Sujet A faire ou non AVANT de faire réaliser son MASTERING?
- 10 réponses
- 7 participants
- 631 vues
- 1 follower
le_ver_est_en_toi
625
Posteur·euse AFfolé·e
Membre depuis 21 ans
- 1
- 2
Rouxxx
4880
Squatteur·euse d’AF
Membre depuis 20 ans
Pour la normalisation, certains te diront que c'est pas bien, alors que d'autres le font a chaque fois.....
Par contre, enlèves l'expandeur stéréo de ton master quand même...... tu risques de créer des problèmes de phase irrécupérables au mastering....
Essaies plutot de travailler ta stéréo au moment du mix
Evites également toute compression barbare sur ton mix......sinon tu risques de te faire lyncher
Mais rien ne t'empêche d'eenvoyer deux versions au mastering en expliquant bien :
ils choisiront la version qui leur convient le mieux.
sinon, tu auras peut être la réponse a ta question En cliquant ICI
Par contre, enlèves l'expandeur stéréo de ton master quand même...... tu risques de créer des problèmes de phase irrécupérables au mastering....
Essaies plutot de travailler ta stéréo au moment du mix
Evites également toute compression barbare sur ton mix......sinon tu risques de te faire lyncher
Mais rien ne t'empêche d'eenvoyer deux versions au mastering en expliquant bien :
- Version 1 --- > Sans traitements au master
- Version 2 --- > Traitements sur le master ( stéréo, compression, etc... )
ils choisiront la version qui leur convient le mieux.
sinon, tu auras peut être la réponse a ta question En cliquant ICI
...
lm
2785
Squatteur·euse d’AF
Membre depuis 21 ans
le_ver_est_en_toi
625
Posteur·euse AFfolé·e
Membre depuis 21 ans
Merci beaucoup pour ces reponses tres clair ! 
Salammbô
681
Posteur·euse AFfolé·e
Membre depuis 20 ans
Flag! 
rozzbud
2108
AFicionado·a
Membre depuis 15 ans
Type de consignes avant d'envoyer, la c'est Twerk un artiste electro qui est specialise en mastering... electro 
-------
1. As powerful as modern DAW's are, I will not be able to do much to a song that has been "squashed" using plug-ins such as L1 or L2 or any other "brick wall" limiter. It's ok to use them on individual tracks in a multi-track environment but remove or bypass any that exist on the main output channel. It's important that you leave headroom, not only to allow me room to work, but also to preserve the dynamics of the original audio recording.
2. If you have specific notes regarding any of the songs, such as "track01 could use some more emphasis on the kick or the hi-hats in track 07 seem harsh or too loud", include that in the track-notes on the project form.
3. If there are songs that you want to be quieter than others, this will also need to be mentioned before-hand on the project notes form. It's not uncommon to have interludes or ambient passages that are not at the same volume as the other beat driven tracks, but unless I am informed of such, I will go for an overall consistency in volume. By providing me with as many details as possible regarding your vision of the final product, I will be able to achieve a final product that flows the way you originally had hoped for.
4. If your project includes cross-fading between songs, it would be best to include an audio cd of the project setup exactly the way you would like it to flow. If you're sending files through the internet and do not wish to provide a hard-copy cd of the cross-fades, provide me with as specific times as possible regarding the overlaps between songs or send songs that have already been cross-faded and then cut into separate tracks.
5. Please include fade-out times if you have a specific requirement, otherwise I will use my own discretion when truncating and adding fades on the beginnings and ends of files.
6. You may also provide me with a song/s by another artist that represents the sound you're after. This can be a great way to help us both get a finished product that sounds the way you want. Please provide any example songs in as high of resolution as possible, most likely being a 44/16 audio file in FLAC* format.
7. Please specify whether you'll be pressing to vinyl and/or CD. These two mediums require slightly different treatment to accommodate for the limitations and characteristics of each.
8. If you have ISRC codes, they can be entered into the project form.
------------
pas de "squash" hein
-------
1. As powerful as modern DAW's are, I will not be able to do much to a song that has been "squashed" using plug-ins such as L1 or L2 or any other "brick wall" limiter. It's ok to use them on individual tracks in a multi-track environment but remove or bypass any that exist on the main output channel. It's important that you leave headroom, not only to allow me room to work, but also to preserve the dynamics of the original audio recording.
2. If you have specific notes regarding any of the songs, such as "track01 could use some more emphasis on the kick or the hi-hats in track 07 seem harsh or too loud", include that in the track-notes on the project form.
3. If there are songs that you want to be quieter than others, this will also need to be mentioned before-hand on the project notes form. It's not uncommon to have interludes or ambient passages that are not at the same volume as the other beat driven tracks, but unless I am informed of such, I will go for an overall consistency in volume. By providing me with as many details as possible regarding your vision of the final product, I will be able to achieve a final product that flows the way you originally had hoped for.
4. If your project includes cross-fading between songs, it would be best to include an audio cd of the project setup exactly the way you would like it to flow. If you're sending files through the internet and do not wish to provide a hard-copy cd of the cross-fades, provide me with as specific times as possible regarding the overlaps between songs or send songs that have already been cross-faded and then cut into separate tracks.
5. Please include fade-out times if you have a specific requirement, otherwise I will use my own discretion when truncating and adding fades on the beginnings and ends of files.
6. You may also provide me with a song/s by another artist that represents the sound you're after. This can be a great way to help us both get a finished product that sounds the way you want. Please provide any example songs in as high of resolution as possible, most likely being a 44/16 audio file in FLAC* format.
7. Please specify whether you'll be pressing to vinyl and/or CD. These two mediums require slightly different treatment to accommodate for the limitations and characteristics of each.
8. If you have ISRC codes, they can be entered into the project form.
------------
pas de "squash" hein
le_ver_est_en_toi
625
Posteur·euse AFfolé·e
Membre depuis 21 ans
kruci
10686
Membre d’honneur
Membre depuis 21 ans
Peaveycroquette
4666
Squatteur·euse d’AF
Membre depuis 19 ans
Citation : Dans quelle mesure un mix maison sera sublimé par un mastering pro?
Kruci>
en ce qui concerne le niveau de cheval de certaines productions (ex:Evanescence), que personnellement je trouve très moches mais qui trouvent grâce aux oreilles de beaucoup, c'est au mix que ça se passe.
le_ver_est_en_toi
625
Posteur·euse AFfolé·e
Membre depuis 21 ans
- < Liste des sujets
- Charte
- 1
- 2