Possible d 'utiliser ca comme Metheny?

Citation : Like the 134 always was, the output of the Digitech is run into 2 Lexicon Prime-Time digital delay lines, one on my left at 14 MS delay, one on my right at 26 MS delay. Each delay has a very slight "pitch bend" controlled by the VCO -- sine wave -- inside the Prime-Time. This is what gives it the "chorused" thing that I guess I would have to say I was the first to use extensively in jazz, and that seemed to have influenced a lot of other guys to do the same. Only thing, I HATE the way "chorus boxes" sound. My sound is mostly the "straight" 134/Digitech line, which is behind me with NO PITCH BEND, which gets blended IN THE AIR with the two DISCRETE delay pitch bends, which are much softer than the "straight" amp volume, to get a bigger sound. I HATE when I hear the "pitch bend" and the straight mixed together and coming out of the same speaker. It drives me crazy. You can then imagine that it's hard for me in a studio. Studios and records are STEREO, and I have THREE discrete sources -- "straight", delay left, and delay right. I don't feel like I've ever gotten it right on any record. I'm anxiously awaiting the coming days when we get to go back in and re-mix everything for everyone's home 6-track surround systems! I'll finally be able to get the guitar sound right!
Also, I always have a slight 450-500 MS delay mixed in right off the guitar, too. If you hear it too much, it's too loud. It just lengthens the notes some.