Sound Dust Cloud Viola2

Violon ou alto virtuel de la marque Sound Dust

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Sound Dust lance Cloud Viola2

Sound Dust annonce la sortie de Cloud Viola2, un alto pour Kontakt dédié à la génération d’ambiances et de textures.

22/01/18 1

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Visionner les 2 vidéos du Sound Dust Cloud Viola2

Fiche technique

Fabricant : Sound Dust
Modèle : Cloud Viola2
Catégorie : Violons & altos virtuels
Fiche créée le : 22/01/2018

Alto virtuel pour Kontakt réalisé à partir de l'échantillonnage d'un instrument du 17e siècle et qui servira à générer des ambiances et des textures sonores

One Kontakt .nki instrument
60 snapshots
3GB of 24bit samples (uncompressed)
2.5GB download
Three octave keyrange - G2 to A5
requires FULL Kontakt 5.6.8 or above

Articulations - Eight deeply sampled articulations through eight 'oscillators'

Accent Bow: bowed with a real bow, five round robins per note - recorded with large diaphragm valve condensor mic

Grain Bow: bowed with a real bow, five round robins per note - played through granular oscillator with XY pad control of playback speed and grain size

Palm Mute: plucked and muted with palm of the hand - AKG C414 large diaphragm condensor mic- five round robins per note with up to 22 levels of velocity per note

Grain Legno: Latin for 'gently thwacked with the back of the bow', five round robins per note - played through granular oscillator with XY pad control of playback speed and grain size

Black Twine Bow: bowed with five meters of coarse green garden string, five round robins per note - recorded with large diaphragm valve condensor mic

White Twine Bow: bowed with five meters of coarse green garden string, five round robins per note - recorded AKG C411 contact mic

Grain Cloud: Black Twine Bow recorded 100% wet through Strymon Big Sky hardware reverb - played through granular oscillator with XY pad control of playback speed and grain size

White Cloud: six selectable multi-sampled and heavily processed viola sample sets - cloud, sad cloud, bit cloud, vox cloud, jitter cloud, pain cloud

Master Effects

High and Low pass filters with resonance
Three band equaliser
Rotary speaker emulator
BPM synced tape delay
Morphing EQ
11 Speaker cabinet emulators
Filth control
Master unison control for up to eight voices per note.
Velocity to volume amount control.
Aftertouch to pitchbend amount control.
Aftertouch to filter light/dark control.
Advanced architecture with automatable midi control of everything on the interface.
Data readout window shows useful settings of each tweakable control
Built in instruction manual in RTFM tab

Send effects

Tempo synced tape delay per group
74 specially created convolution reverb impulses recorded from real spaces, expensive hardware and some less obvious sources including spring reverbs, tape delay, reversed impulses, software models, radio, vinyl and the stage of Glyndebourne Opera House.

Effects per 'oscillator'