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DombloTop du top
Publié le 17/03/15 à 22:573 photosLe perfection sur n'importe quel ampli!!!
Personnellement, j'utilise des amplis à lampes
Vox, Fender, Marshall etc....
La lutherie est juste parfaite, les bois anciens sont insurpassables;
Bois de rose du Brésil, acajous du Honduras, et érables americains!!! Quoi de mieux???
Les micros PAF doubles blancs à eux seuls valent déjà 10000 Euros et ils sont introuvables!!!
L'électronique est classique et sans défaut
Le manche est très jouable et sonore!
La guitare répond à la moindre sollicitation! Ce qui permet une expression exceptionnelle! ,,
Je pense que l'ont peut tout jouer avec un instrument pareil!!!!
Les sons sont illimités et pleins d'harmoniques de clarté, d'articulations!!…Lire la suiteLe perfection sur n'importe quel ampli!!!
Personnellement, j'utilise des amplis à lampes
Vox, Fender, Marshall etc....
La lutherie est juste parfaite, les bois anciens sont insurpassables;
Bois de rose du Brésil, acajous du Honduras, et érables americains!!! Quoi de mieux???
Les micros PAF doubles blancs à eux seuls valent déjà 10000 Euros et ils sont introuvables!!!
L'électronique est classique et sans défaut
Le manche est très jouable et sonore!
La guitare répond à la moindre sollicitation! Ce qui permet une expression exceptionnelle! ,,
Je pense que l'ont peut tout jouer avec un instrument pareil!!!!
Les sons sont illimités et pleins d'harmoniques de clarté, d'articulations!!!
Pour un grand guitariste c'est un grand bonheur!!!
( je ne parle pas de moi .....)
Mais déjà à mon petit niveau c'est le bonheur total!!!Lire moins07
HatsubaiHumbucker équipés 1954
Publié le 12/08/11 à 01:21
(contenu en anglais)During the mid 50s, Gibson developed their own PAF pickups which were the first humbuckers ever created by Seth Lover. These pickups started a revolution, but some of the guitars that Gibson had didn't have them installed. To help make up for that, they offered a conversion where they would route out the P90 routes and install humbuckers in it for you. The guitar features a mahogany body with a maple top, mahogany neck with a rosewood fretboard, 22 frets, trapezoid inlays, pickguard, binding, hard tail bridge, two humbuckers, two volumes, two tones and a three way switch.
UTILIZATION
The PAF conversion on this guitar was very clean. Sometimes you'll notice that Gibson converted these by checking out the cavity and looking for any nicks/dings/peeling of the finish. It's a tell-tale sign that it's been converted. They did a pretty good job on this with minimal peeling. The nut on this was also nice, albeit slightly worn. The frets were in pretty good condition, but they were also worn a bit. They were also very small, and I'm not a big fan of small frets.
SOUNDS
I should preface this by saying that I'm a metal player and not a huge fan of the stock Gibson pickups that they like to install in their guitars. That said, these were some pretty cool PAF pickups. One thing that should be noted is that these are extremely low output pickups, and they don't take high gain very well. The bridge can create an awesome blues tone and a solid rock tone with the right amp. The neck works great for that fat clean tone and a jazzy lead tone, but I don't enjoy doing high gain solos on these as I find myself struggling quite a bit.
OVERALL OPINION
These are extremely expensive, and if you ever find one, expect to pay a fortune. We generally keep these in glass cases at the shop as they're a bit of a liability whenever somebody plays them. They're extremely solid and sound great, but they're not worth the price that you have to pay.00