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I think the digital world suffers from being just so literal, so deliberate and sober. As with digital photography, people have gotten used to applying simulated filters onto their pictures just to inject a bit of romance into the thing, because the raw pictures are so flat. (...) You could say the wobbles and flutters in our music are equivalent to something like weeds overgrowing an old building. Nobody puts the weeds there, but nature comes along and makes the scene very tragic and beautiful.