Korg Kronos 61

• Fabricant : Korg
• Modèle : Kronos 61
• Série : Kronos
• Catégorie : Workstations
• Poids du colis : 18.4 kg
• Fiche créée le : 14/01/2011

System: Kronos

Keyboard:

88-key: RH3 (Real Weighted Hammer Action 3)
73-key: RH3 (Real Weighted Hammer Action 3)
61-key: Natural Touch Semi Weighted

*A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
*2 In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*3 100 dual-stereo notes (It corresponds to 400 voices in the maximum.)

Number of Programs/Combinations/Drumkits:

1,664 user memory programs
(1,536 [768 HD-1+768 EXi] come preloaded)

1,792 user memory combinations
(480 come preloaded)

152 user memory drumkits
(78 come preloaded)

256 GM Level2 preset programs+ 9 GM Level2 drum preset programs

314 MB (ROM 1,505 multisamples, 1388 drum samples)

EXs1 - ROM Expansion

EXs2 - Concert Grand Piano

EXs3 - Brass & Woodwinds

EXs4 - Vintage Keyboards

EXs5 - ROM Expansion 2

EXs6 - SGX-1 German D Piano

EXs7 - SGX-1 Japanese C Piano

EXs8 - Rock Ambience Drums

EXs9 – Jazz Ambience Drums

Approx. 1GB*4

*4 The memory available for RAM samples will change based on the use of Expansion PCM libraries. About 148MB is available when shipped from the factory (when loading the file named “PRELOAD.KSC”).

374 user memory, 165

EXs6 - SGX-1 German D Piano; EXs7 - SGX-1 Japanese C Piano

32

Damper Resonance, Damper Noise, Mechanical Noise, Note Release

Tine EP I, Tine EP II, Tone EP V, Tine EP DMP, Reed EP200, Reed EP200A

Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width

Tine Type: Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5

Reed Type: Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5

*5 Each electric piano type has own amp/cabinet character.

Small Phase, Orange Phase, Clack Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage
Flanger, Red Comp, VOX Wah

Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Single: only OSC1, Double: OSC1 and OSC2.

Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.

Two completely separate drumkits.

VMT (Virtual Memory Technology) supported.

8 velocity zones per oscillator, with switching, crossfades and layering

Each zone can play mono or stereo Multisamples or Wave Sequences

Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject),

Four-mode filter routings (single, serial, parallel and 24dB mode)

Per voice non-linear driver and low boost circuit

Three bands, with sweepable mid

Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers

Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO,

2 Key Tracking Generators

Three bands, with sweep-able mid

OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync

Run real-time audio through the synthesis engine

Two multi-mode filter (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), MultiFilter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)

Per-voice non-linear driver and low boost circuit

Five Envelope generators, four per-voice LFOs, two AMS Mixers;

Per-voice Step Sequencer.

Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake

Four additional, user-specified drawbars, and expanded percussion.

Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ

Controlled via nine front-panel sliders (via Tone Adjust)

Upper, Lower (even in EX mode)

Two AMS mixers

• Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more
  
  
  Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated lowpass filter
  
  
  Korg’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can either be used as an excitation signal, or layered with the output of the string.
  
  
  Dedicated 2-pole multimode filter for shaping the string excitation; Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes
  
  
  Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation.
  
  
  Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, and Band Reject modes
  
  Multi Filter mode (Filter A only):
  Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
  
  
  5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.
Physically Modeled String:
String Excitation:
PCM Oscillator:
Excitation Filter:
Audio Input and Feedback:
Filters:
Modulation:

Combines Variable Phase Modulation (VPM), waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.

6 VPM/Waveshaper/Ring Modulation Oscillators:

Phase and modulatable pitch per oscillator; 101 Waveshaper tables plus modulatable Drive and Offset; Use as oscillators, or as Waveshapers or Ring Modulators for other signals.

PCM Oscillator:

Korg’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can be used as an FM modulator and/or layered with the VPM Oscillators. Noise generator with saturation and dedicated low pass filter.

Run real-time audio through the VPM Oscillators and filters.

Dual multi-mode filters per voice. Parallel and 24 dB (4-Pole) configurations; Low Pass, High Pass, Band Pass, and Band Reject modes

Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Supports both algorithm (78 types) selection and free patching; Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion

10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.

Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator

Run real-time audio through the synthesis engine and ESP (External Signal Processor)

12dB/octave High Pass and Low Pass self-resonant filters

ESP section:
24dB/octave Low Cut and High Cut filters, available per voice.

Patchable audio and modulation, at audio rates

Keyboard:
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In

VCO:
VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out

VCF:
External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out

VCO+VCF:
Total External Modulation In

VCA:
External Initial Gain Control In, VCA In

EG:
EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out

MG:
Triangle Out, Rectangle Out

Noise Generator:
Pink Noise Out, White Noise Out

Sample and Hold:
Clock Trigger In, Sample Signal In, S/H Out

Modulation VCA:
Control Voltage In, Signal In, Signal Out

Manual Controller:
Control Wheel Out, Momentary Switch

ESP:
Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out

Others:
EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out

Use incoming audio as a trigger and/or CV source.

Original DAR and HADSR EGs 1 & 2, original MG (with MIDI sync), Sample-and- Hold, MVCA; 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers

VCO:
Saw, Pulse, PWM

Sub Oscillator:
Off, 1 octave below, 2 octaves below

24dB/octave Low Pass self-resonant filter

Integrated Polysix Chorus, Phase, and Ensemble

Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch

Original ADSR EG and MG (with MIDI sync), 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers

16 Maximum

Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI devices

Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)

Open Sampling System (resampling, In-Track sampling)

RAM: 16-bit/48 kHz stereo/mono sampling

DISK: 16 or 24-bit/48 kHz stereo/mono sampling

RAM: Depends on the amount of availale PCM RAM

DISK: Maximum 80 minutes stereo (879 MB: 16-Bit)

4,000 samples/1,000 multisamples (128 indexes per multisample)

Direct sampling (ripping) from audio CD (CD-DA)

Korg format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats

Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.

Stereo in / stereo out

Stereo in / stereo out

Stereo in / stereo out

High, low, and mid band

Dynamic Modulation and Common LFO

Two stereo side chains

Maximum 32 per 1 effect (Preset User)

One module in Program mode, four modules in Combination and Sequencer modes

2,048 presets, 1,536 Users (96 come Preload)

On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup

697 preset (common with the preset patterns of the MIDI sequencer)

16-track MIDI sequencer + 16-track hard disk recorder + master track.

200 songs

1/480

40.00 – 300.00 (1/100 BPM resolution)

400,000 MIDI events
or 300,000 audio events

16 tracks plus the master track
697 preset/100 user patterns (per song)
18 preset/16 user template songs,

Korg (Kronos, OASYS) format, SMF formats 0 and 1.

16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit. Maximum single-file recording time

80 minutes

Volume, Pan, EQ, and Send1/2; 5,000 regions (max.), Event Anchors, BPM Adjust

1 Pattern set per song.

Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1. *6

*6 Need to use with External USB CD Drive, etc.

• Control Assign Switches:
  Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA, or Tone Adjust.
  
  Mixer Knobs Switch:
  Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8 (Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider
  
  
  On/Off, Latch, Chord Assign, module Control
  
  
  TouchView graphical user interface, 8 inch TFT, SVGA (800x600 dots), adjustable brightness
  
  
  L/MONO, R:
  1/4” Balanced; 170 ohms Stereo; 85 ohms Mono (L/MONO Only), Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)
  
  Individual 1-4:
  1/4” Balanced; 170 ohms Stereo; 85 ohms Mono, Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)
  
  Headphones:
  1/4” stereo phone jack, output impedance: 33 ohms, Maximum Level: 60+60 mW (when load impedance is 33 ohms),
  
  S/P DIF:
  Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz, (the same signals as L/MONO, R)
  
  USB-B:
  24-bit, 48 kHz, 2 channels (the same signals as L/MONO, R)
  
Vector joystick, joystick, ribbon controller, switches 1 & 2

Control Surface:
KARMA Control:
Display:
Outputs:

1/4” Balanced; Input Impedance: 10 kohms, Nominal Level: +4.0 dBu, Maximum Level: +16 dBu,Source Impedance: 600 ohms, S/N: 95 dB (Typical), Dynamic Range: 95 dB (Typical), Crosstalk: 95 dB (at 1 kHz, Typical)

S/P DIF:
Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz

USB-B:
24-bit, 48 kHz, 2 channels

Control Inputs:
Damper pedal (half damper supported), assignable switch, assignable pedal

MIDI:
In, Out, Thru

USB:
USB A (TYPE A) x 2 (for connection to external USB devices)

USB B (TYPE B) x 1 (MIDI/audio interface, MIDI: 1(16ch) input / 1(16ch) output, Audio: 2 channel input / 2 channel output)

2 USB high-speed ports (supports 480Mbps)

Principal Specifications:

Frequency Response:
20Hz-22kHz, +/-1.0 dB, 10k Ohms load

THD+N:
20Hz-22kHz, 0.01%, 10k Ohms load (typical)

S/N:
95 dB (typical)

Dynamic Range:
95 dB (typical)

Crosstalk:
95 dB, at 1 kHz (typical)

88-key: 57.28” x 16.18” x 5.71”
1,455 x 411 x 145 mm

73-key: 48.94” x 16.18” x 5.71”
1,243 x 411 x 145 mm

61-key: 41.42” x 14.25” x 5.28”
1,052 x 362 x 134 mm

Weight:
88-key: 50.71 lbs. / 23.0 kg

73-key: 44.75 lbs. / 20.3 kg

61-key: 27.56 lbs. / 12.5 kg

Accessories:
AC cord, Quick Start Guide, Accessory DVD Disk (Restore Data, KORG USB Driver, Manual PDF, etc.)

XVP-10: Expression/Volume Pedal

EXP-2: Foot Controller

DS-1H: Damper Pedal

PS-1: Pedal Switch

PS-3: Pedal Switch

Distribué par Algam / La boîte noire du Musicien