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Endorphin.es Golden Master Pedal
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Golden Master Pedal, solution compacte d'EQ + Compression + Enhancer + Limiter multibande
La Golden Master Pedal en action, adaptation de leur module Eurorack éponyme, avec une comparaison bienvenue avec un TC Finalizer Express de 1998 :

https://www.endorphin.es/modules/p/golden-master-pedal







L'essai chez SOS, en libre accès tout comme celui de leur autre pédale d'effets, la Ghost :
https://www.soundonsound.com/reviews/endorphines-golden-master
https://www.soundonsound.com/reviews/endorphines-ghost-pedal

Et le bandcamp de Julia Bondar, co-fondatrice d'Endorphin.es :
https://juliabondar.bandcamp.com/


« What is full of redundancy or formula is predictably boring. What is free of all structure or discipline is randomly boring. In between lies art. » (Wendy Carlos)

Mastering a track with Golden Master par Yan Cook

« What is full of redundancy or formula is predictably boring. What is free of all structure or discipline is randomly boring. In between lies art. » (Wendy Carlos)

Merci pour le partage… et pour la decouverte de Julia Bondar, super artiste.

Toujours peu d’infos francophone sur cette machine, je vais devoir tester pour me faire un avis.
Nouveau firmware X sorti en avril dernier.



https://www.endorphin.es/modules/p/golden-master-pedal

Release notes: version X! final 22.04.2026

- please reflash the version X! if you have an X installed
- fully rewritten multiband compressor code
- dry and wet (holding VU + VOLUME) phase-aligned without flangering for NY-style compression
- pedal better behaves with Strymon Ojai - but still requires alternative power adapter for update (processor speficic cause).
- Bypass state, VU meter state and last selected preset are now properly restored on the next power-up
- added third VU meter (semi-on LED) showing gain reduction: low band on LEFT VU-meter scale and mid and high bands on RIGHT VU-meter scale
- added a redesigned MID/SIDE widener that uses dual parallel decorrelation paths to both turn mono material into stereo and enhance existing stereo content, with separate Mid and High implementations, including longer-delay filtering and subtle LFO movement in the High band for a livelier, more natural spatial image
- improved crossover bands
- less noise on the input gain knob
- fixed all possible buzzing knobs/fade/bypass sounds as the ADC sample rate aligned with the audio rate


« What is full of redundancy or formula is predictably boring. What is free of all structure or discipline is randomly boring. In between lies art. » (Wendy Carlos)