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Gibson Joe Bonamassa Les Paul Studio
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Tous les avis sur Gibson Joe Bonamassa Les Paul Studio

Guitare de forme LP de la marque Gibson appartenant à la série Joe Bonamassa

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  • James...James...

    Mieux que prévu

    Gibson Joe Bonamassa Les Paul StudioPublié le 27/12/11 à 18:09
    contenu en anglais (contenu en anglais)
    Traditional Weight Relief Mahogany Body with Maple Top
    Mahogany Neck with Rounded, Traditional Profile
    22 Fret, Rosewood Fingerboard with Acrylic Trapezoids Inlays
    Grover 14:1 Kidney Button Tuners
    Burstbucker 2 and Burstbucker 3 Alnico Humbuckers
    Includes Gibson Hardshell Case

    I was not going to pay the full price for one of these, but on sale around $1400ish I wanted to see how good these actually were. This appears to be a very high end goldtop les paul studio with a pickup switch. The Grover tuners are a welcome upgrade. Trapezoid inlays don't hurt. Some colors in the studio look bad without the binding. I think this one is actually okay without it. It's a cool looking guitar.

    UTILIZATION

    Of course it's heavy, but since these are weight relieved now and the studio weighs a pound or two less than the standard/custom models, it is about as light as you can find a les paul. It does seem like there is an attention to detail here that isn't apparent in most studio models or even the standard ones. I've owned a few studios over the years and the craftsmanship on this guitar is a step up I think. The playability is good. Setup out of the box was junk like most Gibson factory setups. The bridge needed major adjustment and I even had to mess with the truss a bit. No harm no foul. Plays well enough now. Fretwork is good. Electronics all seem stable. Grover tuners keep tune better than my other studio even without a nut filing. I'm impressed here. The neck feels identical to my les paul traditional.

    SOUNDS

    The burstbuckers are great and I'm really glad they chose to put them in this guitar. These are one of the few Gibson pickup sets that I don't feel like I have to scrap when I buy a new les paul. They have a perfect balance between classic 50's PAF tones and the hotrodded overwound ones of the 70's. Probably the best pickup Gibson has made besides the 57 classics. I usually play this guitar through a Matchless Spitfire combo or a Suhr Badger 18. Seems to really like those amps. I imagine it would sound supreme through any cranked marshall style amp. Haven't gotten a chance to play it through my splawn stack yet.

    OVERALL OPINION

    I didn't really expect much from this guitar as I thought it was going to be an overpriced les paul studio for all purposes, but the extra attention to the little details on this artist model impressed me. The price is very fair considering this is basically an LP studio with all the issues (pickups/tuners/finish) worked out. I'm not a big goldtop guy but I like it on this guitar because it isn't so overstated with appointments. I say pick one of these up before they run out. I believe it's a limited run.
  • tjon901tjon901

    LP Studio avec les mods Bonamassa et la finition

    Gibson Joe Bonamassa Les Paul StudioPublié le 28/12/11 à 01:56
    contenu en anglais (contenu en anglais)
    Joe Bonamassa is quite a guitar player. He literally grew up in a guitar shop and now he is jamming with all the legends on a regular basis. He now has a few signature Gibsons from Gibson and Epiphone. This is one of his Gibson signature guitars. This is the one I expect most Bonamassa fans to go for since it has the best combination of quality and value. This is essentially a Les Paul Studio with the Bonnamassa mods. On the base the guitar is pretty typical. The body is mahogany with a maple top. The neck is set in and made out of mahogany. It has a cool color layout that is based off a couple of old 50s LP's. It has a Goldtop with black sides and black. The pickguard and pickup surrounds are black. Up top it has standard Grover tuners. The bridge is a standard Tune-o-matic. The pickups are a set of Burstbuckers with a 2 in the neck and a 3 in the bridge. The controls are normal with a volume and tone for each pickup. Each pickups controls gets its own type of knobs which looks kind of weird when you notice it.

    UTILIZATION

    I found it strange that this guitar has less features than the Epiphone version. The Epiphone version came with locking tuners and straplocks from the factory I believe. This model is more like a normal studio model with the different color layout. The neck on this model is the fat 50s profile so it really fills your hand. The lack of locking tuners or bridge is pretty disappointing. Every new Epiphone comes with a locking bridge now so I do not know what the deal is with Gibson. There is no binding on this model since it is based on a studio so you may have to check for sharp fret ends. The fretboard on these models is supposed to be rosewood but if you get a later production run of it the guitar might have baked maple for its fretboard because of Gibsons current wood problems.

    SOUNDS

    The Burstbuckers pickups in this guitar show the tone Gibson is going for with their newer guitars. The Clean tones from this guitar a big and rich like you expect from an LP. In the bridge position you get a little more edge in the clean tones from that pickup and the neck position clean tones are fatter and smoother but with a bit less definition. With a bit of gain the pickups are not the most brutal but they have more balls than most Gibson pickups. To me they sound like a modern interpretation of a hot rodded PAF pickup. The more traditional Burstbucker setup is with the 1 and 2 with the 1 in the neck and the 2 in the bridge. Burstbucker pickups get hotter as they go up in the series so this Bonamassa guitar has some of the hottest Gibson pickups they put in guitars nowadays.

    OVERALL OPINION

    I do not find this guitar as appealing as the Epiphone version. With the Epiphone version you were getting a very low priced guitar with great hardware and Gibson pickups. The Epiphone version even came with strap locks as well. This Gibson version doesnt come with straplocks and a Gibson having Gibson pickups is nothing special. It also costs twice as much as the Epiphone version which is silly when you compare the two. This guitar is more like a dressed up Studio than the Epiphone version. The Epiphone version you are getting a really good solid guitar for a great price that just doesnt say Gibson on the headstock. This guitar you are getting a dressed up Studio.
  • Anonyme

    Réconcilié avec la série studio...

    Gibson Joe Bonamassa Les Paul StudioPublié le 06/12/11 à 18:51
    1 photo
    Gibson Joe Bonamassa Les Paul Studio

    Série : Les Paul Nashville USA Ltd
    Provenance : USA
    Corps : Acajou, Traditional Weight Relief
    Table : Erable
    Manche : Acajou
    Touche : Palissandre grade A
    Profil de manche : 50s Rounded
    Jointure corps-manche : collé, mortise & tenon
    Frettes : 22 type Medium Jumbo (alliage environ 80% nickel - 20% argent)
    Diapason : 24.75"
    Radius : 12"
    Largeur au sillet : 1.695" - 43.05 mm
    Sillet : en corian (polymère acrylique), technologie plek
    Micro chevalet : double bobinage Gibson Burstbucker 3 Alnico III Humbucker
    Micro manche : double bobinage Gibson Burstbucker 2 Alnico II Humbucker
    Contrôles : 1 volume par micro, 1 tonalité généra…
    Lire la suite
    Gibson Joe Bonamassa Les Paul Studio

    Série : Les Paul Nashville USA Ltd
    Provenance : USA
    Corps : Acajou, Traditional Weight Relief
    Table : Erable
    Manche : Acajou
    Touche : Palissandre grade A
    Profil de manche : 50s Rounded
    Jointure corps-manche : collé, mortise & tenon
    Frettes : 22 type Medium Jumbo (alliage environ 80% nickel - 20% argent)
    Diapason : 24.75"
    Radius : 12"
    Largeur au sillet : 1.695" - 43.05 mm
    Sillet : en corian (polymère acrylique), technologie plek
    Micro chevalet : double bobinage Gibson Burstbucker 3 Alnico III Humbucker
    Micro manche : double bobinage Gibson Burstbucker 2 Alnico II Humbucker
    Contrôles : 1 volume par micro, 1 tonalité générale, sélecteur 3 positions
    Electronique : sélecteur micro & fiche jack Switchcraft, potentiomètres CTS (volume 300k linéaire & tonalité 500k non linéaire)
    Chevalet : Gibson TonePros Locking Tune-o-matic Nashville en zamak
    Cordier : Gibson TonePros Locking Stopbar en zamak
    Mécaniques : Grover Modern Kidney, ratio 14:1, en nickel
    Accastillage : chromé
    Couleurs : Gold Top With Dark Back
    Verni : nitrocellulose brillant
    Accessoires : livrée en étui Gibson Nashville USA
    Cordes d'origine : Gibson tirants 010.046



    UTILISATION

    Le manche de cette studio, type 50, est très "rond", on retrouve l'esprit des manches de les paul studio, bien épais...

    Les Les paul studio récentes sont chambered, celle-ci comme le modèle traditional est avec des trous, ce qui lui confère un certain poids ( j'ai pas pesé )...

    Les mécaniques sont des Grover... contrairement aux studios qui sont généralement avec des "tulipes.

    SONORITÉS

    ... montées donc avec des burstbuckers 2 et 3... que je connaissais, vu que j'ai eu à un moment une Lp Epiphone signature Joe Perry qui avait les mêmes micros.

    Jouée dans un registre blues/rock/jazz, sur une tête blackstar ht20, les micros ont un bon niveau de sortie... pas mal de basse et un son clair propre.

    AVIS GLOBAL

    L'idée d'un modèle signature ne me tentait pas, je cherchais une lp studio mais je trouvais les modèles actuels pas terribles... puis je suis tombé sur ce modèle. J'avais une promo dans mon magasin, en échange de ma fidélité ( ils peuvent !!). Elle est généralement affichée dans les 1200/1250 euros ... pas chambered, micros burstbuckers 2 et 3, finition gold... ça faisait pas mal d'arguments...
    ...pis la signature sur le cache est très discrète...


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