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Hatsubai « My favorite neck »
Publié le 01/07/11 à 05:04
(contenu en anglais)
The 60s neck on this thing is the biggest reason to buy this. In fact, this is very similar to the Classic but without the hot pickups and plain maple top. The guitar features a mahogany body with a maple top, a mahogany set neck with a rosewood fretboard, standard trapezoid inlays, 22 frets, a tune-o-matic bridge, two humbuckers, two volumes, two tones and a three way switch.
UTILIZATION
This guitar was dead perfect. The frets were amazingly level and had a perfect crown to them. This is vital to achieving low action without fretting out. I was able to get it down to about 1/32'' while still being able to bend a full step on every fret. The ends were done nicely, and they didn't slice up your hand at all. To top it off, the nut was cut properly too. The guitar held tune like a champ. However, this is not the case with all of these guitars. I've played a few that were absolutely horrible, so be sure to check yours before buying it if you can.
SOUNDS
This guitar was killer, but it had aftermarket pickups installed in it. The guitar had a JB and a Jazz installed. The JB in the bridge is awesome for everything from blues to metal. It can really do every genre, it's that versatile. The mahogany body helps keep the JB sounding fat, and the bass on it is perfect enough to where it's not super tight to where it sounds sterile but it's also not super loose to where it sounds flabby. The Jazz in the neck is like a cleaner, more polite 59. It has a bit more treble and sounds a bit more linear, but it delivers some awesome clean and lead tones. I find that it's a bit clearer sounding than the 59.
OVERALL OPINION
This is one of my favorite Les Pauls. The thinner neck on this is absolutely perfect for the style of music I play. They sound great, and they look awesome. If you're going to get one, be sure to check out the fret work and the nut on these. Those are the biggest issues when it comes to these guitars.
UTILIZATION
This guitar was dead perfect. The frets were amazingly level and had a perfect crown to them. This is vital to achieving low action without fretting out. I was able to get it down to about 1/32'' while still being able to bend a full step on every fret. The ends were done nicely, and they didn't slice up your hand at all. To top it off, the nut was cut properly too. The guitar held tune like a champ. However, this is not the case with all of these guitars. I've played a few that were absolutely horrible, so be sure to check yours before buying it if you can.
SOUNDS
This guitar was killer, but it had aftermarket pickups installed in it. The guitar had a JB and a Jazz installed. The JB in the bridge is awesome for everything from blues to metal. It can really do every genre, it's that versatile. The mahogany body helps keep the JB sounding fat, and the bass on it is perfect enough to where it's not super tight to where it sounds sterile but it's also not super loose to where it sounds flabby. The Jazz in the neck is like a cleaner, more polite 59. It has a bit more treble and sounds a bit more linear, but it delivers some awesome clean and lead tones. I find that it's a bit clearer sounding than the 59.
OVERALL OPINION
This is one of my favorite Les Pauls. The thinner neck on this is absolutely perfect for the style of music I play. They sound great, and they look awesome. If you're going to get one, be sure to check out the fret work and the nut on these. Those are the biggest issues when it comes to these guitars.