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DigiTech 2112 Studio Guitar System
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  • kyleoharekyleohare

    Si vous aimez Tube Overdrive, et étincelant nettoie - celui-ci est pour vous.

    DigiTech 2112 Studio Guitar SystemPublié le 09/05/12 à 02:42
    contenu en anglais (contenu en anglais)
    This unit uses two 12AX7 tubes to produce some amazing tube overdrive / distortion tones. The cleans sound brilliant too.

    Does Overdrives, Distortions, EQ, Delay, Reverb, and Stereo (panning) effects as well as a bunch of other stuff like 'Quad Delay', has left/ right amp out mono jacks - and when used between two amps in stereo , does some pretty amazing stuff, like a rotary simulations / phasers and panning delays. Very cool.

    Upgraded mine to the 2120 with a really simple EPROM chip swap. Swapped out the stock tubes for Groove Tubes, and went to Ruby Tubes now. Sounds great with pretty much all. It's hard to tell, personally with tube swapping that your tone has changed ' a lot ', it's only a minor change. I think you could even use 12AU7's in here for less distortion , if that's what you were after and 'soften' things up a bit for blues, country, etc...

    UTILIZATION

    Even the presets on this thing sound GREAT, and are very useful as a guitar player - and maybe even a Bass player / keyboardist could use one of these to get some really cool stuff. I had a BOSS GT-6, and GT-8 but don't have anything good to say about those. They sound horrid compared to this unit, though it's older than both of those!

    Tubes are what make this baby really cook. It's one of the best FX processors I've ever used because it sounds 'analog', and not 'tinny' or 'digital'.



    SOUNDS

    I use the unit for Delay, and most of my distortion tones. I get both a Chandler Tube Driver tone, which I use most of the time for that Pink Floyd / David Gilmour sound. Cleans are AWESOME, and very useful. Quite a few blues tones to play with in there too, and everything is super customizable.

    One of my friends is a guitar player, and he ditched his BOSS GT for one as well. He plays metal, and Punk and gets a really authentic Mesa Dual Rectifier tone out of it through his twin after tweaking one of the stock 'mid scooped' distortion settings. He was also a 'purist' before owning one, always ragging on his digital equipment and using mainly analog stuff. Now the pedals are back in their box, and this unit has really simplified his rig setup.

    I don't like the 'noise gate' feature, and always turn it off. Distortions are OK, but the Tube sounds / overdrive modes are what really make this guy sound great. I love the Compressor, EQ, and pretty much everything about its sound except for some settings such as the Whammy, (which doesn't sound like the red whammy pedal), noise gate, and some other stuff I don't use. It's packed with features. If you're not getting a good tone out of this unit, yours is either defective or you're tone deaf!

    Controls take some time to get used to, and I feel like some of it's features are rather buried. I don't like that aspect of it. That's about it.



    OVERALL OPINION

    The thing I like the least about it? Well, the Wah tone is merely 'OK' , and the Pedal Board (control one) feels cheap and slides around on the floor because its too light if you buy that accessory. I broke quite a few MIDI cables because of that.

    I don't like the menus / sub menu crap to get to certain aspects of it because it's very complicated at first. Then I guess you kind of get used to it and it becomes easier to use. Probably one of the main reasons you can still find them used!

    I LOVE the sound. That's why I bought it. This thing is super responsive, and I can't see a guitar player not connecting with one and wanting to push it for hours. Lots of guitar player friends of mine have been 'lost in la la land' for hours playing through this thing on my rig.





  • phraselandphraseland

    DigiTech 2112 Studio Guitar SystemPublié le 12/12/08 à 17:15
    contenu en anglais (contenu en anglais)
    This unit has been in my posession for almost ten years now and I don't think I have ever used it to its full potential. I also own the footswitch which integrates very nicely with this unit.
    There is a tube and a transistor circuit built in and the effects are mostly digital (with the exception of the analog wah-wah). The 2112 does pretty much have it all and when it came out it was the envy of every guitar player.
    You get to choose from a huge selection of distortions, effects and routing possibilites and two separate effect paths allow for seamless switching and morphing between sounds.
    There is an instrument input on the front and stereo outputs on the back. You can add a separate effect into the chain if you want to and also connect external controllers.
    Effects are being selected by a big knob made out of aluminium...the whole thing is basically built like an amp and it is sad to look at this thing and then consider what Digitech is putting out these days.

    UTILIZATION

    This unit is not easy to program. This is not because the menu is complicated - there is just so much you can do with it. The presets want to showcase the distortions a bit too much. I really don't care for them and I would have wished a few more 'basic' presets.
    The manual goes into a lot of detail and helps to get to understand this unit.
    The information can be easily read on the big display and adjusting the parameters with the knobs feels quite precise.
    What I don't like is that this thing doesn't have stereo inputs in the back. So if I want to use it after a stereo delay out of my pedal board I would have to go back to mono and use the input on front. This I never understood - it seems the concept of this unit was to take over all the effects...but with a professional effect like this one I should have the final say about this.

    SOUNDS

    I really like the delays, reverbs and phaser sounds. The chorus is quite good as well. I also like how Digitech doesn't hesitate to dive into complete madness and lets the musician figure out a use for it. I don't use the Whammy anymore but having this effect around is quite nice as well.
    I don't like the distortions at all. They always sound much too well behaved. You have the option to send different signals to the stereo output and could create a wall of sound...but for distortions I prefer my beloved pedals. The wah-wah might be analog but that doesn't make it good - it also sounds much too harmless.

    OVERALL OPINION

    As I said - I have been using the 2112 for almost ten years and ever since I got myself a decent amp, delay and a couple of overdrive pedals I have stopped taking it along. You always need a rack to set it up and even though the controller is quite nice I have began to appreciate to actually see what effects I have engaged and what not.
    It does have some sweet sounds and that is also why I have been resisting to sell it. I know I will come back to it some day and make more sweet music. It is very unfortunate that these days there are not many manufacturers who dare to build a professional effects processor such as the 2112. Props for TC Electronics...but ouch! They are expensive!
  • thymykthymyk

    DigiTech 2112 Studio Guitar SystemPublié le 21/03/10 à 15:50
    preampli multi effet à lampe sous format rack 2U.

    Connectique très complète mise à part l'absence de sortie emulée separée.(input outpout stereo, control one in, midi ,in ,out ,thru, pedale d'expression in)

    Il faut savoir que c'est quasiment l'identique du 2120, à part sur les presets d'usine et peut etre quelques effets supplémentaires.

    UTILISATION

    L'utilisation n'est pas des plus faciles si on est novice dans le monde des multi effet mais le manuel clair et concis aide merveilleusement bien.

    On obtient facilement un bon son pour peu qu'on ne se noie pas dans les réglages ou qu'on ne se base pas par les presets d'usines .

    SONORITÉS

    Tres polyvalent , on obtient d'excel…
    Lire la suite
    preampli multi effet à lampe sous format rack 2U.

    Connectique très complète mise à part l'absence de sortie emulée separée.(input outpout stereo, control one in, midi ,in ,out ,thru, pedale d'expression in)

    Il faut savoir que c'est quasiment l'identique du 2120, à part sur les presets d'usine et peut etre quelques effets supplémentaires.

    UTILISATION

    L'utilisation n'est pas des plus faciles si on est novice dans le monde des multi effet mais le manuel clair et concis aide merveilleusement bien.

    On obtient facilement un bon son pour peu qu'on ne se noie pas dans les réglages ou qu'on ne se base pas par les presets d'usines .

    SONORITÉS

    Tres polyvalent , on obtient d'excellents sons clairs pour du jazz ou du funk et des crunch et satu un peu typé 90's mais dans un grain lampé.

    J'ai essayé une strat et une les paul dedans, tout sonne à condition de revoir un peu l'eq.

    L'eq est un élément intéressant dans ce preampli, il permet de sculpter le son efficacement grâce à sa puissance.

    Le multi effet est très complet et très puissant; les effets transparents Et les multiples possibilités de réglage et de routage permettent des délires psycho-acoustique créatifs.

    AVIS GLOBAL

    Je le possède depuis 2 ans, le rapport qualité prix est indécemment bon tellement il est devalué.
    Question de mode, peut etre dans 10 ou 20 ans ce sera hyper recherché.

    Je suis passé par de multiples config

    combo+pédales: moins de possibilités, les pédales colorent trop le preamp et il faut aimer le son combo.
    2 corps + pedale, meme problemes.

    modelisation: en groupe, pas assez efficace, impersonnel, et la modelisation ne reagit pas tres naturellement aux nuances, les effets peu convaincants.

    autres racks testé: jmp1, tres bon mais son classique en disto et son clair tres moyen, il faut un multi effet .
    rocktron: un peu en dessous niveau qualité sonore.

    bref ce multi avec un bon poweramp et un bon cab fera des merveilles.
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  • al31al31

    DigiTech 2112 Studio Guitar SystemPublié le 24/04/05 à 17:57
    Preamplification a lampe et transistor et 2 processeurs d effets
    distortion lampe et transistors
    tous les principaux effets
    produit tres complet

    UTILISATION

    La config est assez complexe car cet appareil dispose de beaucoup de paramettres de reglage
    on peut obtenir de tres bons sons mais il faut de nombreuses heures de reglage
    par exemple pour les distortions nous avons un egaliseur 15 bandes pour sculter le son mais il y a des reglages d usine pour se raprocher de ce qu on veut
    mais cet appareil reste plus simple que d autre comme dans le bas de gamme le boss gt 3 qui est un casse tete a regler
    le mode d emploi est comprehensible et suffisament court pour ne pas etre trop lourd a …
    Lire la suite
    Preamplification a lampe et transistor et 2 processeurs d effets
    distortion lampe et transistors
    tous les principaux effets
    produit tres complet

    UTILISATION

    La config est assez complexe car cet appareil dispose de beaucoup de paramettres de reglage
    on peut obtenir de tres bons sons mais il faut de nombreuses heures de reglage
    par exemple pour les distortions nous avons un egaliseur 15 bandes pour sculter le son mais il y a des reglages d usine pour se raprocher de ce qu on veut
    mais cet appareil reste plus simple que d autre comme dans le bas de gamme le boss gt 3 qui est un casse tete a regler
    le mode d emploi est comprehensible et suffisament court pour ne pas etre trop lourd a etudier

    SONORITÉS

    Appareil tres polyvalent
    on peut avoir de superbes sons jazz ou funk tres precis ou un son rock correct ou un tres bon son metal tres creusé et compressé
    pour les crunchs c est un peu inadapté
    avec le nombre d effetqs de tres bonne qualité et les egaliseurs tres efficaces on peut obtenir des sons tres personnels interressants
    pour moi son point fort est le son clair completé d effets psyché ce qui ferait le bonheur de nombreux musiciens de jazz rock et amoureux du trafficotage de sons
    les possibilités sont infinis
    l émulateur de hp ressort pas trop mal mais reste nettement meilleur que les pod ou tonelab

    AVIS GLOBAL

    Je l utilise depuis 6 mois
    j ai fait ce choix par recherche de polyvalence et un peu par gout pour les effets
    j ai essayé pas mal de matos avant notamment le line 6 vetta et pour moi on ne joue pas dans la meme cour car lea modelisation manque de lampe
    les effets sonts assez transparents
    pour les saturations le jmp 1 est peu etre un peu mieux
    je l ai payé 550 e d occaz avec le pedalier ce qui reste resonable vu la qualité de la bete
    je regrette un peu le crunch des combos tt lampe mais les possibilites sont enormes
    je ne regrette quand meme pas mon choix
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