Sujet Hd 192 ! question !
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Anonyme
521418
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scalp
1173
AFicionado·a
Salut Bruno, je te réponds mais alors on échange nos mains droites ok ? 
Certaines cartes MOTU sont en Firewire (comme la 828 MKII), elles communiquent donc avec l'ordi par ce port, sans ajout de carte PCI.
Pour d'autres, comme la 2408 ou la HD192, la communication avec l'ordinateur se fait via une carte PCI que tu dois installer à l'intérieur. J'ai la 2408, et la carte PCI-324 était livrée avec. Pour la HD 192, je ne sais pas trop si c'est compris dans le prix ?
scalpmusic
Certaines cartes MOTU sont en Firewire (comme la 828 MKII), elles communiquent donc avec l'ordi par ce port, sans ajout de carte PCI.
Pour d'autres, comme la 2408 ou la HD192, la communication avec l'ordinateur se fait via une carte PCI que tu dois installer à l'intérieur. J'ai la 2408, et la carte PCI-324 était livrée avec. Pour la HD 192, je ne sais pas trop si c'est compris dans le prix ?
scalpmusic
Anonyme
521418
Citation : Pour d'autres, comme la 2408 ou la HD192, la communication avec l'ordinateur se fait via une carte PCI que tu dois installer à l'intérieur. J'ai la 2408, et la carte PCI-324 était livrée avec. Pour la HD 192, je ne sais pas trop si c'est compris dans le prix ?
merci pour ta reponse! quelques galeres informatiques m'ont empechés de repondre plus tôt.
A@@ ...à propos.. heu...je garde ma main droite
A@@
scalp
1173
AFicionado·a
Tant pis, je continuerai à jouer avec un doigt.... 
scalpmusic
scalpmusic
low distortion unit
9
Nouvel·le AFfilié·e
camillo7505
233
Posteur·euse AFfiné·e
Salut tout le monde!!!! 
je vous laisse juste un petit mot concernant l interface HD192 ( le commentaire qui suit a été pris sur le site de MOTU). Voila ce qu utilise le producteur du dernier album de madonna pour enregistrerle MADONNA WORLD TOUR ( désolé c est pas protools qui est utilisé
):
"This year's Mega Summer Tour season is in full swing, and Madonna is on the road again to promote her most recent album release, "American Life". Like many top artists, Madonna mixes studio-produced tracks to support her highly choreographed live performances and the musicians on stage.
Mike McKnight produces those tracks, and makes sure they sound great at every show. In fact, Mike has programmed every major Madonna tour using a MOTU system driven by Digital Performer. We recently caught up with him during Madonna's Re-Invention tour, in an interview directly beneath the stage, to get the latest details about his setup.
What was your hardware setup for the Madonna tour?
I have two MOTU 1296 audio interfaces, and four MOTU HD192 interfaces for the three computer systems that run the show. I also use two 828mkII interfaces as mixers for my live synths. I use one and keep one as a spare. They're connected to a G4 laptop for virtual synths with Digital Performer as the host.
I also have a MIDI Timepiece AV for my G4 rig and micro express MIDI interfaces for each of my G5s. All MIDI then gets routed through another MIDI Timepiece AV so that I can switch between rigs if needed. I have a custom made 72 in/24 out switcher to switch between the audio for the three computers.
How does your rig interface with the rest of the tour infrastructure? Is that a timecode master display above the rack of HD192's?
I record time code to an audio track from my MIDI Timepiece AV. Then I send that audio track through a Brainstorm Distripilyzer (a time code reshaper and distribution amplifier) to video and lights.
Why have you chosen MOTU gear instead of other solutions for the high-pressure live-performance tours you do every year?
I use MOTU gear because it's solid, reliable and sounds great. The MOTU stuff is still my first choice on tour.
Maintenant si vous vous posiez quelques questions concernant la qualité de cette interface....j espere que vous avez les idées un peu plus clair.
je vous laisse juste un petit mot concernant l interface HD192 ( le commentaire qui suit a été pris sur le site de MOTU). Voila ce qu utilise le producteur du dernier album de madonna pour enregistrerle MADONNA WORLD TOUR ( désolé c est pas protools qui est utilisé
):"This year's Mega Summer Tour season is in full swing, and Madonna is on the road again to promote her most recent album release, "American Life". Like many top artists, Madonna mixes studio-produced tracks to support her highly choreographed live performances and the musicians on stage.
Mike McKnight produces those tracks, and makes sure they sound great at every show. In fact, Mike has programmed every major Madonna tour using a MOTU system driven by Digital Performer. We recently caught up with him during Madonna's Re-Invention tour, in an interview directly beneath the stage, to get the latest details about his setup.
What was your hardware setup for the Madonna tour?
I have two MOTU 1296 audio interfaces, and four MOTU HD192 interfaces for the three computer systems that run the show. I also use two 828mkII interfaces as mixers for my live synths. I use one and keep one as a spare. They're connected to a G4 laptop for virtual synths with Digital Performer as the host.
I also have a MIDI Timepiece AV for my G4 rig and micro express MIDI interfaces for each of my G5s. All MIDI then gets routed through another MIDI Timepiece AV so that I can switch between rigs if needed. I have a custom made 72 in/24 out switcher to switch between the audio for the three computers.
How does your rig interface with the rest of the tour infrastructure? Is that a timecode master display above the rack of HD192's?
I record time code to an audio track from my MIDI Timepiece AV. Then I send that audio track through a Brainstorm Distripilyzer (a time code reshaper and distribution amplifier) to video and lights.
Why have you chosen MOTU gear instead of other solutions for the high-pressure live-performance tours you do every year?
I use MOTU gear because it's solid, reliable and sounds great. The MOTU stuff is still my first choice on tour.
Maintenant si vous vous posiez quelques questions concernant la qualité de cette interface....j espere que vous avez les idées un peu plus clair.
Que la musique soit avec vous.
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