Annonces Colour Boost
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koumarou
EXCELLENT
Publié le 25/11/11 à 00:54Treble-booster germanium NKT275.
Connectiques : input, output et DC-9V
Un potar GAIN (niveau de boost) et un potar 4 positions VOICE (donne 4 sons vraiment très différents).
Switch ON/OFF avec Led orange très visible.
C'est simple et efficace.
UTILISATION
Je m'en serS pour booster mon AC30, il ne faut pas trois heures pour trouver le son souhaité.
QUALITÉ SONORE
Ça chante, ça hurle, ça gronde, ça claque, c'est dynamique, chaud, précis, bref, c'est une tuerie !
Je m'en sers pour booster mon signal tout en gardant le timbre de l'AC30, et malgré des tentatives avec d'autres pédales (OD ou disto), je reviens toujours sur celle-là.
AVIS GLOBAL
PARFAIT ! tout...…
Connectiques : input, output et DC-9V
Un potar GAIN (niveau de boost) et un potar 4 positions VOICE (donne 4 sons vraiment très différents).
Switch ON/OFF avec Led orange très visible.
C'est simple et efficace.
UTILISATION
Je m'en serS pour booster mon AC30, il ne faut pas trois heures pour trouver le son souhaité.
QUALITÉ SONORE
Ça chante, ça hurle, ça gronde, ça claque, c'est dynamique, chaud, précis, bref, c'est une tuerie !
Je m'en sers pour booster mon signal tout en gardant le timbre de l'AC30, et malgré des tentatives avec d'autres pédales (OD ou disto), je reviens toujours sur celle-là.
AVIS GLOBAL
PARFAIT ! tout...…
Lire la suite
Treble-booster germanium NKT275.
Connectiques : input, output et DC-9V
Un potar GAIN (niveau de boost) et un potar 4 positions VOICE (donne 4 sons vraiment très différents).
Switch ON/OFF avec Led orange très visible.
C'est simple et efficace.
UTILISATION
Je m'en serS pour booster mon AC30, il ne faut pas trois heures pour trouver le son souhaité.
QUALITÉ SONORE
Ça chante, ça hurle, ça gronde, ça claque, c'est dynamique, chaud, précis, bref, c'est une tuerie !
Je m'en sers pour booster mon signal tout en gardant le timbre de l'AC30, et malgré des tentatives avec d'autres pédales (OD ou disto), je reviens toujours sur celle-là.
AVIS GLOBAL
PARFAIT ! tout simplement.
Connectiques : input, output et DC-9V
Un potar GAIN (niveau de boost) et un potar 4 positions VOICE (donne 4 sons vraiment très différents).
Switch ON/OFF avec Led orange très visible.
C'est simple et efficace.
UTILISATION
Je m'en serS pour booster mon AC30, il ne faut pas trois heures pour trouver le son souhaité.
QUALITÉ SONORE
Ça chante, ça hurle, ça gronde, ça claque, c'est dynamique, chaud, précis, bref, c'est une tuerie !
Je m'en sers pour booster mon signal tout en gardant le timbre de l'AC30, et malgré des tentatives avec d'autres pédales (OD ou disto), je reviens toujours sur celle-là.
AVIS GLOBAL
PARFAIT ! tout simplement.
Lire moins
12
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mooseherman
Publié le 24/03/10 à 23:40 (contenu en anglais)
This is a rather interesting pedal. I guess it's technicaly an overdrive pedal, even though it doesn't operate like most of those pedals do. It simply has the 1/4" input/output and is powered by a 9V adapter. This is an analog pedal, and as such, it's not rackable and cannot be edited with a computer. It is also not capable of being MIDI-controlled.
UTILIZATION
The editing of this effect is actually not so simple, contrary to most of my favorite pedals. This is one instance where only having two knobs ("voicing" (which is the coloring effect), and gain) is actually a hindrance rather than a liberating feature. For one thing, this pedal is unique in that it's not easy to operate while the guitar is at full volume. Once I tried rolling back a bit (and then a bit more), I found that I could actually get a good idea of what this pedal does.
SOUND QUALITY
This is not exactly a "vintage" sounding pedal. For once, I found something that doesn't exactly sound like a 60's throwback. Rather, it reminds me of some of the new-wave, lighter post-punk guitar tones I discovered in my later years listening to some of the New Order, Smiths, and later Elvis Costello stuff (like "Beyond Belief"). While some of that stuff is dismissed as sounding overly artificial, I beg to differ. I think that when this thing is used tastefully, it can give the guitar a jangly, chiming feeling that is reminiscent of the aforementioned bands (Smiths especially). It also, when combined with light overdrives (or heavy distortions) can get some truly otherworldly sounds. Even though it doesn't sound that much like My Bloody Valentine, I can't help but think of that band when I really push this thing. This is mainly because it overdrives certain frequencies more than others, giving certain overtones a dominance that I find intriguing. A rather unique effect that is tasteful and adds some real texture to my playing.
OVERALL OPINION
Even though it was a pain to figure out, I'm still really happy with this pedal. I would certainly recommend it to fans of some of the bands I discussed, or anyone bored with the "vintage" sounds who doesn't like the really wacky effects. It's not exactly cheap, so it might have to be a special treat for most of us, but I think that those who shell out for it (and know what to expect) will enjoy it. I recommend it to people who are looking for a unique effect that isn't commonly heard.
UTILIZATION
The editing of this effect is actually not so simple, contrary to most of my favorite pedals. This is one instance where only having two knobs ("voicing" (which is the coloring effect), and gain) is actually a hindrance rather than a liberating feature. For one thing, this pedal is unique in that it's not easy to operate while the guitar is at full volume. Once I tried rolling back a bit (and then a bit more), I found that I could actually get a good idea of what this pedal does.
SOUND QUALITY
This is not exactly a "vintage" sounding pedal. For once, I found something that doesn't exactly sound like a 60's throwback. Rather, it reminds me of some of the new-wave, lighter post-punk guitar tones I discovered in my later years listening to some of the New Order, Smiths, and later Elvis Costello stuff (like "Beyond Belief"). While some of that stuff is dismissed as sounding overly artificial, I beg to differ. I think that when this thing is used tastefully, it can give the guitar a jangly, chiming feeling that is reminiscent of the aforementioned bands (Smiths especially). It also, when combined with light overdrives (or heavy distortions) can get some truly otherworldly sounds. Even though it doesn't sound that much like My Bloody Valentine, I can't help but think of that band when I really push this thing. This is mainly because it overdrives certain frequencies more than others, giving certain overtones a dominance that I find intriguing. A rather unique effect that is tasteful and adds some real texture to my playing.
OVERALL OPINION
Even though it was a pain to figure out, I'm still really happy with this pedal. I would certainly recommend it to fans of some of the bands I discussed, or anyone bored with the "vintage" sounds who doesn't like the really wacky effects. It's not exactly cheap, so it might have to be a special treat for most of us, but I think that those who shell out for it (and know what to expect) will enjoy it. I recommend it to people who are looking for a unique effect that isn't commonly heard.
20
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Fiche technique
- Fabricant : 65amps
- Modèle : Colour Boost
- Catégorie : Boosters / buffers pour guitare/basse
- Fiche créée le : 30/04/2007
Nous n'avons pas de fiche technique sur ce produit
mais votre aide est la bienvenue
»
Autres catégories dans Traitements dynamiques et de volume pour guitare
Autres dénominations : colour boost, colourboost