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Anonyme Monstrueux
Publié le 31/10/11 à 09:33Limiteur stéréo hybride (FET et Optique)
Connectique XLR
Rack 2U
UTILISATION
Configuration archi simple. L'ordre de traitement est le suivant :
- Gain d'entrée,
- limiteur optique (elop),
- gain de sortie,
- limiteur FET.
QUALITÉ SONORE
Le son est respecté totalement.
Un crunch très agréable est ajouté quand on compresse fortement.
Si les drums ressortent un peu du mix, le slam pompe juste comme il faut.
AVIS GLOBAL
Auparavant, j'utilisais uniquement des limiteurs soft.
Il n'y a aucune comparaison possible : les limiteurs soft sont top pour les derniers dB d'un master, pour ajuster le niveau RMS et arriver exactement aux -0.1 dB en peak.
Ce limiteur hard donne une vraie...…
Connectique XLR
Rack 2U
UTILISATION
Configuration archi simple. L'ordre de traitement est le suivant :
- Gain d'entrée,
- limiteur optique (elop),
- gain de sortie,
- limiteur FET.
QUALITÉ SONORE
Le son est respecté totalement.
Un crunch très agréable est ajouté quand on compresse fortement.
Si les drums ressortent un peu du mix, le slam pompe juste comme il faut.
AVIS GLOBAL
Auparavant, j'utilisais uniquement des limiteurs soft.
Il n'y a aucune comparaison possible : les limiteurs soft sont top pour les derniers dB d'un master, pour ajuster le niveau RMS et arriver exactement aux -0.1 dB en peak.
Ce limiteur hard donne une vraie...…
Lire la suite
Limiteur stéréo hybride (FET et Optique)
Connectique XLR
Rack 2U
UTILISATION
Configuration archi simple. L'ordre de traitement est le suivant :
- Gain d'entrée,
- limiteur optique (elop),
- gain de sortie,
- limiteur FET.
QUALITÉ SONORE
Le son est respecté totalement.
Un crunch très agréable est ajouté quand on compresse fortement.
Si les drums ressortent un peu du mix, le slam pompe juste comme il faut.
AVIS GLOBAL
Auparavant, j'utilisais uniquement des limiteurs soft.
Il n'y a aucune comparaison possible : les limiteurs soft sont top pour les derniers dB d'un master, pour ajuster le niveau RMS et arriver exactement aux -0.1 dB en peak.
Ce limiteur hard donne une vraie personnalité et un vrai punch au son. Je le place souvent derrière un varimu, qui est plus fait pour le liant du son que pour compresser fortement.
Le prix est exhorbitant étant donné le peu d'electronique à l'intérieur. On paye surtout la r&d, et le son !
Pour écouter ce produit : www.myprods.fr
Connectique XLR
Rack 2U
UTILISATION
Configuration archi simple. L'ordre de traitement est le suivant :
- Gain d'entrée,
- limiteur optique (elop),
- gain de sortie,
- limiteur FET.
QUALITÉ SONORE
Le son est respecté totalement.
Un crunch très agréable est ajouté quand on compresse fortement.
Si les drums ressortent un peu du mix, le slam pompe juste comme il faut.
AVIS GLOBAL
Auparavant, j'utilisais uniquement des limiteurs soft.
Il n'y a aucune comparaison possible : les limiteurs soft sont top pour les derniers dB d'un master, pour ajuster le niveau RMS et arriver exactement aux -0.1 dB en peak.
Ce limiteur hard donne une vraie personnalité et un vrai punch au son. Je le place souvent derrière un varimu, qui est plus fait pour le liant du son que pour compresser fortement.
Le prix est exhorbitant étant donné le peu d'electronique à l'intérieur. On paye surtout la r&d, et le son !
Pour écouter ce produit : www.myprods.fr
Lire moins
73
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moosersPublié le 04/01/10 à 05:22
(contenu en anglais)Manley Langevin Slam! is a stereo microphone preamp and limiter. I believe the pre is a combination of digital and analog components, containing a variety of connections in back, some of which are familiar and some unfamiliar. I do know that it has XLR and AES connections at the least. The unit is rackable and will take up two rack spaces in a traditional rack space.
UTILIZATION
The configuration of the Manley Langevin Slam! does have a decent amount of stuff going on, but after a while of playing around with it I found that everything was pretty easy to use. While it isn't the type of unit that you can know everything about with a single glance, everything is laid out nicely in order to insure that it can be as user friendly as possible. Each of the two channels has the following parameters: input level, output leve, FET limiter, release, an attack switch, and ELOP limiter, and a knob for choosing the source (mic, line, DI, etc). There is also a switch for choosing the frequency of the high pass filter as well for linking the two channels and for choosing your metering. I've never seen the manual for Slam! so I can't say anything about its make up.
SOUND QUALITY
It is hard for me to describe the incredible sound quality offered by Manley Langevin's Slam! channel. Both the mic preamp and the limiter are some of the best modern units of its kind. I've used the unit for a variety of applications including vocals, drums, and guitars, and find that no matter what type of application I'm using this for, that it sounds incredible. The best way that I can describe the sound is the perfect mixture of warmth and clarity, which are two things that often aren't seen paired together, as it is usually one or the other. You've really got to hear Slam! in order to believe it...
OVERALL OPINION
While Manley Langevin Slam! is one of the best outboard channel strips that I've used in my days as an engineer, the price tag is so large that it will shy most away from buying this, and I can't blame them. If you're looking for one of the most well designed preamp/limiter combination channel strips, look no further. This unit is aimed at those looking a high quality piece of gear regardless of what it costs, so I assume that if you're looking into buying this that you fall into that category. If you ever get the chance to try out this unit, I suggest doing so as you'll want to use it over and over again!
UTILIZATION
The configuration of the Manley Langevin Slam! does have a decent amount of stuff going on, but after a while of playing around with it I found that everything was pretty easy to use. While it isn't the type of unit that you can know everything about with a single glance, everything is laid out nicely in order to insure that it can be as user friendly as possible. Each of the two channels has the following parameters: input level, output leve, FET limiter, release, an attack switch, and ELOP limiter, and a knob for choosing the source (mic, line, DI, etc). There is also a switch for choosing the frequency of the high pass filter as well for linking the two channels and for choosing your metering. I've never seen the manual for Slam! so I can't say anything about its make up.
SOUND QUALITY
It is hard for me to describe the incredible sound quality offered by Manley Langevin's Slam! channel. Both the mic preamp and the limiter are some of the best modern units of its kind. I've used the unit for a variety of applications including vocals, drums, and guitars, and find that no matter what type of application I'm using this for, that it sounds incredible. The best way that I can describe the sound is the perfect mixture of warmth and clarity, which are two things that often aren't seen paired together, as it is usually one or the other. You've really got to hear Slam! in order to believe it...
OVERALL OPINION
While Manley Langevin Slam! is one of the best outboard channel strips that I've used in my days as an engineer, the price tag is so large that it will shy most away from buying this, and I can't blame them. If you're looking for one of the most well designed preamp/limiter combination channel strips, look no further. This unit is aimed at those looking a high quality piece of gear regardless of what it costs, so I assume that if you're looking into buying this that you fall into that category. If you ever get the chance to try out this unit, I suggest doing so as you'll want to use it over and over again!
30
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Fiche technique
- Fabricant : Manley Labs
- Modèle : Slam!
- Catégorie : Préamplis hybrides
- Poids du colis : 9.2 kg
- Fiche créée le : 03/12/2004
Nous n'avons pas de fiche technique sur ce produit
mais votre aide est la bienvenue
»
Autres catégories dans Préamplis microphones
Autres dénominations : slam!