pas été entendu du tout si ce n'était pas pour la projection supérieure de ces tambours.
Ils sont aussi plus durables que leurs concurrents ligneux. Si vous vivez dans un climat humide et très variable comme le sud-est Etats-Unis (comme je le fais!), Alors vous savez que les fûts de bois peuvent se fissurer sous de mauvaises circonstances. Heureusement qu'ils n'ont pas inventé un climat encore que peut craquer en fibre de verre!
Bien sûr, vous avez malheureusement abandonner un grand nombre de la chaleur et l'authenticité de la tonalité du tambour pour obtenir cette revanche. Ces fûts ne sont certainement pas optimale pour les situations de studio, ni plus douce des situations qui exigent un plus grand degré de finesse. Dans ces situations, le son de batterie est plus lumineux et plus longtemps que je pense est approprié.
Dans l'ensemble je pense que ces tambours sont grands pour l'argent et essentielle pour couper à travers de nombreux réalistes vivent des situations de jouer.
Voir / éditer source la source en anglais
These aren't bad drums at all- I played them extensively in college and have a lot of experience on other drums (in a variety of situations!) to compare them against.
First off you've got to realize what you give and what you get: These drums are made of fiberglass (not Siam oak, or ash like the other comparably priced LP drums) and because of this you really do end up sacrificing a good bit of warmth and bottom end to the tone of these drums. What you get: drums that are a WHOLE lot louder (and more durable as well).
If you've ever played behind a latin big band or loud R&B band you know what its like- you're never miced like you should be and you have to really kill yourself to get your sound out to the audience. These drums will really save you some skin (literally!) in projecting over louder groups. I've played a couple of big band gigs where I wouldn't have been heard AT ALL if it wasn't for the superior projection of these drums.
They're also more durable than their woody competitors. If you live in a moist and highly variable climate like the south east United Sates (like I do!) then you know that wood drums can crack under the wrong circumstances. Thankfully they haven't invented a climate yet that could crack fiberglass!
Of course you unfortunately give up a lot of the warmth and authenticity of the tone of the drum to get this however. These drums are definitely not optimum for studio situations, nor softer situations that require a greater degree of delicacy. In these situations the drum sound is brighter and longer than I think is appropriate.
All in all I think these drums are great for the money and essential to cutting through many realistic live playing situations.
First off you've got to realize what you give and what you get: These drums are made of fiberglass (not Siam oak, or ash like the other comparably priced LP drums) and because of this you really do end up sacrificing a good bit of warmth and bottom end to the tone of these drums. What you get: drums that are a WHOLE lot louder (and more durable as well).
If you've ever played behind a latin big band or loud R&B band you know what its like- you're never miced like you should be and you have to really kill yourself to get your sound out to the audience. These drums will really save you some skin (literally!) in projecting over louder groups. I've played a couple of big band gigs where I wouldn't have been heard AT ALL if it wasn't for the superior projection of these drums.
They're also more durable than their woody competitors. If you live in a moist and highly variable climate like the south east United Sates (like I do!) then you know that wood drums can crack under the wrong circumstances. Thankfully they haven't invented a climate yet that could crack fiberglass!
Of course you unfortunately give up a lot of the warmth and authenticity of the tone of the drum to get this however. These drums are definitely not optimum for studio situations, nor softer situations that require a greater degree of delicacy. In these situations the drum sound is brighter and longer than I think is appropriate.
All in all I think these drums are great for the money and essential to cutting through many realistic live playing situations.
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Texte original anglais : Overall Opinion
These aren't bad drums at all- I played them extensively in college and have a lot of experience on other drums (in a variety of situations!) to compare them against.
First off you've got to realize what you give and what you get: These drums are made of fiberglass (not Siam oak, or ash like the other comparably priced LP drums) and because of this you really do end up sacrificing a good bit of warmth and bottom end to the tone of these drums. What you get: drums that are a WHOLE lot louder (and more durable as well).
If you've ever played behind a latin big band or loud R&B band you know what its like- you're never miced like you should be and you have to really kill yourself to get your sound out to the audience. These drums will really save you some skin (literally!) in projecting over louder groups. I've played a couple of big band gigs where I wouldn't have been heard AT ALL if it wasn't for the superior projection of these drums.
They're also more durable than their woody competitors. If you live in a moist and highly variable climate like the south east United Sates (like I do!) then you know that wood drums can crack under the wrong circumstances. Thankfully they haven't invented a climate yet that could crack fiberglass!
Of course you unfortunately give up a lot of the warmth and authenticity of the tone of the drum to get this however. These drums are definitely not optimum for studio situations, nor softer situations that require a greater degree of delicacy. In these situations the drum sound is brighter and longer than I think is appropriate.
All in all I think these drums are great for the money and essential to cutting through many realistic live playing situations.
First off you've got to realize what you give and what you get: These drums are made of fiberglass (not Siam oak, or ash like the other comparably priced LP drums) and because of this you really do end up sacrificing a good bit of warmth and bottom end to the tone of these drums. What you get: drums that are a WHOLE lot louder (and more durable as well).
If you've ever played behind a latin big band or loud R&B band you know what its like- you're never miced like you should be and you have to really kill yourself to get your sound out to the audience. These drums will really save you some skin (literally!) in projecting over louder groups. I've played a couple of big band gigs where I wouldn't have been heard AT ALL if it wasn't for the superior projection of these drums.
They're also more durable than their woody competitors. If you live in a moist and highly variable climate like the south east United Sates (like I do!) then you know that wood drums can crack under the wrong circumstances. Thankfully they haven't invented a climate yet that could crack fiberglass!
Of course you unfortunately give up a lot of the warmth and authenticity of the tone of the drum to get this however. These drums are definitely not optimum for studio situations, nor softer situations that require a greater degree of delicacy. In these situations the drum sound is brighter and longer than I think is appropriate.
All in all I think these drums are great for the money and essential to cutting through many realistic live playing situations.
