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V AMP2 reglage pour acoustique

  • 14 réponses
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Sujet de la discussion V AMP2 reglage pour acoustique
:oops: :oops: je sais mais j'ose quand meme :oops: :oops:

Oui le V amp2 a la base c pour éléctrique je l'ai acheté pour cela d'ailleur mais je me dis pkoi ne pas chercher un jolie son pour ma guitare electroacoustique?? :oo:
puis g trouvé quelques réglages d'usine pas trop mal mais comme je suis pas non plus tres bon niveaux son je me demande si quelqu'un aurait fait un son de ce type sur son V amp ??

je sais bien que la guitare à un role important aussi mais vous pouvez me mettre sur la piste j'en suis sur

et ne vous moquez pas :((( :(((

merci :bravo2:
2
:((( :((( :((( :nawak: :nawak: :nawak: :((( :((( :((( :coucou: :coucou: :coucou: :coucou: :coucou:
3
Oui, moi j'ai une variax, qui simule 5 accoustique, donc idem

les meilleurs ampli a mon avis, sont les simu du roland jc120, car le son est vraiment clair, essayes aussi les simu californoa clean et celle v amp clean.

mais le roland a vraiment un son clair, clair....
4
Heuuu ça me dit rien tout ça :up: g un v amp je cherche en fait les reglages qui peuvent le faire . ou peut etre g pazs bien compris ce que tu voulais dire :noidea: :oops:
5
Regardes dasn le manuel anglais, tu as les correspondances entre les amplis marqué sur le v amp et les reels.

les infos que je te donnaient sont les ampli reels, donc apres tu vfais la correspondance et tu selectione l'ampli.

les roland jc120, on un sons tres clair, ideal pour l'accoustique
6
Zut pas de chance je n'ai que la notice en francais :((( :((( aurais tu la gentillesse de me donner les numéros correspondants? merci beaucoup :bravo2:
7
Bon deja la tu as pour télécharger le logiciel de pilotage
http://www.v-amp.com/2_download/2_download.cfm?mid=2

et la tu as tous les ampli en photo, avec corespondance
http://welcome.to/vamplaza/

de plus sur ce site tu as des patches
8
American Blues:
Modeled on a Fender Bassman 4x10 combo. It's originally a bass amp, but was used by many guitarists.

Modern Class A:
This one is based on the very expensive Matchless Chieftain. It's a handmade amp, with an almost hi-fi sound.

Tweed Combo:
This one can produce som pretty nice overdrive sounds, but wasn't originally built to be used as a heavy distorted amp.

Classic Clean:
This is modeled on a classic transistor amp - the Roland JC-120. A very popular sound in the eighties, though it is still used by many guitarists today.

Brit Blues:
Behringer made this one with the first Marshall amp ever in their mind: the JTM 45.

Brit Class A:
This one can be compared to the very popular VOX AC30. But in my opinion it lacks some of that great brilliance that a real VOX amp have.

Brit Classic:
This amp model is made after Behringer's research on a 100 Watts Marshall Plexi from 1959.

Brit Hi Gain:
This is the sound of a Marshall JCM 800. Ideal for classic heavy metal, but also suitable for some low gain settings.
Rectified Hi Gain:

Mesa Boogie Dual Rectifier Trem-O-Verb from 1994. The tone controls on this one is post gain.

Modern Hi Gain:
This is modeled on a Soldano amp. Very distorted sounds cut through due to the post-gain tone controls.
Fuzz Box:
This one is the only pedal simulated in the V-AMP. It's a classic humming distortion sound, with a broad frequency range.
Ultimate V-AMP:
This is one of Behringer's own models. According to Behringer, this is "a rectifier amp that has been souped up a bit".
Drive V-AMP:
Here, Behringer has tried to make a Mesa Boogie Mark III, a high-gain lead amp.
Crunch Amp:
This one should according to Behringer, fit into modern blues or jazz music.
Clean V-AMP:
In the same unit, Behringer has put two simulations of the same amp. Don't ask me why, but this is the second version of a Roland JC-120. Sounds a bit different from the first one though...
Tube Preamp:
This is a version of a tube preamp that is said to be suitable for more than just guitar. It will give "the finishing touch" to a vocal track and give all kinds of sound sources "more warmth".

V-AMP2 only:

American Blues Deluxe:
This should be a mix between a Fender Bassman '60 and a 50's Fender Blackface Deluxe.
Custom Class A:
Budda Twinmaster, with a mid control!
Small Combo:
Based on a Fender Tweed Champ from 1960.
Black Twin:
A Fender Blackface Twin from 1965. A pretty clean amp, even at extreme volumes.
British Blues Custom:
Modeled on a Marshall JTM 45 Bluesbreaker. This is a flexible JTM45 that may sound like a Budda on high gain settings.
Non Top Boost:
This is supposed to be the normal channel on the earliest VOX AC30 without the treble boost.
Brit Classic 50w:
This is another Marshall Plexi, but with larger range in the tone controls.
British Class A 15W:
This amp model is based on the first channel of the Vox AC15.
Rectified Head:
Based on the Dual Rectifier top.
Savage Beast:
This is a simulation of the loud Engl Savage 120. An amp suitable for metal.
Custom Hi Gain:
Here we find a modified 1969 Marshall Plexi. This amp is able to produce high gain tones without being muddy.
Ultimate Plus:
This is a more powerful version of the previous Ultimate V-amp. With loads of gain!
California Drive:
The drive channel of a Mesa Boogie Mark IIc.
Custom Drive:
A simulation of the very expensive and handmade Dumble Overdrive special. This is that amps drive channel.
California Clean:
This is the clean channel of the Mesa Mark IIc.
Custom Clean:
The clean channel of the handmade Dumble amp.


Behringer™, Fender™, Vox™, Marshall™, Mesa Boogie™, Soldano™, Matchless™, Engl™, Budda™, Dumble™, Roland™ are all registered trademarks of their respective owners, with no connection whatsoever to V-AMPLAZA.
Please, sign my GUESTBOOK!
9
Wow super sympas bon je planche la dessu :up: :up:
merci
10
De rien, sur le net y a telement d'entraide que c'est un plaisir
de plus j esuis passioné par ma variax et mon v amp, pourtant je suis plutot genre matos traditionel, mais la, pour un joueur de niveau bon, et pas pro, y a pas mieux qualité prix