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webstersaysPublié le 18/08/08 à 21:54
(contenu en anglais)This is an analog tube preamp. There are no effects, it just basically raises the level of the input signal. It does have a couple of features that are worth mentioning though. It has phantom power, so you can use condenser mics with this as well as other types that don't require it. There is also more than one type of input on this pre. There is the normal XLR microphone input, but there's also a 1/4" input for DI instruments. There is also a switch that lets you lift the ground, so you can help to eliminate noise in that way. Then there is obviously a pot for gain control, and a balanced XLR output.
UTILIZATION
The configuration and setup of this pre is very simple. There is really not much to it - plug in the power, plug in a mic or DI isntrument and you are pretty much ready to go. Editing the sound is as simple as turning the one gain knob, and deciding if you want to lift the ground or not. The manual is very clear and sufficient, and does a good job telling you what can be done with this pre.
SOUND QUALITY
The sound quality of this pre is great. It definitely helps with a duller mic, because this can help bring the sound to life. Since it's a tube preamp, it will add a certain coloration to the sound of most things you put through it. There isn't that much noise unless you really crank it up. It starts to get noisy then, but you also can get a very nice tube distortion at the same time. It sounds very crunchy and baked, in a good way.
OVERALL OPINION
I have had this for a few years. I really like the warmth you can get with this pre even with a sterile mic. It has a very unique and interesting tone. At the same time, that can be a bad thing, if you want a sound that is transparent. So that is a double edged sword to be considered. You do get a good amount of gain though, so if you have a quiet source this can help you out. The ground lift is also a nice feature if you have problems with your electricity. This is moderately priced, and really it is a moderate value. Other preamps in this price range are about the same quality. I do happen to like the particular sound you get from the brick though, so I would get it again.00
moosersPublié le 21/12/09 à 03:57 (contenu en anglais)ocumentProperties Normal.dotm 0 0 1 57 329 None 2 1 404 12.0 ocumentProperties 0 false rawingGridHorizontalSpacing18 ptrawingGridHorizontalSpacing rawingGridVerticalSpacing18 pt 0 0 false false false Groove Tubes 'The Brick' is a tube based microphone preamplifer and direct input box. It is truly a brick in both look and in weight! It isn't a rackable piece of gear as it is literally in the form of a brick that is best placed on a desk. The unit has an XLR input and an XLR output as well as a 1/4 inch input and output. The only parameters that it has is a gain knob and a ground switch...
UTILIZATION
Using The Brick isn't hard at all and if you have any knowledge of how to use a mic pre, this won't present any problems for you at all. All you need to know is how to plug everything through and how to set your level, and that's all that there is to it. It is as simple as it gets for a mic pre and direct input box combination and I don't foresee this being a problem for too many users. For this reason I don't believe that a manual is necessary.
SOUND QUALITY
The sound quality of the Groove Tubes Brick is quite good overall. While there isn't anything too special or unique about the sound, what it will give you is a very solid sound both in terms of the mic pre and the direct input section. It is useful for any type of situation and I can't say that it is best at recording one thing, but the DI is perfect for recording bass guitar. The Brick definitely won't color your sound in any way as the sound that you will get from it is clean and accurate.
OVERALL OPINION
Overall, Groove Tubes 'The Brick' provides studio owners with a cheap option for a mic pre/DI box without sacrificing quality. While it isn't in a traditional form, this unit will definitely add a lot to any studio looking to expand their mic pre collection. The price is perhaps the best aspect of this unit as it is cost friendly and accessible for home studio owners. All in all, The Brick is definitely worth looking into for anyone in the market for a mic pre/DI box combination...00
lip63Solide chaud pas compliqué
Publié le 20/03/11 à 00:37Pour faire court c'est un pré-amp à lampe connectique XLR et Jack 6.5 avec juste un bouton de volume qui permet de gagner 30dB (0 à 30 pour instrument) +25dB à 55 dB pour un micro. Il comprend également une alim fantome de 48 v.
UTILISATION
super simple
QUALITÉ SONORE
Peu de coloration sauf quand on le pousse et même là. Pas vraiment de choix dans le type de coloration c'est plus du warm-up
AVIS GLOBAL
Je ne me rappelle plus quand je l'ai acheté, mais je suis content de l'avoir sous la main.
Ce n'est pas un outil que j'utilise souvent, mais parfois pour ajouter un peu de chaleur à la voix ou pour m'en servir comme boite de direct.
C'est vrai que la majorité du …Lire la suitePour faire court c'est un pré-amp à lampe connectique XLR et Jack 6.5 avec juste un bouton de volume qui permet de gagner 30dB (0 à 30 pour instrument) +25dB à 55 dB pour un micro. Il comprend également une alim fantome de 48 v.
UTILISATION
super simple
QUALITÉ SONORE
Peu de coloration sauf quand on le pousse et même là. Pas vraiment de choix dans le type de coloration c'est plus du warm-up
AVIS GLOBAL
Je ne me rappelle plus quand je l'ai acheté, mais je suis content de l'avoir sous la main.
Ce n'est pas un outil que j'utilise souvent, mais parfois pour ajouter un peu de chaleur à la voix ou pour m'en servir comme boite de direct.
C'est vrai que la majorité du temps pour les instruments comme les guitares et les basses j'utilise plutôt mes pédalier Line6 que je traite sur le DAW en utilisant les émulations d'Ampli.
Il est assez discret en terme de transformation et ne donne pas de couleur, mais réchauffe un peu surtout quand on le pousse si on ne pousse pas le volume c'est plutôt une boite de direct.
Par contre sa construction solide fait qu'on n'hésite pas à l'amener sur Scène.
Je referais le même achat sauf que depuis comme je dis j'ai ajouté d'autres éléments à mon studio et donc son utilité n'est plus aussi évidente. Mais on ne sait jamais, donc je le garde prêt à réchauffer.
Je l'utilisais avant d'avoir un carte audio avec Alim fantome sur un micro à condensateur AT4033Lire moins00