Positive Grid BIAS Pedal Delay

Name: BIAS Pedal Delay
Brand: Positive Grid
SKU: 260745

Simulateur d'ampli/baffle logiciel pour guitare/basse de la marque Positive Grid

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Positive Grid dévoile BIAS Delay

Après BIAS Distorsion, la marque s'attaque aux delays avec la sortie d'une pédale, d'un logiciel et d'une application compatibles avec BIAS FX.

16/03/17

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Introducing Bias Delay Pedal

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Fabricant : Positive Grid
Modèle : BIAS Pedal Delay
Catégorie : Simulateurs d'ampli/baffle logiciels pour guitare/basse
Fiche créée le : 16/03/2017

BIAS Pedal first rocked the guitar world with its embedded guitar-tone booster, the groundbreaking BIAS Distortion. Now comes the second storm: BIAS Delay. Wrapped in the same expandable BIAS Pedal shell as BIAS Distortion, BIAS Delay lets you quickly and easily design thousands of custom delay pedals from scratch—giving you a seamlessly integrated ecosystem of effects and distortion pedals. Available both as a cross-platform plug-in and iPad app, BIAS Delay travels effortlessly between studio and stage. And of course, it’s ToneCloud-ready. Upload and share your unique delay pedals on the ToneCloud social network for guitarists, and download thousands of unique delay pedals from fellow musicians around the world. An effects hoarder’s dream come true, BIAS Delay is the last delay pedal you’ll ever need!

SPECIFICATIONS Features

Full-bodied, analog-like sound
Extremely intuitive operation makes designing your own delay pedals a snap
Killer factory presets make great starting points for creating your own custom pedals
Coming soon: Share your custom pedal setups and download other guitarists’ custom BIAS Delay pedals on ToneCloud, Positive Grid’s ever-expanding social network
Four delay types: Standard, Tape, Ping Pong and Reverse
Delay times manually adjustable from 1 to 3,000 ms and sync-able to host
Two 8-band graphic equalizers can be placed at various points in the signal chain via easy drag-and-drop
Modulation Stage applies chorus, flanger, phaser, tremolo or reverb to delay signal
Four waveforms—sine, triangle, square and sawtooth—and rate, depth, width and mix controls shape the Modulation Stage’s LFO for multiple flavors of modulation
Saturation and analog-tone controls add density to the Delay Stage’s input signal
Unique Infinity control gives perpetual feedback without runaway oscillation
Automatic Ducker with threshold, gain reduction, attack and release controls and helpful wet-signal meter