Sujet Comment s'assurer que les droits d'auteur sont bien reversés?
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christelle.g
94
Posteur·euse AFfranchi·e
Membre depuis 19 ans
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christelle.g
94
Posteur·euse AFfranchi·e
Membre depuis 19 ans
Je viens de recevoir le contract, le voici. Est-ce que quelqu'un sait si le contract est correct? (il me semble qu'avec ce contract ils détiennent pas mal de pouvoir sur mon remix, est-ce que c'est vrai ou c'est juste une impression que j'ai??) 
AGREEMENT
(for _______________________
1. This Agreement is between _____________________________( "Us" ) and _________________( "You" ) and sets out the terms on which you will deliver or we will record and release your musical works or sound recordings _________________________( "Works" ) through the means of internet service providers which makes musical works and sound recordings available to the public via digital transmission over the Internet and via other digital media such as television, radio and other cable and broadcast media ( "Service" ).
We shall upload the Works to the Service. The Term of this Agreement is for the lifetime of copyright in respect of each Works delivered hereunder ( “the Term” ).
2. You grant Us an exclusive, worldwide right during the Term to:
(I) use, reproduce, distribute, display, publicly perform, exhibit, broadcast and transmit the Works via our Service;
(II) copy the Works and issue, rent or lend those copies to the public;
(III) make adaptations of the Works and do any of the above in relation to such adaptations, only in so far as such adaptation is necessary for technical purposes to change the format of the Works to meet different data standards for example (but without limitation) from digital form to MP3 form.
(IV) incorporate the Works within other works such as tables, compilations and databases;
(V) use, reproduce and display any trademarks, service marks, trade names and likenesses ( "Marks" ) in connection with the Service and for the purposes of any promotion, marketing or merchandising.
3. Where You do not already own or control the Works and the Marks, You shall obtain all releases, consents, assignments and licences as necessary to enable Us to make the fullest possible use of the Works and the Marks.
4. You shall deliver photos for the cover artwork. You shall be responsible for all marketing and promotion in connection with the release and exploitation of the recordings hereunder.
5. We will pay you a royalty of Fifty percent (50%) of Net Income where Net Income is equal to gross income from sales less all costs and fees payable for manufacturing and distribution, technical charges and micro payments and payments to Copyright and/or Performing Right Societies and/or any other copyright owner, all VAT and other similar sales taxes.
6. We will compute royalties under this Agreement within thirty (30) days after the first day of January, April, July and October of each year for the preceding three (3) months and will
pay you such royalties within said thirty (30) days. You and your representatives may audit our books and files upon reasonable notice during normal business hours.
7. You warrant that:
(I) You own and shall continue to own or control any and all rights of every type, for example, copyright, in the Works and Marks free from any claim of any third party;
(II) nothing done by Us in connection with the Works or Marks (or other materials sent by You or for You) with your authority shall expose Us to any claim or proceeding, debt, fee or payment.
8. You shall indemnify Us in respect of any loss we suffer (including our reasonable legal fees) as a result of your breach of the warranties and obligations contained in this Agreement.
9. You warrant that no recording shall be made by unauthorised dubbing. You shall be responsible to copyright owners of sampled material for payment of all royalties, union payments and/or advances. If You have used an authorised sampling/dubbing then any costs of clearing such sampling/dubbing shall be at Your own expense.
10. If you are a member of a collecting society/societies (e.g. STIM, ncb) you have stated this in the space provided at the end of this Agreement. If you join a collecting society in the period between signing this Agreement and termination of this Agreement you will inform us as soon as possible.
I/We have read and agree to be bound by this Agreement.
Signed: ....................................................................................
By for and on behalf of
________________________
.................................................................................................
Signed for and on behalf of
_________________________
Date: ....................................................................................…
AGREEMENT
(for _______________________
1. This Agreement is between _____________________________( "Us" ) and _________________( "You" ) and sets out the terms on which you will deliver or we will record and release your musical works or sound recordings _________________________( "Works" ) through the means of internet service providers which makes musical works and sound recordings available to the public via digital transmission over the Internet and via other digital media such as television, radio and other cable and broadcast media ( "Service" ).
We shall upload the Works to the Service. The Term of this Agreement is for the lifetime of copyright in respect of each Works delivered hereunder ( “the Term” ).
2. You grant Us an exclusive, worldwide right during the Term to:
(I) use, reproduce, distribute, display, publicly perform, exhibit, broadcast and transmit the Works via our Service;
(II) copy the Works and issue, rent or lend those copies to the public;
(III) make adaptations of the Works and do any of the above in relation to such adaptations, only in so far as such adaptation is necessary for technical purposes to change the format of the Works to meet different data standards for example (but without limitation) from digital form to MP3 form.
(IV) incorporate the Works within other works such as tables, compilations and databases;
(V) use, reproduce and display any trademarks, service marks, trade names and likenesses ( "Marks" ) in connection with the Service and for the purposes of any promotion, marketing or merchandising.
3. Where You do not already own or control the Works and the Marks, You shall obtain all releases, consents, assignments and licences as necessary to enable Us to make the fullest possible use of the Works and the Marks.
4. You shall deliver photos for the cover artwork. You shall be responsible for all marketing and promotion in connection with the release and exploitation of the recordings hereunder.
5. We will pay you a royalty of Fifty percent (50%) of Net Income where Net Income is equal to gross income from sales less all costs and fees payable for manufacturing and distribution, technical charges and micro payments and payments to Copyright and/or Performing Right Societies and/or any other copyright owner, all VAT and other similar sales taxes.
6. We will compute royalties under this Agreement within thirty (30) days after the first day of January, April, July and October of each year for the preceding three (3) months and will
pay you such royalties within said thirty (30) days. You and your representatives may audit our books and files upon reasonable notice during normal business hours.
7. You warrant that:
(I) You own and shall continue to own or control any and all rights of every type, for example, copyright, in the Works and Marks free from any claim of any third party;
(II) nothing done by Us in connection with the Works or Marks (or other materials sent by You or for You) with your authority shall expose Us to any claim or proceeding, debt, fee or payment.
8. You shall indemnify Us in respect of any loss we suffer (including our reasonable legal fees) as a result of your breach of the warranties and obligations contained in this Agreement.
9. You warrant that no recording shall be made by unauthorised dubbing. You shall be responsible to copyright owners of sampled material for payment of all royalties, union payments and/or advances. If You have used an authorised sampling/dubbing then any costs of clearing such sampling/dubbing shall be at Your own expense.
10. If you are a member of a collecting society/societies (e.g. STIM, ncb) you have stated this in the space provided at the end of this Agreement. If you join a collecting society in the period between signing this Agreement and termination of this Agreement you will inform us as soon as possible.
I/We have read and agree to be bound by this Agreement.
Signed: ....................................................................................
By for and on behalf of
________________________
.................................................................................................
Signed for and on behalf of
_________________________
Date: ....................................................................................…
Bereal
5
Nouvel·le AFfilié·e
Membre depuis 17 ans
christelle.g
94
Posteur·euse AFfranchi·e
Membre depuis 19 ans
Salut,
Merci pour ta message et tes conseils. Pour répondre à ta question, le directeur du label a mis un message sur MySpace disant qu'il avait besoin de remix pour une chanson d'une de ses artistes ( je sais, ça fait pas très sérieux, mySpace...). Je l'ai contacté et il m'a expliqué que parmi tous les remixes qu'il recevrait, lui et la chanteuse choisiraient les 4 meilleures. J'ai dit que j'étais intéressée et il m'a envoyé les pistes nécessaires (pistes de voix, basses, etc) pour faire mon remix. En fait le label est un label comme n'importe quel autre, sauf que les chansons sont uniquement disponibles sur des sites style iTunes. Je connaissait déjà de nom le gars en question, car il fait pas mal de truc dans le domaine musical, mais évidement, ça veut pas dire que c'est pas un escroc.
Concernant le contrat, ce qui me gêne un peu c'est qu'il est écrit à différents endroits que je suis responsable de ceci, de cela. Je devrais sans doute voir un avocat, mais déjà qu'il faudra traduire le contrat, ça risque de coûter...
Merci pour ta message et tes conseils. Pour répondre à ta question, le directeur du label a mis un message sur MySpace disant qu'il avait besoin de remix pour une chanson d'une de ses artistes ( je sais, ça fait pas très sérieux, mySpace...). Je l'ai contacté et il m'a expliqué que parmi tous les remixes qu'il recevrait, lui et la chanteuse choisiraient les 4 meilleures. J'ai dit que j'étais intéressée et il m'a envoyé les pistes nécessaires (pistes de voix, basses, etc) pour faire mon remix. En fait le label est un label comme n'importe quel autre, sauf que les chansons sont uniquement disponibles sur des sites style iTunes. Je connaissait déjà de nom le gars en question, car il fait pas mal de truc dans le domaine musical, mais évidement, ça veut pas dire que c'est pas un escroc.
Concernant le contrat, ce qui me gêne un peu c'est qu'il est écrit à différents endroits que je suis responsable de ceci, de cela. Je devrais sans doute voir un avocat, mais déjà qu'il faudra traduire le contrat, ça risque de coûter...
burebista
349
Posteur·euse AFfamé·e
Membre depuis 17 ans
Chriam
349
Posteur·euse AFfamé·e
Membre depuis 18 ans
Chriam
349
Posteur·euse AFfamé·e
Membre depuis 18 ans
le guitar zero
482
Posteur·euse AFfamé·e
Membre depuis 19 ans
christelle.g
94
Posteur·euse AFfranchi·e
Membre depuis 19 ans
Merci beaucoup pour ton aide Chriam!! 
Je vais voir les points que tu m'a indiqué avec le gars du label. Je vais aussi consulter quelqu'un de spécialisé dans le domaine des contrats.
Concernant les endroits où sera distribué mon remix, le patron du label m'a dit que ce serait sur une cinquantaine de plate-formes de téléchargement (y compris iTunes)
Je vais voir les points que tu m'a indiqué avec le gars du label. Je vais aussi consulter quelqu'un de spécialisé dans le domaine des contrats. Concernant les endroits où sera distribué mon remix, le patron du label m'a dit que ce serait sur une cinquantaine de plate-formes de téléchargement (y compris iTunes)
Chriam
349
Posteur·euse AFfamé·e
Membre depuis 18 ans
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