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sw80
Dû augmenter certaines fréquences
Publié le 29/10/12 à 09:43 (contenu en anglais)The Audix VX5 is a super cardioid condenser microphone that cost almost 250 dollars. I have used the VX5 on vocals and on an acoustic guitar. Some times when we record vocals with the VX5 we have to boost a lot of the higher frequencies because it is really full with the mids and lows but the highs don’t pop enough for us. This is not the case when we record acoustic instruments with the VX5. All of the acoustic recordings sound amazing and make us want to go out and buy more of the VX5’s.
OVERALL OPINION
The frequency response is 40Hz – 16.5kHz, and you can use this microphone for live or recording sessions. I think it sounds better in a live situation though, when using in a live setting the acoustic instruments sound really full and the sound travels. When used to record acoustic instruments with you can still get a little too much mid range and low range. It could just be personal preference but I like to have a little more highs and pop to any recording whether it be vocals or instruments.
I do not regret getting this microphone because of its live use, but for studio use I have to set this aside and pull out a different microphone. This microphone cannot compete with some of the other vocals studio microphones that we have on hand here. The VX5 does look nice, and it is well built. It seems to have the build to last a long time and it is made for the road. But the sound quality lacks some crucial points for us when recording.
Knowing what I know now I probably would not have got this microphone because it only gets limited use. It is still good to have it around though, but if I could go back I would have spent that money on a different microphone.
OVERALL OPINION
The frequency response is 40Hz – 16.5kHz, and you can use this microphone for live or recording sessions. I think it sounds better in a live situation though, when using in a live setting the acoustic instruments sound really full and the sound travels. When used to record acoustic instruments with you can still get a little too much mid range and low range. It could just be personal preference but I like to have a little more highs and pop to any recording whether it be vocals or instruments.
I do not regret getting this microphone because of its live use, but for studio use I have to set this aside and pull out a different microphone. This microphone cannot compete with some of the other vocals studio microphones that we have on hand here. The VX5 does look nice, and it is well built. It seems to have the build to last a long time and it is made for the road. But the sound quality lacks some crucial points for us when recording.
Knowing what I know now I probably would not have got this microphone because it only gets limited use. It is still good to have it around though, but if I could go back I would have spent that money on a different microphone.
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Fiche technique
- Fabricant : Audix
- Modèle : VX5
- Catégorie : Micros statiques à transistors à petite membrane
- Poids du colis : 406 g
- Fiche créée le : 02/08/2006
The Audix VX5 is a handheld vocal condenser with a supercardioid polar pattern.
The mic uses a pre-polarized (electret) capsule with 14mm gold-sputtered diaphragm.
A -10dB pad and bass rolloff are available via separate recessed switches on the mic body.
The impedance conversion circuit uses an output transformer.
SpecificationsPickup Patterns | Pads & Filters |
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Supercardioid (5 mV/Pa; 40 - 16,500 Hz) |
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Capsule Dimensions | Impedance | SPL/Noise |
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Diaphragm diameter: 14mm | 150 Ohms (Low) | Max SPL: 140 dB Self-noise: 26.0 dB(A) |
Weight | Length | Max Diameter | Interface(s) |
---|---|---|---|
227g (8.01oz) | 181mm (7.13'') | 46mm (1.81'') |
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Power Specifications |
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Distribué par Axente
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Micros statiques à transistors à petite membrane concurrents
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Autres dénominations : vx5, vx 5