Royer Labs SF-12
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Prix public :
NC
Prix moyen :
2 775,00 €
Argus :infos
Royer Labs SF-12 : l'avis de moosers
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Caractéristiques
Le Royer Labs SF-12 est un microphone à ruban stéréo conçu pour le studio d'enregistrement. Certainement pas porter ce en dehors du studio car il n'est pas fait pour ce type d'utilisation à tous. Le micro a un huit polaires ramasser motif et capte des fréquences comprises entre 30 Hz et 15 KHz. Bien que je ne dirais pas que le micro est particulièrement fragile, car il est un microphone à ruban il devrait certainement être traitée avec le plus grand soin.
Voir / éditer source la source en anglais
The Royer Labs SF-12 is a stereo ribbon microphone designed for the recording studio. Definitely don't bring this outside of the studio as it isn't meant for that type of use at all. The mic has a figure eight polar pick up pattern and picks up frequencies between 30 Hz and 15 KHz. While I wouldn't say that the mic is especially fragile, since it is a ribbon microphone it should definitely be handled with the utmost of care.
Avis Global
Je n'ai pas une grande expérience en utilisant les Royer Labs SF-12, mais j'ai d'abord qu'il a utilisé environ un an pour une session d'enregistrement en direct. J'ai utilisé le micro pour capturer toute la pièce, et je dois dire que le micro a fait exactement cela. Nous avions une bande assez basique modernes mis en place avec batterie, basse et deux guitares, avec tous les amplis et les joueurs dans une seule pièce. Bien sûr, nous avions tout proches miced aussi bien, mais a utilisé le SF-12 pour capter l'ambiance et ajouter une certaine profondeur à l'enregistrement. Autant que cette application va, le SF-12 n'a aussi bien d'un emploi comme tout micro d'autres que j'ai utilisé dans la même situation. J'ai été étonné de voir comment réelle d'un son ramassé que c'était comme une réplique exacte de ce que mes oreilles étaient à l'origine audience. Bien que je ne peux pas dire que j'ai eu la chance d'utiliser le micro pour des enregistrements de près, autant que ramasser des sons à partir d'une certaine distance, ce n'est le microphone parfait. Avoir un microphone stéréo autour est impressionnant, surtout quand il est l'un de ce calibre, et honnêtement, je sens comme j'ai pu obtenir un enregistrement d'enregistrement très bon ensemble d'une pièce en utilisant simplement ce micro unique. Il est bien connu que Royer est le meilleur quand il s'agit de micros à ruban, comme ils font de très haute qualité des micros partout dans le conseil d'administration. Tout ingénieur sera très probablement d'accord que Royer est leur micro de choix quand il s'agit de rubans moderne faite. Bien sûr, le SF-12 est un préampli micro extrêmement coûteux, mais gardez à l'esprit que vous êtes vraiment obtenir deux micros en un. Si vous cherchez l'un des meilleurs micros à ruban stéréo là-bas, ne cherchez plus car il n'obtient pas tout ce que beaucoup mieux que les Royer Labs SF-12.
Voir / éditer source la source en anglais
I don't have extensive experience using the Royer Labs SF-12, but I first used it about a year ago for a live recording session. I used the mic to capture the entire room, and I have to say that the mic did just that. We had a pretty basic modern band set up with drums, bass, and two guitars, with all of the amps and players in a single room. Of course we had everything close miced as well, but used the SF-12 to capture the ambiance and to add some depth to the recording. As far as this application goes, the SF-12 did as good of a job as any other mic that I've used in the same situation. I was amazed at how real of a sound it picked up as it felt like an exact replica of what my ears were originally hearing. While I can't say that I have had the chance to use the mic for any up close recordings, as far as picking up sounds from somewhat of a distance, this is the perfect microphone. Having a stereo microphone around is awesome, especially when it is one of this caliber, and I honestly feel like I could get a pretty good recording overall recording of a room just by using this single mic. It is well known that Royer is the best when it comes to ribbon mics, as they make extremely high quality mics all across the board. Any professional engineer will most likely agree that Royer is their mic of choice when it comes to modern day made ribbons. Of course the SF-12 is an extremely expensive mic, but keep in mind that you're really getting two microphones in one. If you're looking for one of the best stereo ribbon mics out there, look no further as it doesn't get all that much better than the Royer Labs SF-12.
Texte original anglais : Characteristics
The Royer Labs SF-12 is a stereo ribbon microphone designed for the recording studio. Definitely don't bring this outside of the studio as it isn't meant for that type of use at all. The mic has a figure eight polar pick up pattern and picks up frequencies between 30 Hz and 15 KHz. While I wouldn't say that the mic is especially fragile, since it is a ribbon microphone it should definitely be handled with the utmost of care.
Overall Opinion
I don't have extensive experience using the Royer Labs SF-12, but I first used it about a year ago for a live recording session. I used the mic to capture the entire room, and I have to say that the mic did just that. We had a pretty basic modern band set up with drums, bass, and two guitars, with all of the amps and players in a single room. Of course we had everything close miced as well, but used the SF-12 to capture the ambiance and to add some depth to the recording. As far as this application goes, the SF-12 did as good of a job as any other mic that I've used in the same situation. I was amazed at how real of a sound it picked up as it felt like an exact replica of what my ears were originally hearing. While I can't say that I have had the chance to use the mic for any up close recordings, as far as picking up sounds from somewhat of a distance, this is the perfect microphone. Having a stereo microphone around is awesome, especially when it is one of this caliber, and I honestly feel like I could get a pretty good recording overall recording of a room just by using this single mic. It is well known that Royer is the best when it comes to ribbon mics, as they make extremely high quality mics all across the board. Any professional engineer will most likely agree that Royer is their mic of choice when it comes to modern day made ribbons. Of course the SF-12 is an extremely expensive mic, but keep in mind that you're really getting two microphones in one. If you're looking for one of the best stereo ribbon mics out there, look no further as it doesn't get all that much better than the Royer Labs SF-12.
