Annonces EQ-1 Dual Valve Equaliser
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steevendsPublié le 16/01/11 à 04:23
Preampli micro, ligne et instruments/Egaliseurs stereo.
Connectique pro classique.
Preampli transistor,Egaliseurs à lampes
2 canaux - chacune avec 4 bandes d'égalisation de soupape
bande LF donne ± étagères 12dB - 60Hz, 120Hz, 250Hz ou 500Hz
(12dB/oct) (12 dB / oct)
bande LM donne ± 12 dB - 250 Hz pointe, 500Hz, 1kHz ou 2,2 kHz
(Q=0.5) (Q = 0,5)
bande HM donne ± 12dB peaking - 5kHz, 2.2kHz, 3.6kHz ou 5kHz
(Q=0.5) (Q = 0,5)
bande HF donne ± 12dB shelving - 2.2kHz, 5kHz, 8kHz ou 12kHz
(12dB/oct) (12 dB / oct)
Micro symétrique et entrées de niveau ligne avec contrôle de gain variable
Sorties ligne symétrique, commutable pour-10dB ou +4 dB
des entrées et sorties en double sur les...…
Connectique pro classique.
Preampli transistor,Egaliseurs à lampes
2 canaux - chacune avec 4 bandes d'égalisation de soupape
bande LF donne ± étagères 12dB - 60Hz, 120Hz, 250Hz ou 500Hz
(12dB/oct) (12 dB / oct)
bande LM donne ± 12 dB - 250 Hz pointe, 500Hz, 1kHz ou 2,2 kHz
(Q=0.5) (Q = 0,5)
bande HM donne ± 12dB peaking - 5kHz, 2.2kHz, 3.6kHz ou 5kHz
(Q=0.5) (Q = 0,5)
bande HF donne ± 12dB shelving - 2.2kHz, 5kHz, 8kHz ou 12kHz
(12dB/oct) (12 dB / oct)
Micro symétrique et entrées de niveau ligne avec contrôle de gain variable
Sorties ligne symétrique, commutable pour-10dB ou +4 dB
des entrées et sorties en double sur les...…
Lire la suite
Preampli micro, ligne et instruments/Egaliseurs stereo.
Connectique pro classique.
Preampli transistor,Egaliseurs à lampes
2 canaux - chacune avec 4 bandes d'égalisation de soupape
bande LF donne ± étagères 12dB - 60Hz, 120Hz, 250Hz ou 500Hz
(12dB/oct) (12 dB / oct)
bande LM donne ± 12 dB - 250 Hz pointe, 500Hz, 1kHz ou 2,2 kHz
(Q=0.5) (Q = 0,5)
bande HM donne ± 12dB peaking - 5kHz, 2.2kHz, 3.6kHz ou 5kHz
(Q=0.5) (Q = 0,5)
bande HF donne ± 12dB shelving - 2.2kHz, 5kHz, 8kHz ou 12kHz
(12dB/oct) (12 dB / oct)
Micro symétrique et entrées de niveau ligne avec contrôle de gain variable
Sorties ligne symétrique, commutable pour-10dB ou +4 dB
des entrées et sorties en double sur les connexions jack asymétrique
Face avant auxiliaires mono entrée asymétrique (pour les guitares, etc)
Alimentation fantôme 48v
Commutateur Cascade pour 8 opération mono bande (canal A la sortie est appliquée
dans le canal B).Canal B de prendre le contrôle d'entrée devient alors l'ensemble
contrôle de niveau de sortie
Insérez point sur chaque canal (entre préampli micro et section EQ)
Commutateur de dérivation EQ avec le statut LED
Réponse en fréquence de 20Hz à 40kHz +0 /-1dB
SPECIFICATIONS
Entrée Mic: Impédance: 10k. Plage de gain: 16 à 60 dB. Input - Bruit d'entrée (EIN): -
127dBu (22Hz-22kHz). Niveau d'entrée Max: +10 dBu. XLR connecteur.
Entrée ligne: (symétrique) Impédance: 5k. Plage de gain:-10dB à +35 dB. Max
Niveau d'entrée: +30 dBu. XLR connecteur. (Asymétrique) Impédance:
5k. Plage de gain:-10dB à +35 dB. Niveau d'entrée Max: +30 dBu. Connecteur Jack.
Entrée auxiliaire: Impédance: 100k. Gain max: 50 dB. Niveau d'entrée Max: 0 dBu.
connecteur jack asymétrique. Sortie: impédance de sortie symétrique:
UTILISATION
La configuration générale est-elle simple ?
Oui très simple
QUALITÉ SONORE
Parfait c'est chaud ca fait bien sont travaille.
Les 2 preamplis son comme ceux du C1 dual valve c'est très bon, merci TL Audio
AVIS GLOBAL
Depuis combien de temps l'utilisez vous ? 2ans
Comment jugez vous le rapport qualité/prix ? Excellent
Avec l'expérience, referiez vous ce choix ? ... OUI
Connectique pro classique.
Preampli transistor,Egaliseurs à lampes
2 canaux - chacune avec 4 bandes d'égalisation de soupape
bande LF donne ± étagères 12dB - 60Hz, 120Hz, 250Hz ou 500Hz
(12dB/oct) (12 dB / oct)
bande LM donne ± 12 dB - 250 Hz pointe, 500Hz, 1kHz ou 2,2 kHz
(Q=0.5) (Q = 0,5)
bande HM donne ± 12dB peaking - 5kHz, 2.2kHz, 3.6kHz ou 5kHz
(Q=0.5) (Q = 0,5)
bande HF donne ± 12dB shelving - 2.2kHz, 5kHz, 8kHz ou 12kHz
(12dB/oct) (12 dB / oct)
Micro symétrique et entrées de niveau ligne avec contrôle de gain variable
Sorties ligne symétrique, commutable pour-10dB ou +4 dB
des entrées et sorties en double sur les connexions jack asymétrique
Face avant auxiliaires mono entrée asymétrique (pour les guitares, etc)
Alimentation fantôme 48v
Commutateur Cascade pour 8 opération mono bande (canal A la sortie est appliquée
dans le canal B).Canal B de prendre le contrôle d'entrée devient alors l'ensemble
contrôle de niveau de sortie
Insérez point sur chaque canal (entre préampli micro et section EQ)
Commutateur de dérivation EQ avec le statut LED
Réponse en fréquence de 20Hz à 40kHz +0 /-1dB
SPECIFICATIONS
Entrée Mic: Impédance: 10k. Plage de gain: 16 à 60 dB. Input - Bruit d'entrée (EIN): -
127dBu (22Hz-22kHz). Niveau d'entrée Max: +10 dBu. XLR connecteur.
Entrée ligne: (symétrique) Impédance: 5k. Plage de gain:-10dB à +35 dB. Max
Niveau d'entrée: +30 dBu. XLR connecteur. (Asymétrique) Impédance:
5k. Plage de gain:-10dB à +35 dB. Niveau d'entrée Max: +30 dBu. Connecteur Jack.
Entrée auxiliaire: Impédance: 100k. Gain max: 50 dB. Niveau d'entrée Max: 0 dBu.
connecteur jack asymétrique. Sortie: impédance de sortie symétrique:
UTILISATION
La configuration générale est-elle simple ?
Oui très simple
QUALITÉ SONORE
Parfait c'est chaud ca fait bien sont travaille.
Les 2 preamplis son comme ceux du C1 dual valve c'est très bon, merci TL Audio
AVIS GLOBAL
Depuis combien de temps l'utilisez vous ? 2ans
Comment jugez vous le rapport qualité/prix ? Excellent
Avec l'expérience, referiez vous ce choix ? ... OUI
Lire moins
80
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moosersPublié le 02/09/10 à 03:28
(contenu en anglais)The TL Audio Original Classic Series EQ-1 is a dual valve, stereo equalizer. It is a hybrid valve technology inside of the unit and can be used as each two separate four band EQ's, or a single, mono 8 band equalizer. The unit has both 1/4" and XLR connections, as well as a separate 1/4" auxiliary input in the front. It is a rack mountable piece of gear and will take up two rack spaces.
UTILIZATION
Using the TL Audio Original Classic Series EQ-1 is quite easy. For the most part, everything is pretty self explanatory, with parameters for both gain and frequency for each of the four bands per channel. You've got four different frequencies to choose from on each band and there is a gain knob for each of the two channels as well. There are also buttons for EQ in/out and mic/line selection, as well as a switch for choosing between either a mono or stereo unit. The manual has everything you'd need to know about the EQ-1, but isn't really necessary.
SOUND QUALITY
The tone of the TL Audio Original Classic Series EQ-1 is great overall. There is a reissue of the EQ-1 as well, but I've only used the original and I don't know if there would be a difference in sound at all (although I'd think not). The sound of this equalizer is awesome in general, as I find it perfect for adding a little low mid range boost when necessary. It's really a great overall EQ for making an sort of equalization moves, but especially for adding bottom end because it's a valve based EQ. For the price, this is one of the best EQ's I've heard...
OVERALL OPINION
As far as parametric equalizers go, the TL Audio Original Classic Series EQ-1 is one of the best bangs for your buck on the market that I'm aware of. It has a killer sound and offers up a good amount of flexibility, especially because of the fact that you can use it as either a four band, stereo EQ, or an eight band, mono EQ. I don't know if they are still making the reissues of these, but they should be easy enough to find used either way. The TL Audio EQ-1 is great for home and pro studios alike!
UTILIZATION
Using the TL Audio Original Classic Series EQ-1 is quite easy. For the most part, everything is pretty self explanatory, with parameters for both gain and frequency for each of the four bands per channel. You've got four different frequencies to choose from on each band and there is a gain knob for each of the two channels as well. There are also buttons for EQ in/out and mic/line selection, as well as a switch for choosing between either a mono or stereo unit. The manual has everything you'd need to know about the EQ-1, but isn't really necessary.
SOUND QUALITY
The tone of the TL Audio Original Classic Series EQ-1 is great overall. There is a reissue of the EQ-1 as well, but I've only used the original and I don't know if there would be a difference in sound at all (although I'd think not). The sound of this equalizer is awesome in general, as I find it perfect for adding a little low mid range boost when necessary. It's really a great overall EQ for making an sort of equalization moves, but especially for adding bottom end because it's a valve based EQ. For the price, this is one of the best EQ's I've heard...
OVERALL OPINION
As far as parametric equalizers go, the TL Audio Original Classic Series EQ-1 is one of the best bangs for your buck on the market that I'm aware of. It has a killer sound and offers up a good amount of flexibility, especially because of the fact that you can use it as either a four band, stereo EQ, or an eight band, mono EQ. I don't know if they are still making the reissues of these, but they should be easy enough to find used either way. The TL Audio EQ-1 is great for home and pro studios alike!
30
»
moosersPublié le 14/03/10 à 01:31
(contenu en anglais)The TL Audio Dual Valve Equalizer is like the name states, a stereo valve based parametric equalizer. It has pretty simple characteristics, with connections in the back for both XLR and 1/4" for each of the channels and for both inputs and outputs. It also has a 1/4" auxiliary input on the front of the panel. It has a standard power cord jack and will take up two spaces in a standard size rack mount.
UTILIZATION
For those who have experience with parametric EQs, the TL Audio Dual Valve Equalizer will seem pretty familiar, as this is more or less your standard make up for a four band parametric EQ. Each of the four bands has parameters to choose your frequency and to set your gain cut or boost. The bands have four fixed frequencies to choose from, which are well choose and cover all of the bases. There are also buttons for choosing either mic or line input and bypass and a switch for using the unit as either a mono or stereo piece of gear. The manual for the Dual Valve EQ is put together well and covers just about everything you'd need to know about it.
SOUND QUALITY
The tone of the TL Audio Dual Valve Equalizer is overall quite clean. I find it easy to get the types of equalizing that I'd like to get done with this, as everything about it makes it possible to do so. It can be used for any type of application, as I don't think I'd necessarily favor one thing over another. I do love the way that it sounds for drums, vocals, and guitars, which are three of the main things that I would record anyway, making it a versatile unit as well. It doesn't have the thick sound that you'd get with a tube EQ, but rather has a slightly different type of sound from the valves, which isn't a bad thing at all, it's just a bit different...
OVERALL OPINION
While the TL Audio Dual Valve Equalizer is now discontinued, you can still find them around if you're interested in doing so. They do have some newer versions of the Dual Valve EQ, but this review has been for the original one. The price of this EQ was actually pretty reasonable when it was new, so I'm imagine that those that you could find used wouldn't be too much money at all. As far as hardware EQs go, this one is the perfect mixture of high quality sound and price...
UTILIZATION
For those who have experience with parametric EQs, the TL Audio Dual Valve Equalizer will seem pretty familiar, as this is more or less your standard make up for a four band parametric EQ. Each of the four bands has parameters to choose your frequency and to set your gain cut or boost. The bands have four fixed frequencies to choose from, which are well choose and cover all of the bases. There are also buttons for choosing either mic or line input and bypass and a switch for using the unit as either a mono or stereo piece of gear. The manual for the Dual Valve EQ is put together well and covers just about everything you'd need to know about it.
SOUND QUALITY
The tone of the TL Audio Dual Valve Equalizer is overall quite clean. I find it easy to get the types of equalizing that I'd like to get done with this, as everything about it makes it possible to do so. It can be used for any type of application, as I don't think I'd necessarily favor one thing over another. I do love the way that it sounds for drums, vocals, and guitars, which are three of the main things that I would record anyway, making it a versatile unit as well. It doesn't have the thick sound that you'd get with a tube EQ, but rather has a slightly different type of sound from the valves, which isn't a bad thing at all, it's just a bit different...
OVERALL OPINION
While the TL Audio Dual Valve Equalizer is now discontinued, you can still find them around if you're interested in doing so. They do have some newer versions of the Dual Valve EQ, but this review has been for the original one. The price of this EQ was actually pretty reasonable when it was new, so I'm imagine that those that you could find used wouldn't be too much money at all. As far as hardware EQs go, this one is the perfect mixture of high quality sound and price...
20
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Fiche technique
- Fabricant : TL Audio
- Modèle : EQ-1 Dual Valve Equaliser
- Série : Original Classic
- Catégorie : Egaliseurs paramétriques
- Fiche créée le : 22/12/2008
Nous n'avons pas de fiche technique sur ce produit
mais votre aide est la bienvenue
Distribué par Studio Dealers
»
Autres catégories dans Processeurs spectraux
Autres dénominations : eq 1 dual valve equaliser, eq 1 dualvalveequaliser, eq1dualvalveequaliser, eq1 dualvalveequaliser, eq1 dual valve equaliser, eq 1dual valve equaliser, EQ-1
