Studio & Home Studio d'occasion

VIRTUALIZER 3D FX2000 Get even more mind-expanding power for your keyboard, bass, guitar or vocals with the VIRTUALIZER 3D FX2000 effects processor. This amazing rack-mountable FX unit has 71 incredible algorithms, including true studio-grade stereo and 3D effects that will add a head-spinning new dimension to your sound, both live and in the studio. The FX2000 uses our RSM (Real Sound Modeling) technology to simulate acoustic environments with stunning accuracy. Effects options include powerful modulation, amp simulation, distortion and special effects, as well as effective dynamic and psychoacoustics processing. Performance is further enhanced through user-addressable high and low EQ and wave-adaptive Virtual Room reverbs. Enhanced User Editability Logical grouping of parameters, along with the combination of encoders, buttons, LEDs and an easily readable LED display, make operating the FX2000 a breeze. You are free to edit up to 7 parameters per preset, and then save them for future use in the 100 provided memory locations. And the FX2000 features extensive MIDI capability, so you can integrate it into your MIDI setup – and even save your data via SysEx to protect all those incredible presets you’ll be customizing! Reverbs & Delays Because it is one of the effects you will use all the time, the FX2000 provides 12 uniquely different reverb programs, so you always have the ideal reverb no matter what your live performance or studio calls for. Standard ReverbsCathedralDense, long reverb of a large cathedral - often used on solo instruments and vocalsGold PlateSimulates the sound of plate reverberators - a classic for drums (snare) and vocalsSmall HallSimulates a small, lively (strongly reflecting) performance hallRoomSimulates the sound of reflections from the walls of a roomStudioEffectively creates the reverberation of a small to mid-sized roomConcertRecreates the sound reflection of a small theater or large hallStageWell suited for dissipating the sound of a keyboard or acoustic guitarSpring ReverbSimulates the sound of the classic spring reverbAmbienceReproduces the sound of a room impression without late reflectionsEarly ReflectionsGenerates the clearly audible, initial reflections of a roomSpecialty Reverb SelectionsGated ReverbReverb is synthetically turned off after predetermined amount of timeReverse ReverbReverb envelope is reversed, slowly gets louderDelay SelectionsStereo DelayDelay processed across entire stereo imageTape EchoSimulates classic tape echo devices, predates digital delaysPing PongDelay signal "bounced" from left to right at adjustable tempo Much More than Just Reverb and Delay The FX2000 has some of the best-sounding reverb and delay programs, but that’s not all. It also provides exceptional modulation effects, such as chorus, flanger and phaser – including special variations, such as a musical pitch shifter, tremolo and even a rotating speaker simulation.   Modulation and Pitch Shifter FXStereo FlangerOriginally generated by playback of two synchronized "reel to reel" tape decks with finger rubbing flange of 1 take-up reelVintage FlangerSimulates guitar flanger stomp box Jet Stream FlangerSimulates classic analog flangerStereo ChorusCombines a slightly detuned signal with the originalAnalog ChorusSimulates guitar chorus stomp boxVintage ChorusSimulates classic analog studio chorusUltra ChorusCreates sound of an 8-person chorusStereo PhaserCombines additional, phase-shifted signal with originalVintage PhaserSimulates guitar phaser stomp boxDual PhaserProcesses the left and right channels separatelyLeslieSimulates rotating speakers typically used on an organ - Slow or FastPitch ShifterCreates harmonies with original signal, or replaces it with altered pitchVibratoPeak frequency of tone periodically and uniformly changed - Slow or FastTremoloVolume of tone periodically and uniformly changed - Slow or FastAuto PanningSignal automatically sent from left to right, either once or multiple timesDynamic FXCompressorReduces signal dynamic range, maintains consistent level to avoid distortion from high input levelsExpanderBroadens dynamic range of signal, reduces background noiseGateMutes sounds below threshold, very effective on drum/vocal micsAnalog Compressor/LimiterSimilar to Compressor, but limites maximum volume levelUltramizerAnalyzes signal and applies automatic compression across 2 independent frequency bandsDenoiserEliminates or reduces noise and other interferenceDe-esserReduces or removes sibilance (Ssss sound) from signalWave DesignerAllows adjustment of attack and release of the signal envelopePsychoacoustic FXExciterArtificially adds overtones, increasing presence and perceived loudness without actually increasing volumeEnhancerDynamic EQ for improving clarity and stereo image, similar to ExciterUltra BassSub-harmonic processor combined with bass Exciter and LimiterStereo ImagerDivides input into middle and side signals, so they can be amplified selectively and then placed within the stereo imageUltra WideCreates much broader stereo imageBinauralizerCreates broader stereo image with compensation for speaker crosstalkFilter/EQ FXAuto Filter3 filter options for changing the signal's frequency response: low pass, band pass and high passLFO FilterSimilar to Auto Filter, but modulated by an oscillator with variable wave types and speedsParametric EQAllows control of bandwidth, frequency and amplitude of signalGraphic EQSignal content divided into 6 adjacent frequency bands, can be cut or boosted (fixed bandwidth)Distortion FX and Amp SimulationsVocal DistortionHighly effective on vocals and drum loops, when combined with delay flangerTube DistortionSimulates the sound of a wide range of vacuum tube typesGuitar AmpRecreates the sound characteristics of a complete guitar amplifierTri-FuzzSimulates classic '60s guitar fuzz box using 3 separate frequency bandsSpeaker SimulationAdds the sound of a variety of loudspeaker configurationsRing ModulatorRadical effect based on Frequency Modulation (FM), similar to robot voiceLo-FiGenerates warm, old-school analog signal with added noise and humSpecial FXVinylizerAdds clicks and/or noise to signal, simulating old vinyl records and tape decksSamplerAllows recording and playback - up to 5 secondsVocoderAllows input signal to modulate another signal (usually synthesizer) to create "talking synthesizer" effectVoice CancelerRemoves mono vocals from stereo recordings for "instant Karaoke"ResonatorSimulates an oscillating system amplifying a specific frequencyFX CombinationsChorus & ReverbPhaser & ReverbFlanger & ReverbChorus & DelayLeslie & ReverbFlanger & DelayPitch & ReverbPitch & DelayDelay & ReverbTremolo & DelayTremolo & Reverb Extraordinary Value With its extremely-powerful processing capability and versatile array of features, the FX2000 will quickly become the busiest tool in your audio arsenal. And you won’t believe how great the FX2000 sounds – or how affordable it is to own! Stop by your Behringer dealer, or order yours online today, and find out why more professional sound engineers are turning to the amazing FX2000 as their primary FX processor – both in the studio and on the road.

Un son exceptionnel et une fiabilité robuste Quand les professionnels ont besoin d'un EQ, ils se tournent vers dbx. Avec un palmarès éprouvé qui s'étend sur quatre décennies, les EQ dbx® sont la norme de l'industrie pour les tournées, les studios et les installations audio. Fort de l'héritage dbx d'EQ professionnels réputés, le 215s répond aux besoins des environnements de renforcement sonore les plus exigeants, tout en offrant la simplicité de commandes claires. Le dbx 215s comprend deux canaux de 15 bandes d'égalisation en octaves 2/3, un gain d'entrée ±12 dB, une plage de renforcement/coupure commutable ±6 dB ou ±12 dB, des curseurs non conducteurs de 20 mm, une interface utilisateur intuitive et un étalonneur de niveau de sortie. De sa réponse en fréquence étendue de 10 Hz à 50 kHz et sa plage dynamique de 112 dB à la qualité des composants et l'attention méticuleuse aux détails, le 215s offre un son exceptionnel et une fiabilité robuste qui garantissent que vous sonnerez toujours de votre mieux. Destiné à trouver sa place en studio, en tournée et dans les salles de sonorisation installée, le dbx 215s est appelé à occuper sa juste place dans la lignée des grands processeurs de signal dbx qui sont le choix des professionnels en traitement de signal. Avec une telle qualité abordable, il n'y a plus aucune excuse pour compromettre votre son. Recommandé pour : Portable, Tour. Caractéristiques Deux égaliseurs 15 bandes, 1/3 d'octave, à facteur Q constant Plages de boost/coupe commutables de ±6 ou ±12 dB Commutateur de contournement sur le panneau avant Plage de gain d'entrée de ±12 dB Indicateurs LED 4 segments pour surveiller les niveaux de sortie Entrées et sorties XLR et TRS Réponse en fréquence de 50kHz Plage dynamique supérieure à 108dB

La plupart des compresseurs/portes fournissent une compression moins musicale, associée à un gating qui avale les transitoires ou se ferme trop tôt, coupant les décays et les queues de réverbération. L'ingénierie supérieure du 266XL garantit que sa compression et son gating offrent polyvalence et excellentes performances sonores dans des situations où les autres compresseurs/portes produisent généralement des artefacts de traitement indésirables. En utilisant les commandes AutoDynamic™ Attack et Release du 266XL, les artistes et les ingénieurs constateront que les réglages centraux offrent la compression dbx classique, tandis que la plage de commande complète produit des voicings qui s'étendent d'une « mise à niveau » lente à un « pic » agressif. La circuiterie Auto Dynamic™ ajuste continuellement les temps d'attaque et de relâchement réels pour correspondre de manière optimale au matériau programme. Puisque les utilisateurs ne sont pas limités à l'utilisation des commandes Attack et Release uniquement en fonctionnement « pic », ils peuvent adapter la réponse du 266XL pour des pistes individuelles, du matériau programme mixte, des effets spéciaux ou la protection du système. En conséquence, les studios de production peuvent utiliser le 266XL polyvalent pour remplacer plusieurs limiteurs « à usage unique », tandis que les utilisateurs de renforcement sonore peuvent standardiser le 266XL pour toutes leurs applications. La circuiterie de gate avancée du 266XL utilise un algorithme de temporisation complètement nouveau et dépendant du programme pour produire des caractéristiques de relâchement ultra-fluides, même avec des signaux complexes tels que la voix ou les décays de réverbération. Les ingénieurs dbx ont ensuite profité de la large plage dynamique et de la haute précision du VCA dbx® pour concevoir une plage de seuil extra-large et assurer les meilleures performances de gating pour chaque application. Des afficheurs LED de précision séparés pour la réduction de gain, le seuil de compression et le seuil de gate permettent une configuration rapide et précise, tandis que l'utilisation intuitive du 266XL permet aux utilisateurs d'égaliser facilement les niveaux inégaux, d'ajouter du sustain aux guitares, de compresser les drums ou de resserrer les mix. En mode stéréo couplé, les commandes du Canal 1 deviennent les commandes Maître, et le Canal 2 suit précisément pour assurer une image stéréo rock-solid, même avec de fortes compressions. Les professionnels et les débutants constateront que le 266XL se configure rapidement et musicalement la première fois qu'il est utilisé, et chaque fois par la suite. Le processeur dbx® 266XL est le résultat d'un effort intensif d'ingénierie et de développement de produits visant à tirer parti des dernières avancées et des meilleures avancées de la technologie de fabrication pour offrir à nos clients une véritable performance audio dbx et une fiabilité au coût le plus bas possible. Le 266XL met un niveau complètement nouveau de performance compresseur/gate à la portée de tous. Recommandé pour : Portable, Tour, Studio. Caractéristiques Fonctionnement infaillible pour lisser les niveaux inégaux, ajouter du sustain aux guitares, épaissir les batteries ou resserrer les mixages Les nouveaux algorithmes de timing de gate garantissent les caractéristiques de release les plus fluides Expandeurs/gates adaptatifs au programme Contrôle de dynamique au son naturel pour tout type de matériel de programme Affichages LED de précision séparés pour la réduction de gain, le seuil de compression et le seuil de gate permettent un réglage rapide et précis Fonctionnement stéréo ou double mode Entrées et sorties équilibrées sur connecteurs 1/4" TRS et XLR Insertion de side chain Mode « Auto » classique dbx®

Vend yamaha MG10XU vraiment comme neuve pas une égratignure avec tous les accessoires d’origines garantie 2 ans et facture.

B-Stock, IK Multimedia iLoud Precision 6 MKII; active studio monitor with integrated DSP and ARC room correction; 6.5“ mid-woofer; 1.5” tweeter; Total power: 150 W RMS; frequency range: 45 Hz - 30 kHz +/- 1 dB (37 Hz low-frequency extension at -4 dB); maximum sound pressure level: 103 dB (continuous), 115.2 dB (peak); Coherent phase response +/-20° from 150 Hz upwards; Coherent time response across the entire audio spectrum; Fully automatic integrated digital calibration via supplied measurement microphone; Compatible with ARC X; Fully DSP-controlled with 96 kHz internal processing; Auto standby function; ARC X Immersive can be enabled on registered, eligible multi-channel systems with four or more iLoud speakers (Micro Monitor Pro, MTM MKII, Precision, and Sub) or two or more ARC Studio units; Scope of delivery: MEMS measuring microphone, iLoud Isolation Pods; Dimensions (HxWxD): 353 x 201 x 282 mm; Weight: 8.5 kg, B-Stock with full warranty, may have slight traces of use

B-Stock, Mackie CR8S BT; Active 8"" Multimedia Subwoofer with Bluetooth 5.0; wired Remote Control; Frequency Range: 40 Hz - 400 Hz (-10 dB); max. SPL: 112 dB; Amp: 200 Watt Peak / 100 W RMS, Class D; adjustable Crossover Frequency (40 Hz - 180 Hz); adjustable Input and Output Level; Audio Playback via Bluetooth; MDF Enclosure Construction; Connectors: 2x Line-In Jack 6.3 mm and RCA, 2x Line-Out 6.3 mm Jack and RCA, Input for wired Remote Control; Dimensions: 356 x 320 x 411 mm (WxHxD); Weight: 11.5 kg, B-Stock with full warranty, may have slight traces of use

B-Stock, Warm Audio WA-1B; 1-channel tube opto-compressor with output transformers; True 270 volt, 100% discrete analog signal path - hand-wired; 12ax7 Tung-Sol & JJ 12au7 tubes; Frequency range @ -3 dB: 5 Hz to 25 kHz; Self-Noise: < -75 dBU @ 30 dB gain; Ratio adjustable from 2:1 to 10: 1; Variable threshold from off (+20dBU) to -40 dBU; Continuously adjustable attack and release times; 3 different attack/release modes: fixed, manual and fix/man; Output gain: adjustable from off to +30 dBU; Balanced XLR and jack inputs and outputs; Input impedance: 600 ohms; Two bus connectors for connecting multiple sidechains; Meter (VU) for input, output or compression; Dimensions: 483 x 184 x 89 mm; Weight: 3,9 kg, B-Stock with full warranty, may have slight traces of use

B-Stock, Zoom M3 MicTrak; Stereo Shotgun Recorder; stereo M/S microphone (polar pattern: super-cardioid) with two selectable stereo modes (90° / 120°) and mono mode; No need for gain adjustment due to 32Bit-Float-Converter technology; 32Bit / 48kHz (WAV); recording media: microSDHC cards up to 32GB, microSDXC cards up to 1TB (not included); stereo line output (3.5mm jack) to connect directly to camera; stereo headphones output (3.5mm jack); recording and streaming via USB on PC, Mac, iOS and Android; powered via x2 AA batteries (not included) or USB bus power; dimensions (LxWxH): 200 x 70 x 41mm; weight: 91g; including Quick Start Guide, Windscreen, 3.5mm TRS stereo cable, elastic shock mount with hot shoe adapter, B-Stock with full warranty, may have slight traces of use

B-Stock, ADAM Audio A4V; active 2-way bass reflex nearfield monitor; 4"" MLM woofer; rotatable X- ART tweeter + HPS waveguide; frequency range: 52 Hz - 45 kHz (-6 dB); amplifier power RMS: 110 W (woofer) + 20 W (tweeter); crossover frequency: 3.0 kHz; max. 100 dB SPL peak (1 m); max. 300 W power consumption; integerated AD-converter 24-bit / 96 kHz; 4-band equalizer with parameters ""Bass"", ""Desk"", ""Presence"" und ""Treble"" to adapt to room acoustics; voicings function with preset sound profiles; real-time control of DSP-based functions via Ethernet; A Control Remote software allows filter models to be loaded into the monitor's own DSP; Sonarworks integration (Sonarworks software and measurement microphone not included); AC input voltage: 100 - 240 V, 50/60 Hz; Connectors: 1x line input XLR balanced, 1x line input RCA, 1x Ethernet; Dimensions: 268 x 158 x 220 mm (HxWxD); Weight: 5. 8 kg; Price per piece, B-Stock with full warranty, may have slight traces of use

B-Stock, McDSP APB-8; analog processing box; 8-channel analog processor with plugin control; provides mixer emulation, hybrid EQ as well as numerous analog dynamics and saturation processors for mixing and mastering; includes APB plugins: TAPE, BOB, KD-1 Kinetic Drive, Royal Mu, Royal Mu Surround, Royal Q, MC-3, Moo X, C673-A, EL MOO, MOO TUBE, ChickenHead, L-18 and C-18; TAPE: analog tape machine emulation with four-stage processing, selectable tape type and playback head character as well as adjustable tape compression; BOB: bass optimization with controlled compression of low-frequency content; KD-1 Kinetic Drive: analog saturation with three circuit variations, kinetics control and frequency-specific processing; Royal Mu: dual-channel compressor / limiter with MS mode, sidechain, analog saturation and equalizer; Royal Mu Surround: multichannel compressor / limiter for Dolby Atmos and surround formats up to 9.1.6 with analog saturation, 3-way bus matrix and key trim; Royal Q: hybrid equalizer with 2 x 4 bands, analog output stage and MS mode; MC-3: 3-band multiband compressor; Moo X: hybrid mixing console with up to 48 mono or stereo channels, channel EQ, analog compression and saturation plus a master section with stereo analog compressor and saturation; C673-A: dynamic range compressor modeled after the Fairchild 670; EL MOO: tube limiter with analog saturation; MOO TUBE: compressor with a subtle character for a wide range of applications; ChickenHead: aggressive compressor with a distinctive sonic character; L-18: transparent limiter for all applications with surround support up to 7.1 in Avid Pro Tools Ultimate (not for AU, VST3); C-18: universal compressor with neutral sound; 32-bit converters; supported sample rates: 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz; frequency response: 10 Hz - 20 kHz ±0.005 dB; signal-to-noise ratio: 113 dB(A); THD+N: 0.02%; dimensions (W x H x D): 483 x 44 x 406 mm; supported DAWs: Ableton Live 11 or later, Avid Pro Tools 12 or later, Apple Logic Pro X 10.4 or later, Steinberg Cubase / Nuendo 10.x or later, Universal Audio LUNA, B-Stock with full warranty, may have slight traces of use

B-Stock, Sonosax SX-M2D2; portable 2-channel Microphone Preamplifier and USB Audio Interface; 2 balanced inputs for microphone and line-level signals; for each input: up to +72dB Gain, switchable +20dB Pre-Gain, switchable +48V Phantompower, switchable Low-Cut filter (60Hz - 300Hz) and Phase Reverse switch; Dynamic range: 135dB (A-weighted); THD (20Hz - 20kHz): < 0.001%; Frequency range: 20Hz - 80kHz; build-in 6-channel mixer for analog inputs, AES inputs and USB Audio; 2-channel compressor/limiter with 4 user presets; free routing of all inputs & outputs for flexible adaptation to any monitoring- and recording-situation (6 User-Presets storable); build-in signal-generator; class compiant USB 2.0 Audio-Interface; 2x 24-Bit Dual-ADC per channel; Sampling Rate: 44.1kHz - 192kHz; level-metering of all inputs & outputs via OLED display; operation via two push-encoders; powering via 4-pin Hirose connector, USB C or replaceable Li-Ion battery (3.6V, 65mm, Type 18650); build-in battery charger (engaged when powered by Hirose or USB); connections: 2x Mic/Line input (TA-3M), AES input (TA-3M), AES output (TA-3M), stereo Line output (TA-3M), stereo headphones output (3.5mm TRS), 9-18V DC input (4-pin Hirose), USB Power (USB C) and USB Audio (USB C); dimensions: 74 x 28.5 x 130 mm (WxHxD); weight (incl. battery): 336g; solid Aluminium enclosure; including: USB C cabel, Li-Ion battery and softcase; optional: Mic/Line input cable (item 277557), stereo Line output cable (item 493820); suitable bag: Art. 485319 (not included), B-Stock with full warranty, may have slight traces of use

B-Stock, Heritage Audio HA73EQx2 Elite; 2-Channel Mic-Preamp wit EQ; based on the 1073; hand wound Carnhill Transformers; 3 stage fully discrete class A mic preamp; max. Gain: 80 dB Mic and 50 dB Line; -20 dB Pad; LO-Z switches the input impedance of the mic transformer from 1200 to 300 Ohms; 80 Hz HP-Filter; fully discrete 3 band classic equalizer with vintage correct inductors; Hi shelf at 12Khz; Mid band selectable between 6 different frequencies and OFF; Lo shelf selectable between 4 different frequencies and OFF; Inductor based High Pass filter, frequency selectable between 4 different frequencies and OFF; Connections: XLR Mic-Input, XLR Line-Input, XLR Line-Output; Instrument-Input 6.3 mm Jack; switchable Phantom Power +48V; incl. external Power Supply; Housing: 19"" 2HE, B-Stock with full warranty, may have slight traces of use

B-Stock, Neumann KH 80 DSP, studiomonitor with dsp; dsp processing 24bit 48khz; consists of: 4"" woofer, 1"" tweeter; frequency range: 57 hz - 21 khz (+/- 3 db); peak spl: 108,8 db; power: 90 w woofer and 50 w tweeter; controlpanel for standby and acoustical control; separate woofer and tweeter electronic peak limiters and thermal-protection circuitry; input gain and output level controls; eighth-order phase linear dsp crossover; external four-position ""low-mid"" switch and internal 8x iir 1st order peq/shelf precision alignment plus low / high shelf global balance acoustical control set; 70 ms delay for time-of-flight and lip-sync adjustment; self-generated noise level <20 db(a) at 10 cm; input: balanced xlr; network connector; 2x m6 on rear for mounting purpose; dimensions: 233 x 154 x 194 mm; weight: 3,5 kg, B-Stock with full warranty, may have slight traces of use

B-Stock, Elysia mpressor 500, Discrete Class-A Compressor; Discrete Class-A Topology; THD Boost: Harmonics for a grittier flavor; Auto Fast: Perfect attack in any situation; Anti Log: Instant pumping & breathing; Negative Ratios: Unique compression effects; Gain Reduction Limiter: Ultimate control over compression; Stepped Controllers: Fast and easy recall guaranteed; Frequency response: <10 Hz - 390 kHz (-3 dB); Noise floor: 20 Hz - 20 kHz (A-weighted) -79 dBu; Dynamic range: 20 Hz - 22 kHz 99 dB; Maximum input level: +21 dBu; Maximum output level: +22 dBu; Input impedance: 10 kOhm; Output impedance: 68 Ohms; Includes: mpressor 500 module (without frame); Format: API Series 500, 1 Slot, B-Stock with full warranty, may have slight traces of use

B-Stock, Shure SM 63 LB, dynamic Reportage-microphone, omnidirectional, 80 - 20.000 Hz, 23 cm, 300 Ohms, incl. clamp, B-Stock with full warranty, may have slight traces of use

B-Stock, Schertler Yellow Blender preamp - aluminum casing, send & return, headphone out, class A wiring, 3 inputs for instruments und mics, 4 Band EQ 2 channels, notchfilter, DI out, incl. power supply and bag, B-Stock with full warranty, may have slight traces of use

B-Stock, Neve 1073LB, classic transformer microphone preamp amp (Class A design), Neve designed hand-wound transformers, both Mic and Line inputs are transformer balanced and earth free, Gain knob with Signal Presence LED, +5/-20dB level Trim control with integrated phantom power on/off switch, Phase, Impedance and Front Input selector switches, Front combi-XLR connector with intelligent switching of phantom power, Audio Processing Insert design allows processing from adjacent Neve modules in same LunchboxTM to be inserted into the 1073LB's pre-output stage, Microphone Input: Gain -80db to -20dB in 5dB steps, Line Input: Input impedance 4k ohms bridging, gain -20dB to +10dB in 5dB steps, output is transformer balanced and earth free, distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output, (80kHz bandwidth), Freq Response: ±0.5dB 20Hz to 20kHz, -3dB at 40kHz,, B-Stock with full warranty, may have slight traces of use

B-Stock, Rode Procaster - dynamic large diaphragm microphone for broadcast/synchronization studios and professional podcasting, internal pop filter, large neodym diaphragm, Polar pattern: cardioid; frequency range: 75 Hz - 18 kHz; output impedance: 320 Ohm; sensitivity: -56.0dB re 1 Volt/Pascal (1.60mV @ 94 dB SPL) +/- 2 dB @ 1kHz; dimensions: 214 x 53 mm (H x diameter); weight : 695g, B-Stock with full warranty, may have slight traces of use

B-Stock, AKG C411 PP - condenser microphone with XLR phantom power adapter, suitable for guitar and violin. Colour: Black, B-Stock with full warranty, may have slight traces of use

B-Stock, Sennheiser MK 4, large diaphragm Studio condenser microphone, extremely low noise, high SPL, Solid metal housing, cardioid, 20 - 20.000 Hz, 140 dB SPL max, 48-V-Phantompower (P48), diameter: 57 mm (max), length: 160 mm, incl. stand mount (elastic shockmount not included), B-Stock with full warranty, may have slight traces of use

Neumann TLM 103 - Très bon état Je vends mon microphone Neumann TLM 103 en très bon état, parfaitement fonctionnel. Il a principalement été utilisé en home studio et toujours manipulé avec soin. Aucun problème technique, aucun bruit parasite et la capsule est en excellent état. Possibilité de le tester avant l’achat. Remise en main propre privilégiée sur Paris.

Vends un contrôleur de volume : FOSTEX PC 1E Très bon état Envoi possible en supplément Voir d'autres produits en vente ici : https://www.lemmproduction.fr/sonorisation/

YAMAHA CD8 AE #P Carte entrées - sorties Occasion Envoi possible Voir d'autres produits en vente ici : https://www.lemmproduction.fr/sonorisation/

Vends un Enregistreur Portable FOSTEX FR 2LE Occasion Fonctionnel Avec batterie + chargeur Envoi possible en supplément Voir d'autres produits en vente ici : https://www.lemmproduction.fr/sonorisation/

Vends un enregistreur portable FOSTEX FR 2 LE Sans batterie (voir photo) Occasion Fonctionnel Envoi possible en supplément Voir d'autres produits en vente ici : https://www.lemmproduction.fr/sonorisation/

Vendons contrôleur de monitoring actif : Mackie Big Knob Studio - Convient jusqu'à 2 paires d'enceintes et 3 sources stéréo (dont 2 entrées XLR/Jack avec alimentation phantom pour vos micros) - 2 sorties casques - 1 microphone talkback intégré - Gros contrôle de volume Une facture de vente sera fournie (TVA récupérable pour les professionnels assujettis)

TBE acheté chez Coolkids Audio en décembre 2025 , pas servi. Envoi colissimo recommandé , ou remise main propre sur Annecy ou Paris.

Bonjour, je vends un Rosetta 800 plus sa carte Firewire en très bon état. A venir chercher sur place (Melun) ou livrable à Paris. Je précise que je n’ai pas accepté de vente du à un acheteur qui ne paye pas depuis 1 mois. Donc toujours disponible.

Le matériel est en bon état et bien entretenu et ayant peu servi.

Je vends mon Sennheiser MD 421-II, en excellent état, proche du neuf. Il a été utilisé seulement quelques fois dans mon home studio, toujours manipulé avec soin et jamais utilisé en concert ni transporté régulièrement. Il fonctionne parfaitement et ne présente aucune marque notable sur le microphone. Vendu avec : sa pince d’origine sa mallette rigide Sennheiser son emballage cartonné d’origine La mallette présente quelques traces superficielles de rangement, visibles sur les photos, mais le microphone est dans un état impeccable. Remise en main propre possible sur Paris / région parisienne.