Nady RSM-2

Name: RSM-2
Brand: Nady
SKU: 72639
Rating: 4.0 (3 reviews)

Microphone à ruban de la marque Nady

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Rapport qualité/prix : Excellent

moosers

Publié le 29/01/09 à 21:55

(contenu en anglais)

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The Nady RSM-2 is ribbon microphone designed for use in the studio. I'm sure it can be used as a live mic but I wouldn't recommend using any kind of ribbon mic in a live setting, as they are quite delicate. The mic has a cable connected to it and has a swivel mount for easy placement and movement of the microphone. It isn't made as sturdy or with the best parts as I would like, but for the price it is hard for me to complain. Even if it breaks it is cheap enough that it won't put you into bankruptcy like some of the high end ribbon mics if it breaks of gets stolen. The price makes these mics a viable option for anyone looking to get a ribbon mic.

OVERALL OPINION

I've been using the the Nady RSM-2 ribbon microphone for a little bit less than a year. I find it to be a great option for someone looking to get a decent ribbon sound at a really low cost. This mic has a unique sound that can't be replicated with a condensor or a dynamic, but also isn't anywhere close to your non-China made ribbon microphones like a Royer. It sounds great as a room mic when recording a guitar amp. I also like it on some vocals as it has a unique tone, however it is far from my ideal choice for anyone's vocals. It is what it is - a cheap Chinese made copy that is extremely cheap. I would compare it to any of the other ribbon microphones in this price range, as they are all probably from the same factory! This isn't made with the best parts, nor do I expect it to last as long as some other mics. This being said, it is a cheap option as far as ribbon mics go and sounds pretty good too!

themaddog

Neat, micro chaude sondage.

Publié le 11/07/11 à 19:23

(contenu en anglais)

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This is a ribbon mic, which is a dynamic microphone that records with a figure 8 pattern. Ribbon mics were all the rage in the '40s for public performance, but in today's rough and tumble world, I'd recommend keeping this type of microphone for studio use only, as the ribbon is very fragile and would be burned up with if phantom power were accidentally switched on.

The Nady RSM-2 has its own XLR cable attached to the mic and no on or off switch. When not in use, it should be stored upright in its case.

OVERALL OPINION

Ribbon mics record using a different kind of technology than typical dynamic or condenser microphones. For someone looking for a vintage or unique kind of sound, a ribbon mic can sound great on vocals, but the user will have to deal with the figure 8 pattern. I used this mic on one album and was really satisfied with the results because we recorded the vocals in a good sounding room, which this microphone only emphasized since it has a bipolar recording pattern.

That being said, this mic is not fit for all occasions and isn't very versatile; although I've heard people miking drums and guitar cabs with ribbon mics, I wouldn't recommend it because too much moving air can destroy the ribbon. A good pop-filter is a must when using this microphone.

I really liked mine, but in spite of being careful, one day someone accidentally turned on the phantom power and burned up the ribbon inside the microphone. I never bothered to replace it, because even though it sounded and looked cool, it wasn't really versatile enough for me to use in very many situations. I doubt I'll ever buy another ribbon microphone again, but have to say that Nady did produce a decent product in the line of this mic.

Ceci est un micro à ruban, qui est un microphone dynamique qui enregistre avec sur la figure 8. Micros à ruban étaient à la mode dans les années 40 pour l'exécution publique, mais dans le monde rude et agité d'aujourd'hui, je vous recommandons de conserver ce type de microphone pour une utilisation studio uniquement, comme le ruban est très fragile et serait brûlé avec si fantôme alimentation ont été accidentellement allumé.

Le Nady RSM-2 a son propre câble XLR attaché à la micro et pas sur ou off. Lorsqu'il n'est pas utilisé, il doit être stocké debout dans son cas.

AVIS GLOBAL

Ruban d'enregistrement des micros avec un autre type de technologie que dynamiques typiques ou des microphones à condensateur. Pour quelqu'un qui cherche une sorte d'époque ou unique de sons, un micro à ruban peut sembler beaucoup au chant, mais l'utilisateur devra faire face à la figure 8 motif. J'ai utilisé ce micro sur un album et j'ai été vraiment satisfait du résultat, car nous avons enregistré les voix dans une bonne chambre de résonance, dont ce seul microphone souligné, car il a un modèle d'enregistrement bipolaire.

Cela étant dit, ce micro n'est pas adapté pour toutes les occasions et n'est pas très polyvalent, bien que j'ai entendu des gens de prise de son des tambours et des cabines de guitare avec des micros à ruban, je ne le recommanderais pas, car trop d'air en mouvement peut détruire le ruban. Un bon pop-filtre est un must lorsque vous utilisez ce microphone.

J'ai vraiment aimé le mien, mais en dépit d'être attentif, un jour quelqu'un accidentellement allumé l'alimentation fantôme et brûlé le ruban à l'intérieur du micro. Je n'ai jamais pris la peine de le remplacer, parce que même si elle sonné et c'était bien cool, ce n'était pas vraiment assez polyvalent pour moi à utiliser dans des situations très nombreuses. Je doute que j'aurai jamais acheter un autre microphone à ruban nouveau, mais je dois dire que Nady a produit un produit décent dans la ligne de ce micro.

ericthegreat

Go With Nady pour un son clair

Publié le 25/10/11 à 07:16

(contenu en anglais)

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The Nady RSM -2 is one of the most recognizable microphones in the world – and for good reason. It is the main stay of many a hire companies microphone hire stock, including mine. Practically unbreakable, and if you do manage to drop it from a high stage / skyscraper, you can also buy a replacement pop shield. Very suited to rock, or other musical styles that need powerful vocals. Make sure your singers lips are touching the pop shield to get the best results, though, unless they have very good mic technique. The proximity effect (increase in bass when you sing or talk close to the mic) makes this important. If the singer is a foot away from an Nady RSM -2 , the chances are they will sound thin, and you will also have gain before feedback issues...

OVERALL OPINION

Overall its great, Combined with a 421 or a Royer 121, you can get some really nice guitar sounds happening. My Nady RSM -2 seems to have gotten better with age. Since mine is now almost 10 years old, it's hard to say whether a brand new one will have the same magic...but there is a good chance it will. I don't honestly know how you could NOT have at least one of these laying around. A great mic to have around. I've given other microphones in the same price range, (and even some that are pricier) an honest test drive, but I just keep coming back to my RSM. Some of the competitors have a lot more definition and are more sensitive, etc. - but to a fault. I can get right up on this mic and sing as loud as I can and it doesn't get harsh like my other mics do. So, until I find something I like better (and I doubt I will), I will keep on using my RSM..