Sujet Output du Fender Champ 12 : prévue pour hp ou.?
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Nouvel·le AFfilié·e
Premier post
1 Posté le 24/04/2006 à 10:27:46Output du Fender Champ 12 : prévue pour hp ou.?
Bonjour,
Voilà, je possède depuis peu un Fender Champ 12, un petit ampli guitare de 12 watts à lampes. J'aime beaucoup cet ampli mais j'aimerais pouvoir y ajouter un hp de temps à autre pour y gagner en graves, en "coffre" pour les répètes et les concerts.
Or cet ampli possède un "1 volt line output". Cette sortie est-elle adaptée pour brancher une baffle guitare type 2X12 ou le hp d'un autre ampli ? Sinon, à quoi est-elle adaptée ? Si oui, y a t-il des règles à respecter ?
Je n'ai pas la notice de l'ampli et je confesse m'y connaître bien peu dans le domaine, je préfère donc éviter de faire n'importe quoi, merci d'avance pour votre aide...
Voilà, je possède depuis peu un Fender Champ 12, un petit ampli guitare de 12 watts à lampes. J'aime beaucoup cet ampli mais j'aimerais pouvoir y ajouter un hp de temps à autre pour y gagner en graves, en "coffre" pour les répètes et les concerts.
Or cet ampli possède un "1 volt line output". Cette sortie est-elle adaptée pour brancher une baffle guitare type 2X12 ou le hp d'un autre ampli ? Sinon, à quoi est-elle adaptée ? Si oui, y a t-il des règles à respecter ?
Je n'ai pas la notice de l'ampli et je confesse m'y connaître bien peu dans le domaine, je préfère donc éviter de faire n'importe quoi, merci d'avance pour votre aide...
applefly
4
Nouvel·le AFfilié·e
2 Posté le 24/04/2006 à 11:18:15
Salut.
la sortie line, est comme son nom l'indique une sortie "ligne", faite pour attaquer un préampli ou un tranche de console. tu peut toujours la brancher sur un baffle, mais aucun son ne sortira...
Si tu veut sortir sur un baffle suplémentaire, il faut tirer des cables à partir du hp existant (tu y vera deux cosses suplémentaires à cet effet, comme sur les baffles d'auto-radio ;o) ). Au bout de tes cables (que tu choisira multi brins -du cable spécial HP quoi-), je te conseil du mettre un jack 6mm femmelle. Ainsi, tu pourras raccorder ton ampli à un baffle externe.
Autre précision, le branchement se fait en parallele. Si tu ne sais pas se que cela veut dire, rensigne toi aupres d'un pote qui maitrise un peu l'électronique, ou sur le net.
voilà
bon courrage
SLY
la sortie line, est comme son nom l'indique une sortie "ligne", faite pour attaquer un préampli ou un tranche de console. tu peut toujours la brancher sur un baffle, mais aucun son ne sortira...
Si tu veut sortir sur un baffle suplémentaire, il faut tirer des cables à partir du hp existant (tu y vera deux cosses suplémentaires à cet effet, comme sur les baffles d'auto-radio ;o) ). Au bout de tes cables (que tu choisira multi brins -du cable spécial HP quoi-), je te conseil du mettre un jack 6mm femmelle. Ainsi, tu pourras raccorder ton ampli à un baffle externe.
Autre précision, le branchement se fait en parallele. Si tu ne sais pas se que cela veut dire, rensigne toi aupres d'un pote qui maitrise un peu l'électronique, ou sur le net.
voilà
bon courrage
SLY
LEoDenim
360
Posteur·euse AFfamé·e
3 Posté le 24/04/2006 à 12:02:35
Salut, ça fait plaisir de voir ce forum bouger un peu. Applefly a très bien répondu. Juste en supplément: un copier/coller de la doc originale (en anglais malheureusement).
The Fender Champ 12 amplifier combines all-tube, footswitchable overdrive
capability, reverb, and a Fender Special Design 12" speaker all in a compact
yet sturdy enclosure. The Champ 12 utilizes state of the art construction
techniques and minimum parts count for maximun reliability. The amplifier
uses only three tubes and features a unique CLASS-A type output section which
causes the 6L6GC tube to produce a distinctively smooth sound which has proven
to be a very popular characteristic of low-power tube amps over the years.
The tonal characterisics have been tailored to produce a wide range of sounds
in both the clean and overdrive modes. The tone controls actually work over a
different range while in the overdrive mode effectively giving the player a
second set of controls. The PULL FOR MID BOOST feature on the treble control
provides even more flexibility and will produce a fatter tone useful for
distortion playing.
The Champ 12 also offers a variety of input options. The two instrument
inputs will accommodate many different instruments, either active or
standard passive types, and the two inputs come in handy in the teaching
environment where both the student and teacher can plug in together. The Tape
input is useful for the attachment of any line level signal source to be used
as accompaniment, be it a tape player, CD player, or rhythm machine. Stereo
inputs are provided and the signal is converted to mono inside the Champ 12.
The volume control on the external signal source varies its level and the Champ
12 volume controls set the instrument level. This feature is particularly handy
for practicing and works well in conjunction with headphones plugged into the
headphone jack for private playing. In addition to the headphone jack the
Champ 12 has a line output jack that provides an unbalanced signal which is
useful for the connection of slave power amps and larger speaker systems for
more output. This output can also be connected to a mixing console, equalized
and then used for recording or sound reinforcement.
The selection of a Fender amplifier will reward you with years of quality music
in a wide range of controlled sounds. This manual is designed to familiarize
you with the equipment and acquaint you with its many features. Read it
carefully so that you will benefit from all the features as soon as you start
using the amplifier.
The built-in quality of a Fender amplifier is the result of over three and
a half decades of dedication in the combined skills of research and
developement by our engineers and musicians.
That is why we say, proudly, FENDER, The Sound That Creates Legends.
Champ 12 Front Panel Functions
A. INPUTS - Plug-in connection for instruments. Input 1 has a higher
sensitivity and impedance than Input 2 and is suitable for most
all instruments. Input 2 has 6db less gain and is useful for clean sound
with high output pickups. When jacks 1 and 2 are used simultaneously they
both have the same sensitivity.
B. TREBLE - Adjusts the amount of boost (accentuation) or cut (attenuation)
in the high frequency range. This knob also can be pulled out for boosted
midrange which is useful in the overdrive mode for more sustain and drive.
C. BASS - Adjusts the amount of boost or cut in the low frequency range.
This control automatically operates over a different range in the overdrive
mode to provide optimum equalization for distortion playing.
D. VOLUME - Adjusts the overall loudness when in the clean mode
(overdrive indicator is off).
E. GAIN - Adjusts the amount of amplification in the preamp when in the
overdrive mode (overdrive indicator is on). Ceaner sound is achieved
at lower gain settings. High gain settings will produce more sustain
and distortion. This control works in conjunction with the overdrive/volume
control to set the overall loudness of the output.
F. VOLUME - Adjusts rhe overall loudness when in the overdrive mode
(overdrive indicator is on).
G. REVERB - Adjusts the amount of reverberation (spring delayed) sound
that is mixed with the original instrument sound.
H. TAPE INPUT - Plug-in connection for any line level (500mv) stereo or
mono signal. This signal is mixed into the output amp along with the
instrument signal from the preamp. It has a fixed gain and is unnaffected
by any of the controls on the amplifier front panel. It is useful for
patching in a tape player or other signal source (rhythm machine) to be
used as accompaniment for practice or performance. The output level control
of the tape player is used to control its volume and the volume controls
on the Champ 12 control the instrument level to obtain a balance.
I. LINE OUTPUT - A line level (1 volt nominal) output taken from the output
amp to be used to drive slave amplifiers for more output. This output can
also be used in the studio with proper equalization as a recording output.
This output is unbalanced and features a resistively floated ground to
reduce the effects of ground loops. It is recommended that he Champ 12
only be connected to properly grounded equipment to reduce the possibility
of fire or shock.
J. HEADPHONE OUTPUT - This output will drive stereo headphones for
private playing. When this jack is used the Champ 12 speaker is disabled.
The output from this jack is equalized to work with most brands of headphones,
but as with speakers, different brands have very different sounds. It is
recommended that the player choose suitable headphones particularly for
distortion playing. WARNING! Continued exposure to extreme sound intensity
may result in impaired hearing ability.
K. POWER SWITCH - Turns the amplifier ON and OFF.
TUBES - The Champ 12 tube complement consists of one Fender Special Design
6L6GC (P/N 023556) and two Fender Special Design 7025's (P/N 013341).
Fender's Special Design electronic tubes provide optimum performance
in this amplifier. For best results, replace with Fender original
equipment tubes only.
CHAMP 12 SPECIFICATIONS
DIMENSIONS:
Height 15-3/4" (40 cm)
Width 16-3/8" (41.6 cm)
Depth 9" (22.9 cm)
WEIGHT: 30 lbs. (13.6 kg)
POWER OUTPUT: 10 watts RMS into 8 ohms. 30 watts peak music power.
SPEAKER: One 12" Fender Special Design. 8 ohms nominal impedance.
INPUT INPEDANCE: Input 1 - 1 meg ohm. Input 2 - 136k ohm.
TAPE INPUT IMPEDANCE: Greater than 68k ohms. Nominal level 500 mv.
LINE OUTPUT: 1 volt nominal into 600 ohms or greater.
HEADPHONE OUTPUT: Capable of driving 8 ohm or greater stereo headphones.
POWER REQUIREMENTS: 120 volts AC 60 Hz. 540 ma. 65 watts
FUSE TYPE: 1 amp 125 volt minimum, SLO-BLO
FENDER MUSICAL INSTRUMENTS
1130 Columbia Street
Brea, California 92621
The Fender Champ 12 amplifier combines all-tube, footswitchable overdrive
capability, reverb, and a Fender Special Design 12" speaker all in a compact
yet sturdy enclosure. The Champ 12 utilizes state of the art construction
techniques and minimum parts count for maximun reliability. The amplifier
uses only three tubes and features a unique CLASS-A type output section which
causes the 6L6GC tube to produce a distinctively smooth sound which has proven
to be a very popular characteristic of low-power tube amps over the years.
The tonal characterisics have been tailored to produce a wide range of sounds
in both the clean and overdrive modes. The tone controls actually work over a
different range while in the overdrive mode effectively giving the player a
second set of controls. The PULL FOR MID BOOST feature on the treble control
provides even more flexibility and will produce a fatter tone useful for
distortion playing.
The Champ 12 also offers a variety of input options. The two instrument
inputs will accommodate many different instruments, either active or
standard passive types, and the two inputs come in handy in the teaching
environment where both the student and teacher can plug in together. The Tape
input is useful for the attachment of any line level signal source to be used
as accompaniment, be it a tape player, CD player, or rhythm machine. Stereo
inputs are provided and the signal is converted to mono inside the Champ 12.
The volume control on the external signal source varies its level and the Champ
12 volume controls set the instrument level. This feature is particularly handy
for practicing and works well in conjunction with headphones plugged into the
headphone jack for private playing. In addition to the headphone jack the
Champ 12 has a line output jack that provides an unbalanced signal which is
useful for the connection of slave power amps and larger speaker systems for
more output. This output can also be connected to a mixing console, equalized
and then used for recording or sound reinforcement.
The selection of a Fender amplifier will reward you with years of quality music
in a wide range of controlled sounds. This manual is designed to familiarize
you with the equipment and acquaint you with its many features. Read it
carefully so that you will benefit from all the features as soon as you start
using the amplifier.
The built-in quality of a Fender amplifier is the result of over three and
a half decades of dedication in the combined skills of research and
developement by our engineers and musicians.
That is why we say, proudly, FENDER, The Sound That Creates Legends.
Champ 12 Front Panel Functions
A. INPUTS - Plug-in connection for instruments. Input 1 has a higher
sensitivity and impedance than Input 2 and is suitable for most
all instruments. Input 2 has 6db less gain and is useful for clean sound
with high output pickups. When jacks 1 and 2 are used simultaneously they
both have the same sensitivity.
B. TREBLE - Adjusts the amount of boost (accentuation) or cut (attenuation)
in the high frequency range. This knob also can be pulled out for boosted
midrange which is useful in the overdrive mode for more sustain and drive.
C. BASS - Adjusts the amount of boost or cut in the low frequency range.
This control automatically operates over a different range in the overdrive
mode to provide optimum equalization for distortion playing.
D. VOLUME - Adjusts the overall loudness when in the clean mode
(overdrive indicator is off).
E. GAIN - Adjusts the amount of amplification in the preamp when in the
overdrive mode (overdrive indicator is on). Ceaner sound is achieved
at lower gain settings. High gain settings will produce more sustain
and distortion. This control works in conjunction with the overdrive/volume
control to set the overall loudness of the output.
F. VOLUME - Adjusts rhe overall loudness when in the overdrive mode
(overdrive indicator is on).
G. REVERB - Adjusts the amount of reverberation (spring delayed) sound
that is mixed with the original instrument sound.
H. TAPE INPUT - Plug-in connection for any line level (500mv) stereo or
mono signal. This signal is mixed into the output amp along with the
instrument signal from the preamp. It has a fixed gain and is unnaffected
by any of the controls on the amplifier front panel. It is useful for
patching in a tape player or other signal source (rhythm machine) to be
used as accompaniment for practice or performance. The output level control
of the tape player is used to control its volume and the volume controls
on the Champ 12 control the instrument level to obtain a balance.
I. LINE OUTPUT - A line level (1 volt nominal) output taken from the output
amp to be used to drive slave amplifiers for more output. This output can
also be used in the studio with proper equalization as a recording output.
This output is unbalanced and features a resistively floated ground to
reduce the effects of ground loops. It is recommended that he Champ 12
only be connected to properly grounded equipment to reduce the possibility
of fire or shock.
J. HEADPHONE OUTPUT - This output will drive stereo headphones for
private playing. When this jack is used the Champ 12 speaker is disabled.
The output from this jack is equalized to work with most brands of headphones,
but as with speakers, different brands have very different sounds. It is
recommended that the player choose suitable headphones particularly for
distortion playing. WARNING! Continued exposure to extreme sound intensity
may result in impaired hearing ability.
K. POWER SWITCH - Turns the amplifier ON and OFF.
TUBES - The Champ 12 tube complement consists of one Fender Special Design
6L6GC (P/N 023556) and two Fender Special Design 7025's (P/N 013341).
Fender's Special Design electronic tubes provide optimum performance
in this amplifier. For best results, replace with Fender original
equipment tubes only.
CHAMP 12 SPECIFICATIONS
DIMENSIONS:
Height 15-3/4" (40 cm)
Width 16-3/8" (41.6 cm)
Depth 9" (22.9 cm)
WEIGHT: 30 lbs. (13.6 kg)
POWER OUTPUT: 10 watts RMS into 8 ohms. 30 watts peak music power.
SPEAKER: One 12" Fender Special Design. 8 ohms nominal impedance.
INPUT INPEDANCE: Input 1 - 1 meg ohm. Input 2 - 136k ohm.
TAPE INPUT IMPEDANCE: Greater than 68k ohms. Nominal level 500 mv.
LINE OUTPUT: 1 volt nominal into 600 ohms or greater.
HEADPHONE OUTPUT: Capable of driving 8 ohm or greater stereo headphones.
POWER REQUIREMENTS: 120 volts AC 60 Hz. 540 ma. 65 watts
FUSE TYPE: 1 amp 125 volt minimum, SLO-BLO
FENDER MUSICAL INSTRUMENTS
1130 Columbia Street
Brea, California 92621
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11
Nouvel·le AFfilié·e
4 Posté le 29/04/2006 à 17:01:50
Okay, merci beaucoup pour ces informations...!
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