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Dave Smith Instruments Pro 2
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Dave Smith Instruments Pro 2

Synthétiseur hybride analogique/numérique de la marque Dave Smith Instruments

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Question sur la 'creation' d'effets

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Sujet de la discussion Question sur la 'creation' d'effets
Bonjour , j'ai lu dans la notice qu'il est possible via les DELAY de crée une Reverb , flanger ou chorus.

Je n'ai pas bien compris comme régler cela ,quelqu’un peut expliquer les réglages svp ? j'ai le synthé depuis hier et j'en suis très content :)

merci bien !

2
Il faut travailler avec un temps de delay très court: ça devrait te permettre de créer des effets de modulation qui selon tes réglages vont sonner comme une reverb, un chorus, un flang etc...
3
Merci pour votre réponse , je vais essayer ce soir.
4
DELAY TRICKS

Chorus pedal: Turn one of the delay lines into an analogy chorus pedal. Set a delay’s, amount to 100, its delay time to 34, and lower the utility low-pass filter on the delay to 85. Use zero feedback. Now assign a free LFO to delay time, with a triangle wave at a slow frequency like 6, and set the LFO’s amount to 1-6, very small. If you need less chorus “mix,” turn down the amount. Tweak to taste.

Flanger: Same concept as the chorus. Delay amount at 127, feedback at 96, delay time at 20, and the delay’s utility low-pass filter to 85. Then modulate the delay time with a free-running triangle LFO with the frequency at 44 and amount at 2. If you want to change the rate of your flanger, change the LFO’s rate. If it’s too resonant, turn down the delay’s feedback.

Spring verb: In simple terms, a reverb is a network of a bunch of different delays. For a start, set the 4 delays with 4 different times – 76, 86, 91, 96. Set all 4 delay amounts to 34, and all 4 delay feedback amounts to 80. Set all 4 delay’s lowpass filters to 45. Set each delay’s pan differently. For example: 80, 45, 88, 50. This is a good place to start for a boxy guitar amp spring. Mess with different mix, low-pass filters, and feedback amounts for each. Or set an LFO to modulate the panning of all 4 delays to their other sides respectively, using the mod matrix.

String Machine: Our favorite string machines are one-oscillator types with an ensemble circuit that is a few delay taps. Start a basic patch using only Osc 1 set to sawtooth with the filter open and LFO 1 set to Osc 1 Freq. Set LFO 1’s frequency to 152, amount 3, and slew rate 40. Set all 4 delays to zero feedback, amount 127, and each delay’s utility low-pass to 115. Set each delay’s time to 17, 19, 21, and 23 respectively. Set LFO 2’s destination to Delay Time 1, frequency 80, amount 2. Set LFO 3 to Delay Time 2, frequency 90, amount 2. In a mod matrix slot, set LFO 2 to also send to Delay Time 3 with amount -2, and LFO 3 to also send to Delay Time 4 with amount -2. This is just one oscillator!“
5
Voilà!
Très intéressant!;)