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Two Notes Audio Engineering Torpedo VB-101
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Two Notes Audio Engineering Torpedo VB-101

Simulateur de HP pour ampli guitare de la marque Two Notes Audio Engineering appartenant à la série Torpedo

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Samples ENGL SE 6L6 + Torpedo VB-101

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Sujet de la discussion Samples ENGL SE 6L6 + Torpedo VB-101
Désolé d'avance pour l'anglais mais je vais poster ce truc sur d'autres sites non-francophones et j'ai la flemme de traduire donc...

Schecter Hellraiser C1-FR (bridge : EMG 81)
-> ENGL SE 6L6 (chan. 3, hi gain mode, modern mode, noise gate on)
-> Two Notes Torpedo VB-101 :
-cab : Marshall 4x12 V30 Slash Signature
-mic : Neumann U87 (Condenser mic)
-miking : on-axis, closest miking possible (no distance between the grille & the mic, kinda touching it)
-post fx : low cut @ 80hz or so, exciter (slight boost) around 3Khz
-> M Audio Fast Track Pro
-> Cubase (only panning, no EQ, no effects except for the lead track that has a delay) :

http://www.esnips.com/doc/93c11024-ac56-497b-9553-55e17deacbbb/djabth

Just 2 guitars tracks, hard-panned each, same guitar but slight EQ changes on the SE between the 2.

Just plain guitars for now... i'll try those in a mix later...

By the way my playing totally sucked ass big time, don't mind the sloppiness... I hope some of you guys will recognize the songs i jammed with.

EDIT :

sujet updaté avec des nouveaux samples ici :

http://www.two-notes.com/forum/viewtopic.php?f=9&t=80&start=0

Ch. : Cascade Fathead II ou Aphex 210, MXR Analog Chorus, BeyerDynamic M88, Shure Beta91A

[ Dernière édition du message le 09/12/2009 à 15:41:44 ]

2

Citation : The link you clicked on is not complete.

http://www.youtube.com/watch?v=fAdzpwnzXmg
3
J'ai corrigé le lien ça doit marcher a priori.

Ch. : Cascade Fathead II ou Aphex 210, MXR Analog Chorus, BeyerDynamic M88, Shure Beta91A

4
De nouveaux samples ENGL SE 6L6 + Torpedo VB-101 ici :

http://www.netmusicians.org/index.php?section=user&value=djabthrash

(il s'agit des samples postés le 2009-12-09)

Ch. : Cascade Fathead II ou Aphex 210, MXR Analog Chorus, BeyerDynamic M88, Shure Beta91A

5
New samples recorded yesterday (dual-tracked guitars, hard-panned on each side, in a mix context, still shitty old strings though), see the 2009-12-11 samples below (details included) :

http://www.netmusicians.org/index.php?search=djabthrash

I think i might have overdone the "let's cut the low-end/low mids and focus on the good mids" thingie, hence my clips lacking some low-end/lo mids, so i brought some back with a wide 400Hz boost on post EQ.

Also i can't seem to make up my mind between the Condenser Mic and the SM57. I like the character/overall tone of the first one, but the second one seems clearer and more mix-friendly. So i tried to combine them (one on each side) to see if i can get the best of both worlds without having a tonal inbalance (i.e guitar tones too different from one side to another) as a downside.

Ch. : Cascade Fathead II ou Aphex 210, MXR Analog Chorus, BeyerDynamic M88, Shure Beta91A

6
New clips (dual-tracked guitars, hard-panned on each side, in a mix context and solo-ed, brand new strings this time, Torpedo built-in EQ changes to cut less lows/low mids/body and increase the mids/highs attack/agressivity/sharpness), see the 2009-12-17 samples below (details included) :

http://www.netmusicians.org/index.php?s ... djabthrash

This time i cut less Lows/Low mids in the Torpedo built in EQ than last time, i also boosted some mids/hi mids/highs & exciter (@3Hz for attack) a bit more. Finally i reduced the guitars volume a bit to fit the mix (since i boosted frequencies that make them cut through better beforehand) and let the bass & drums be heard.

I still can't seem to make up my mind between the Condenser Mic and the SM57.

My ideal tone would be clear/defined/detailed, yet "agressive/face-ripping/razor sharp", not too modern-sounding, well basically something along the lines of Pantera (face-ripping/razor sharp), Pennywise (punk-rock-ish), & Alice in chains (rock/crunch/chunk).

Ch. : Cascade Fathead II ou Aphex 210, MXR Analog Chorus, BeyerDynamic M88, Shure Beta91A

7
New clips (dual-tracked guitars, hard-panned on each side, in a mix context and solo-ed, brand new strings this time, Torpedo built-in EQ & Exciter changes to cut even less lows/low mids/body and increase the mids/highs attack/agressivity/sharpness), see the 2009-12-20 samples below (details included) :

http://www.netmusicians.org/?section=user&value=djabthrash

Compared to my previous clips (2009-12-17) i raised the bass knob a wee bit (+ 0,5) on my amp EQ and raised each of the Torpedo built-in EQ knobs a tad (+1) and the exciter value (+2%) also.

I also gave the MD421 mic a try, but i kept the same settings as with my SM57 patch. It sounds decent but i guess i need to adjust the settings to the MD421 to get a better tone.

Also in addition to the usual punk-rock-ish snippet, i posted clips of some other songs that sound more metal/HxC.

Ch. : Cascade Fathead II ou Aphex 210, MXR Analog Chorus, BeyerDynamic M88, Shure Beta91A

8
hello

petite question, quel est l'intérêt de mettre le torpedo sur cette tête

attention je dis pas que c'est con, mais je voudrais savoir ce que cela ajoute à la tête

bien les samples
http://www.myspace.com/shortshellband
9
Bah ça ajoute un choix de baffles/micros/placements de micros/post FX.

La tête seule ne sert à rien

Ch. : Cascade Fathead II ou Aphex 210, MXR Analog Chorus, BeyerDynamic M88, Shure Beta91A

10
Salut metalwerk,

le VB-101 te permet d'enregistrer ton ampli ou d'envoyer le son vers une sono, avec une qualité optimale. Ca remplace une enceinte dans le cadre d'une prise de son.

Affiliation : Dirigeant Fondateur d'Orosys - Two notes Audio Engineering