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DigiTech RP500
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DigiTech RP500

Multi-effet pour guitare électrique de la marque DigiTech appartenant à la série RP

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Impressionnant ce Digitech RP500

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Sujet de la discussion Impressionnant ce Digitech RP500
Ca m'a l'air pas mal ce RP500 ! je suis déjà impressionné par la qualité du RP70
j'imagine ce que cela donne sur ce haut de gamme ! 272 e chez Toto.
:8)
2
Sans doute la même qualité, mais avec des possibilités supplémentaires ? Non ? :?!:
3
J'ai bien l'impression qu'il y a moins de possibilités qu'un RP350.
Il n'a pas de BAR, pas de simu single Coil / Humbucker, et pas de mini loop station.
4
Rp 350
Amps

    based on '57 Fender® Tweed Champ *
    based on '57 Fender® Tweed Deluxe*
    based on '59 Fender® Tweed Bassman®*
    based on '65 Fender® Blackface Twin Reverb®*
    based on '65 Fender® Blackface Deluxe Reverb®*
    based on '65 Marshall® JTM-45*
    based on ‘68 Marshall® 100 Watt Super Lead™* (plexi)
    based on ‘68 Marshall®* Jump Panel
    based on ‘77 Marshall® Master Volume™*
    based on ‘83 Marshall® *JCM800
    based on ‘93 Marshall®* JCM900
    based on ‘62 Vox® *AC15
    based on ‘63 Vox®* AC30 Top Boost
    based on ‘69 Hiwatt™*Custom 100 DR103
    based on ‘81 Mesa/Boogie®* Mark II C
    based on ‘01 Mesa/Boogie® Dual Rectifier™*
    based on ‘96 Matchless* HC30
    based on ‘88 Soldano®* SLO-100
    DigiTech® Solo
    DigiTech® Metal
    DigiTech® Bright Clean
    DigiTech® Clean Tube
    DigiTech® High Gain
    DigiTech® 2101 Clean Tube
    DigiTech® 2101 Saturated Tube


rp 500
57 CHAMP Based on a '57 Fender® Tweed Champ®
57 DELUXE Based on a '57 Fender® Tweed Deluxe™
59 BASSMAN Based on a '59 Fender® Tweed Bassman®
62 BROWN BASSMAN Based on a '62 Fender® Brownface Bassman®
65 TWIN REVERB Based on a '65 Fender® Blackface Twin Reverb®
65 REVERB (Based on a '65 Fender Blackface Deluxe Reverb®
65 JTM-45 (Based on a '65 Marshall® JTM-45
68 SUPER LEAD PLEXI Based on a '68 Marshall 100 Watt Super Lead (plexi)
68 JUMP PANEL Based on a '68 Marshall Jump Panel
77 MASTER VOLUME Based on a '77 Marshall Master Volume
83 JCM800 Based on an '83 Marshall JCM800
93 JCM900 Based on a '93 Marshall JCM900
01 JCM2000 Based on an '01 Marshall JCM2000 (Solo Channel)
62 AC15 Based on a '62 Vox® AC15
63 AC30 TOP BOOST Based on a '63 Vox AC30 Top Boost
69 HIGH WATTAGE Based on a '69 Hiwatt® Custom 100 DR103
81 MARK IIC Based on an '81 Mesa Boogie® Mark II C
01 DUAL RECTIFIED Based on an '01 Mesa Boogie Dual Rectifier
MARK 4 Based on an '93 Mesa Boogie Mark IV
TRIPLE RECTIFIED Based on an '01 Mesa Boogie Triple Rectifier
99 LEGACY VL-100 Based on a Carvin® Legacy VL-100
96 MATCH HC-30 Based on a '96 MatchlessTM HC30
88 SLO-100 Based on an '88 Soldano SLO-100
GA-40 Based on a Gibson® GA-40
5150 II Based on a Peavey® 5150® II
JAZZ COMBO Based on a Roland® JC-120
SOLAR 100S Based on a Sunn® 100S
HT-100 Based on a Randall® HT-100
OJ 120 Based on a Orange™ OR 120
SUPER G Based on a Laney™ Supergroup
DIGITECH SOLO DigiTech® Solo
DIGITECH METAL DigiTech Metal
DIGITECH BRIGHT CLEAN DigiTech Bright Clean
DIGITECH CHUNK DigiTech Chunk
DIGITECH CLEAN TUBE DigiTech 2101 Clean Tube
DIGITECH CRUNCH DigiTech Crunch
DIGITECH BLUES DigiTech Blues
DIGITECH FUZZ DigiTech Fuzz
DIGITECH SPANK DigiTech Spank
DIGITECH HIGH GAIN DigiTech High Gain
DIGITECH MONSTER - Maxed out gain
DIGITECH “TWEEDFACE” – Tweed preamp w/Blackface poweramp
DIGITECH “BLACKBASS” – ’65 Blackface preamp w/ Bassman poweramp
DIGITECH STONERROCK – Thick, sludgy distorted amp tone
DIGITECH DARKMETAL – Responsive, tight metal tone
DIGITECH TRANSISTOR – Solid state transistor amp sound
DIGITECH BROWNSOUND – Hot rodded 80’s stack tone
DIGITECH MOSH – Chunky metal tone with just the right amount of sizzle
2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
DIRECT No amp model
DREADAUGHT ACOUSTIC
JUMBO ACOUSTIC


rp 350
    based on ‘57 Fender®* Tweed Champ™ 1x8”
    based on ‘57 Fender® Tweed Deluxe Reverb® * 1x12”
    based on ‘65 Fender® Blackface Deluxe Reverb™* 1x12”
    based on ‘57 Fender® Blonde Bassman®* 2x12”
    based on ‘65 Fender® Blackface Twin Reverb™ * 2x12”
    based on ‘63 Vox®* AC30 Top Boost w/Jensen® Blue Backs 2x12”
    based on ‘59 Fender® Tweed Bassman®* 4x10”
    based on Marshall® 1969 Straight w/Celestion®* G12-T70 4x12”
    based on Marshall® 1969 Slant w/Celestion® 25WGreenbacks™* 4x12”
    based on Hiwatt™ Custom w/Fane* Speakers 4x12”
    based on Johnson® Straight w/Celestion Vintage 30’s 4x12”
    based on ‘96 VHT® Slant w/Celestion®* Vintage 30’s™ 4x12”
    DigiTech® Solo 4x12
    DigiTech Bright 2x12
    DigiTech Metal 4x12
    DigiTech Rock 4x12
    DigiTech Alt 4x12
    DigiTech Vintage 4x12


rp 500

CHAMP 1X8 Based on a 1x8 '57 Fender® Tweed Champ®
DELUXE 1X12 Based on a 1x12 '57 Fender Tweed Deluxe®
DELUXE REVERB 1X12 Based on a 1x12 '65 Fender Blackface Deluxe Reverb
BRITISH 1X12 Based on a 1x12 '62 Vox® AC15 w/20W Vox Speaker
BLONDE 2X12 Based on a 2x12 '57 Fender Blonde Bassman®
TWIN 2X12 Based on a 2x12 '65 Fender Blackface Twin Reverb®
BRITISH 2X12 Based on a 2x12 '63 Vox® AC0 Top Boost w/ Jensen® Blue Backs
BASSMAN 4X10 Based on a 4x10 '59 Fender Tweed Bassman®
BRITISH 4X12 Based on a 4x12 Marshall® 1969 Straight w/ Celestion® G12-T70
GREENBACK 4X12 Based on a 4x12 Marshall 1969 Slant w/ Celestion 25W Green backs
FANE 4X12 Based on a 4x12 Hiwatt® Custom w/ Fane Speakers
BOUTIQUE 4X12 Based on a 4x12 '96 VHT® Slant w/ Celestion Vintage 30’s
VINTAGE 4X12 Based on a 4x12 Johnson® Straight w/ Celestion Vintage 30’s
DIGITECH SOLO 4X12 4x12 DigiTech® Solo
DIGITECH BRIGHT 2X12 2x12 DigiTech Bright
DIGITECH METAL 4X12 4x12 DigiTech Metal
DIGITECH ROCK 4X12 4x12 DigiTech Rock
DIGITECH ALT 4X12 4x12 DigiTech Alt Rock
DIGITECH VINTAGE 4X12 4x12 DigiTech Vintage
DIGITECH CHUNK 4X12 4x12 DigiTech Chunk
DIGITECH SPANK 4X12 4x12 DigiTech Spank
DIGITECH SPEAKER COMP 4x12 DigiTech Speaker Compensation
DIRECT No cabinet model
http://www.myspace.com/qualiea
5
ça sort kan ce truc?
6
Pour juin, apparemment.
http://www.myspace.com/qualiea
7
J'ai eut un rp 350,c'était tres bon ,mais je ne veux plus de multi effets, car on passe tro pde temp a regler l'engin en on ne joue pas beaucoup.
Obey your MASTER!!!!!!!!!
8
Merci Agent pour la comparaison, il est plus complet point de vue simulations !
dommage pour la BAR, il semble plus axé "pédalier de scène" en tout cas ça promet !
:8)
9
En plus il a plus d'effets et plus de simulation d'amplis/pédales que le haut de gamme digitech 1101 !
10
Il y en a dispo sur ebay us....tentant
il me tarde d'entendre ce que ça peut donner!!!