Créer des Percussions analogiques
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alexandre73000
TUTORIEL ?
o-x-o
Synth Secrets: Analysing Metallic Percussion
The task of synthesizing convincing metallic percussion defeated many synth giants - you only need to listen to Kraftwerk's weedy cymbals on 'The Model' to be persuaded of that. So why is it so difficult? We find out...
SYNTH SECRETS Technique : Synthesis April 2002
Practical Snare Drum Synthesis
Last month, we revealed just how hideously complex the sound-producing mechanism of the snare drum can be. Nevertheless, synthesizing the sound is not as hard as it seems, as we find out with the aid of a Roland SH101...
SYNTH SECRETS Technique : Synthesis March 2002
Synthesizing Drums: The Snare Drum
If you thought synthesizing realistic bass drums was complex, that's nothing compared to snares. So how is it that the analogue snare sound is so well known? And how do you go about creating it? We find out...
SYNTH SECRETS Technique : Synthesis February 2002
Practical Bass Drum Synthesis
Moving from last month's theoretical bass drum synth patch to its practical application on affordable analogue synths, we also take a look at how the world's most famous drum machines produce this fundamental rhythm sound...
SYNTH SECRETS Technique : Synthesis January 2002
Synthesizing Drums: The Bass Drum
Ever wanted to synthesize unpitched membranophones? No? Well, you might if you knew that bass and snare drums are of this percussion type. We show you how...
SYNTH SECRETS Technique : Synthesis December 2001
Practical Percussion Synthesis
Building on the theory of what makes up the sound of timpani, as explained last month, this month's Synth Secrets reveals how to synthesize realistic kettle drums using a Korg MS20 and a Yamaha DX7.
SYNTH SECRETS Technique : Synthesis November 2001
Synthesizing Percussion
Synth Secrets turns its attention to the synthesis of percussion instruments, beginning with pitched drums
et plein d'autres https://www.soundonsound.com/search?page=1&Section=8&Subject=12
alexandre73000
It is possible in french ?
merci ;-)
silversmoons
Tripy
didier chat do
Tripy
Brian is in the kitchen...
silversmoons
Citation : Fallait mieux travailler a l'école
Danke für das Rohr didier chat do
Me huelo solamente un soplo mejor...
Sono il la cosa migliore...
Amuse well... ;)
alexandre73000
image :
http://site.voila.fr/dj-mac/waves.JPG
help
Bernix
Y a p't'être un LFO qui le travaille....Part peut être en initialisant ton PATCH
alexandre73000
enfin je ne crois pas
comment faire pour en etre sur ?
o-x-o
Citation : Extrait de la FAQ
2.13 TIP - Détail sur l'initialisation d'un patch
Auteur: Oxo [@] mc909.org
Par défaut lorsque l'on initialise un patch via "patch init" la 909 paramétre le patch pour etre sensible à la vélocité.
Cette fonctionnalité est intéressante mais il est parfois utile de la désactiver, afin de préserver nos pads ! mais aussi pour obtenir toujours le même son lorsque l'on programme un patch "from scratch" ... Je vous suggere donc de créer un patch "init modif" afin de garder ces réglages de bases. Bien entendu, rien ne vous empeche de modifier ces reglages une fois votre patch finit, afin d'obtenir une sensibilite de jeu plus souple.
Sélectionner un patch EDIT puis "PATCH INIT"
Garder les 4 tones selectionnés
FILTER
->Cutoff VeloCurve FIX FIX FIX FIX
-> F-ENV V-Curve FIX FIX FIX FIX
AMP ENV
-> A-Env V-Curve FIX FIX FIX FIX
Sauvegarder ce patch "Init Modif"
Bernix
Yes o-x-o
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