Electro-Voice N/D767a
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Prix public : NC Prix moyen : 115,00 €
Electro-Voice N/D767a : l'avis de Wurly Girl
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Caractéristiques
Ceci est un micro dynamique supercardioïde avec un motif, avec EV La technologie brevetée voix de basse-optimisés pour réduire muddiness, gérer et confortable poignée chaud.
Voir / éditer source la source en anglais
This is a dynamic mic with a supercardioid pattern, featuring EV's patented Voice-Optimized Bass technology to reduce muddiness, and comfy Warm Grip handle.
Avis Global
J'ai d'abord été présenté à la ND/767a quand je suis entré dans un magasin de musique à l'achat d'un 58a Beta Shure. J'ai spécifiquement besoin d'un micro qui serait bien performer quand il est utilisé pour la voix féminine dans une situation live. Le vendeur est allé à la salle de micro et est retourné avec le BETA58 et le 767A, il m'a invité dans une pièce isolée au test-drive les deux micros côte à côte. Il était persuadé que j'aimerais mieux 767. J'ai fini par acheter l'BETA58 ce jour-là, mais il le regretter plus tard. Je suis maintenant dans le processus de remplacement de TOUS vivre ma micros de chant avec l'ND/767a. Oui, je possède BETA58 et autres micros voix, mais je suis prêt à lutter pour mon droit à l'un des Boeing 767 sur une gig.
Ces micros sont idéales pour toutes les applications vocales en direct. Grande richesse au son, grâce à la voix-Optimized Bass "la technologie - idéal pour les dames ou messieurs, la musique country ou R & B. Etre une femme, j'aime avoir ce micro sur tout concert qui exige que je le rap, il représente ma voix avec GREA ., chaleureux et clair Mes mots coulent à travers croquant au mélangeur, et mon ton est agréable et épaisse Je leur ai aussi l'amour sur mon concerts de jazz et de reggae -. ce micro rend justice à Diana Krall-type sultriness, chant salle de danse, le rap et le chant âme.
Rayon de ramassage sur cette Grande micro, bien que les meilleurs sons sont - bien sûr - produite lorsque le chanteur est dans les 3 pouces de la grille. La poignée confortable est facile à saisir, même si vos paumes sont un peu en sueur, et la grille est enduite d'une substance en caoutchouc noir. Cela réduit le nombre de fois mon guitariste et bassiste de choc eux-mêmes sur les branchies tout en jouant de leurs instruments. Fair Warning, cependant: ce micro ne s'intègre pas bien dans les clips spécifiques à la marque des micro, autres que les clips EV inclus avec le micro dans l'achat. Pas de clip "universel" micro est trop petite pour elle, mais des clips Shure et Senheiser ne peut pas le tenir.
J'ai commencé ma collection 767 il ya un an, et j'ai eu quelques compliments sur le micro lui-même. Juste pour vous donner une idée, j'ai été une fois sur un concert avec plusieurs autres chanteurs, qui ont été en utilisant plusieurs modèles / marques de micros. Le client se trouvait au milieu de la salle lors de l'enregistrement sonore, demandant l'homme du son, encore et encore de «faire tous les sons des micros comme celui noire qu'elle a!" Il faisait allusion à mon ND/767a. Il n'y avait rien de l'homme du son pourrait faire - aucun montant de peaufinage pourrait faire tout son micro d'autres comme celui-ci.
Sur une deuxième fois, également sur un concert avec plusieurs autres chanteurs (qui ont utilisé diverses et les micros Shure Audix), l'homme solide enfoui la tête dans le mélangeur que nous avons vérifié les micros bas de la ligne de front. J'ai été quatrième en ligne. "Mic Check, un." "Mic Check, deux." "Mic Check, trois." "Mic Check, quatre." Sans lever les yeux de la table de mixage, l'homme du son est revenu sur le micro talkback et demanda: «Est-ce une EV micro? S'gotta être."
Prix-sage, ce micro est comparable à la BETA58A Shure (autour de 150-190 $ de la plupart des détaillants) et surpasse la BETA58A. Les miens sont tous complètement vaut le prix que j'ai payé pour eux, je voudrais pour remplacer tous vivre ma micros chant avec ces derniers.
Ces micros sont idéales pour toutes les applications vocales en direct. Grande richesse au son, grâce à la voix-Optimized Bass "la technologie - idéal pour les dames ou messieurs, la musique country ou R & B. Etre une femme, j'aime avoir ce micro sur tout concert qui exige que je le rap, il représente ma voix avec GREA ., chaleureux et clair Mes mots coulent à travers croquant au mélangeur, et mon ton est agréable et épaisse Je leur ai aussi l'amour sur mon concerts de jazz et de reggae -. ce micro rend justice à Diana Krall-type sultriness, chant salle de danse, le rap et le chant âme.
Rayon de ramassage sur cette Grande micro, bien que les meilleurs sons sont - bien sûr - produite lorsque le chanteur est dans les 3 pouces de la grille. La poignée confortable est facile à saisir, même si vos paumes sont un peu en sueur, et la grille est enduite d'une substance en caoutchouc noir. Cela réduit le nombre de fois mon guitariste et bassiste de choc eux-mêmes sur les branchies tout en jouant de leurs instruments. Fair Warning, cependant: ce micro ne s'intègre pas bien dans les clips spécifiques à la marque des micro, autres que les clips EV inclus avec le micro dans l'achat. Pas de clip "universel" micro est trop petite pour elle, mais des clips Shure et Senheiser ne peut pas le tenir.
J'ai commencé ma collection 767 il ya un an, et j'ai eu quelques compliments sur le micro lui-même. Juste pour vous donner une idée, j'ai été une fois sur un concert avec plusieurs autres chanteurs, qui ont été en utilisant plusieurs modèles / marques de micros. Le client se trouvait au milieu de la salle lors de l'enregistrement sonore, demandant l'homme du son, encore et encore de «faire tous les sons des micros comme celui noire qu'elle a!" Il faisait allusion à mon ND/767a. Il n'y avait rien de l'homme du son pourrait faire - aucun montant de peaufinage pourrait faire tout son micro d'autres comme celui-ci.
Sur une deuxième fois, également sur un concert avec plusieurs autres chanteurs (qui ont utilisé diverses et les micros Shure Audix), l'homme solide enfoui la tête dans le mélangeur que nous avons vérifié les micros bas de la ligne de front. J'ai été quatrième en ligne. "Mic Check, un." "Mic Check, deux." "Mic Check, trois." "Mic Check, quatre." Sans lever les yeux de la table de mixage, l'homme du son est revenu sur le micro talkback et demanda: «Est-ce une EV micro? S'gotta être."
Prix-sage, ce micro est comparable à la BETA58A Shure (autour de 150-190 $ de la plupart des détaillants) et surpasse la BETA58A. Les miens sont tous complètement vaut le prix que j'ai payé pour eux, je voudrais pour remplacer tous vivre ma micros chant avec ces derniers.
Voir / éditer source la source en anglais
I was first introduced to the ND/767a when I walked into a music store to purchase a Shure Beta 58a. I specifically needed a mic that would perform well when used for female vocals in a live situation. The salesman went to the mic room and returned with the Beta58 and the 767a; he invited me into an isolated room to test-drive the two mics side by side. He was confident I'd like the 767 better. I wound up buying the Beta58 that day, but regretting it later. I'm now in the process of replacing ALL my live vocal mics with the ND/767a. Yes, I own Beta58's and other vocal mics, but I'm willing to fight for my right to one of the 767's on a gig.
These mics are ideal for every live vocal application. Great richness to the sound, thanks to the Voice-Optimized Bass" technology - great for ladies or gents, country music or R&B. Being a lady, I love having this mic on any gig which requires I rap; it represents my voice with grea, warm, clear tone. My words flow through crisply to the mixer, and my tone is nice and thick. I also love them on my jazz and reggae gigs - this mic does justice to Diana-Krall-type sultriness, dance hall vocals, rap and soul singing.
Great pickup radius on this mic, although the best sounds are - of course - produced when the vocalist is within 3 inches of the grill. The comfy handle is easy to grip, even if your palms are a little sweaty, and the grill is coated with a rubberized black substance. This reduces the number of times my guitar player and bass player shock themselves on the gill while playing their instruments. Fair warning, though: this mic doesn't fit well into some brand-specific mic clips, other than the EV clips included with the mic in purchase. No "universal" mic clip is too small for it, but Shure and Senheiser clips can't hold it.
I started my 767 collection about a year ago, and have had some great compliments on the mic itself. Just to give an idea, I was once on a gig with several other vocalists, who were using several models/brands of mics. The client stood in the middle of the room during sound check, asking the sound man again and again to "make ALL the mics sound like that black one she's got!" He was referring to my ND/767a. There was nothing the sound man could do - no amount of tweaking could make any other mic sound like this one.
On a second occasion, also on a gig with several other vocalists (who were using various Shure and Audix mics), the sound man buried his head in the mixer as we checked the mics down the front line. I was fourth in line. "Mic check, one." "Mic check, two." "Mic check, three." "MIC CHECK, FOUR." Without looking up from the mixer, the sound man came back on the talkback mic and asked, "Is that an EV mic? S'gotta be."
Price-wise, this mic is comparable to the Shure Beta58a (around $150-190 from most retailers) and outperforms the Beta58a. Mine are all completely worth the price I paid for them; I'd like to replace ALL my live vocal mics with these.
These mics are ideal for every live vocal application. Great richness to the sound, thanks to the Voice-Optimized Bass" technology - great for ladies or gents, country music or R&B. Being a lady, I love having this mic on any gig which requires I rap; it represents my voice with grea, warm, clear tone. My words flow through crisply to the mixer, and my tone is nice and thick. I also love them on my jazz and reggae gigs - this mic does justice to Diana-Krall-type sultriness, dance hall vocals, rap and soul singing.
Great pickup radius on this mic, although the best sounds are - of course - produced when the vocalist is within 3 inches of the grill. The comfy handle is easy to grip, even if your palms are a little sweaty, and the grill is coated with a rubberized black substance. This reduces the number of times my guitar player and bass player shock themselves on the gill while playing their instruments. Fair warning, though: this mic doesn't fit well into some brand-specific mic clips, other than the EV clips included with the mic in purchase. No "universal" mic clip is too small for it, but Shure and Senheiser clips can't hold it.
I started my 767 collection about a year ago, and have had some great compliments on the mic itself. Just to give an idea, I was once on a gig with several other vocalists, who were using several models/brands of mics. The client stood in the middle of the room during sound check, asking the sound man again and again to "make ALL the mics sound like that black one she's got!" He was referring to my ND/767a. There was nothing the sound man could do - no amount of tweaking could make any other mic sound like this one.
On a second occasion, also on a gig with several other vocalists (who were using various Shure and Audix mics), the sound man buried his head in the mixer as we checked the mics down the front line. I was fourth in line. "Mic check, one." "Mic check, two." "Mic check, three." "MIC CHECK, FOUR." Without looking up from the mixer, the sound man came back on the talkback mic and asked, "Is that an EV mic? S'gotta be."
Price-wise, this mic is comparable to the Shure Beta58a (around $150-190 from most retailers) and outperforms the Beta58a. Mine are all completely worth the price I paid for them; I'd like to replace ALL my live vocal mics with these.
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Texte original anglais : Characteristics
This is a dynamic mic with a supercardioid pattern, featuring EV's patented Voice-Optimized Bass technology to reduce muddiness, and comfy Warm Grip handle.
Overall Opinion
I was first introduced to the ND/767a when I walked into a music store to purchase a Shure Beta 58a. I specifically needed a mic that would perform well when used for female vocals in a live situation. The salesman went to the mic room and returned with the Beta58 and the 767a; he invited me into an isolated room to test-drive the two mics side by side. He was confident I'd like the 767 better. I wound up buying the Beta58 that day, but regretting it later. I'm now in the process of replacing ALL my live vocal mics with the ND/767a. Yes, I own Beta58's and other vocal mics, but I'm willing to fight for my right to one of the 767's on a gig.
These mics are ideal for every live vocal application. Great richness to the sound, thanks to the Voice-Optimized Bass" technology - great for ladies or gents, country music or R&B. Being a lady, I love having this mic on any gig which requires I rap; it represents my voice with grea, warm, clear tone. My words flow through crisply to the mixer, and my tone is nice and thick. I also love them on my jazz and reggae gigs - this mic does justice to Diana-Krall-type sultriness, dance hall vocals, rap and soul singing.
Great pickup radius on this mic, although the best sounds are - of course - produced when the vocalist is within 3 inches of the grill. The comfy handle is easy to grip, even if your palms are a little sweaty, and the grill is coated with a rubberized black substance. This reduces the number of times my guitar player and bass player shock themselves on the gill while playing their instruments. Fair warning, though: this mic doesn't fit well into some brand-specific mic clips, other than the EV clips included with the mic in purchase. No "universal" mic clip is too small for it, but Shure and Senheiser clips can't hold it.
I started my 767 collection about a year ago, and have had some great compliments on the mic itself. Just to give an idea, I was once on a gig with several other vocalists, who were using several models/brands of mics. The client stood in the middle of the room during sound check, asking the sound man again and again to "make ALL the mics sound like that black one she's got!" He was referring to my ND/767a. There was nothing the sound man could do - no amount of tweaking could make any other mic sound like this one.
On a second occasion, also on a gig with several other vocalists (who were using various Shure and Audix mics), the sound man buried his head in the mixer as we checked the mics down the front line. I was fourth in line. "Mic check, one." "Mic check, two." "Mic check, three." "MIC CHECK, FOUR." Without looking up from the mixer, the sound man came back on the talkback mic and asked, "Is that an EV mic? S'gotta be."
Price-wise, this mic is comparable to the Shure Beta58a (around $150-190 from most retailers) and outperforms the Beta58a. Mine are all completely worth the price I paid for them; I'd like to replace ALL my live vocal mics with these.
These mics are ideal for every live vocal application. Great richness to the sound, thanks to the Voice-Optimized Bass" technology - great for ladies or gents, country music or R&B. Being a lady, I love having this mic on any gig which requires I rap; it represents my voice with grea, warm, clear tone. My words flow through crisply to the mixer, and my tone is nice and thick. I also love them on my jazz and reggae gigs - this mic does justice to Diana-Krall-type sultriness, dance hall vocals, rap and soul singing.
Great pickup radius on this mic, although the best sounds are - of course - produced when the vocalist is within 3 inches of the grill. The comfy handle is easy to grip, even if your palms are a little sweaty, and the grill is coated with a rubberized black substance. This reduces the number of times my guitar player and bass player shock themselves on the gill while playing their instruments. Fair warning, though: this mic doesn't fit well into some brand-specific mic clips, other than the EV clips included with the mic in purchase. No "universal" mic clip is too small for it, but Shure and Senheiser clips can't hold it.
I started my 767 collection about a year ago, and have had some great compliments on the mic itself. Just to give an idea, I was once on a gig with several other vocalists, who were using several models/brands of mics. The client stood in the middle of the room during sound check, asking the sound man again and again to "make ALL the mics sound like that black one she's got!" He was referring to my ND/767a. There was nothing the sound man could do - no amount of tweaking could make any other mic sound like this one.
On a second occasion, also on a gig with several other vocalists (who were using various Shure and Audix mics), the sound man buried his head in the mixer as we checked the mics down the front line. I was fourth in line. "Mic check, one." "Mic check, two." "Mic check, three." "MIC CHECK, FOUR." Without looking up from the mixer, the sound man came back on the talkback mic and asked, "Is that an EV mic? S'gotta be."
Price-wise, this mic is comparable to the Shure Beta58a (around $150-190 from most retailers) and outperforms the Beta58a. Mine are all completely worth the price I paid for them; I'd like to replace ALL my live vocal mics with these.
