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iamqman « Specials for Engl »
Publié le 26/07/11 à 22:06
(contenu en anglais)
This is the height of German engineering. Engl is a company that excels as making those over compressed metal voicing amp for straight ahead metal tuning and drop tunings. This amp is a metal guitar players dream amp. This amp will blown down doors and bust through walls. This is a three channel amp with a clean, crunch, and lead channel. Each channel is extremely usable and friendly to just about any music. However, this amp's voicing is tailored to a metal players amp. What that means is the voicing serves towards the metal style rather than a British style amp.
Tube Driver circuit for effect devicesAlso serves as a separate 5th channel that can be selected directly (with or without EQ)Modern and Classic sound-shaping buttons determine the basic voicing of all 4 channels,2 gain variants for each of the basic
channels:
Gain Boost and Hi Gain3 voicing sections: one EQ for Clean and Crunch (Main Channel 1), one for Lead I and Lead II (Main Channel 2) and another for the Tube DriverEvery channel sports a dedicated Treble knobVarious sound-shaping buttons tuned to match the tonal requirements of the given channelsLarge spring reverb with separate knobs for the 2 Main Channels3 effect loops:
FX Loop I and FX Loop II are variable, switchable effect loops, while Serial FX Loop is a separate circuit that can be used in series with 2 main effect loopsEach effect loop may be activated for each channel as well as for the Tube Driver circuit2 each power amp Master and Presence knobs, accessible via MIDIVariable MIDI-switchable power amp output (50 or 100 watts) with hot impedance adjustmentA/B speaker switching with separate impedance selector for connected speaker systemsBalanced, frequency-compensated XLR line output for routing preamp or power amp signals to mixers or recording gearMIDI In and Thru ports serve to integrate the amp into a MIDI system128 MIDI presets, accessible via 16 MIDI channelsOffers three different remote interface ports:
Serial Amp Control Port accepts the Custom Z-9 Footswitch (sold separately); the MIDI In accepts the Z-9 for use as a simple MIDI footcontroller or any other MIDI footcontrollerAmp is equipped with a stereo jack that takes a dual footswitch allowing you to switch the four channels remotelyProgrammable Noise Gate for suppressing noise in the Crunch, Lead I, and Lead II channels
UTILIZATION
Specifications
Preamp:
4 channels: Clean, Crunch, Lead 1, Lead 2, each one in modern or classic mode, featuring mega-low punch, noise gate, 3 FX loops (one serial, two parallel), tube driver circuit (extra channel plus EQ for direct switching to power amp), 5 x ECC 83 preamp tubes
Master Section:
100 watts (4 x EL 34 tubes), half-drive mode (50 watts), Master A/B switch, Presence A/B switch, Deep Boost, electronic tube protection circuit, Speaker A/B switch.
Outputs:
Balanced recording out, cable test/impedance check, Speaker A/B out (4, 8, 16 ohms), Z-9 footswitch port, MIDI In/THRU.
MIDI-programmable functions at a glance, storable in any combination as required:
Channel switches, preamp boosts, normal/ultra bright, modern/classic mode, preamp defeat, FX loops, tube driver circuit, mega-low punch, depth boost, reverb, noise gate, Master A/B, Presence A/B, Speaker A/B, Half-Power switch (100/50 watts).
Dimensions & Weight:
71 x 27 x 29 cm, 26 kg
SOUNDS
This amp says it has four channels but it really has 6 different voicings if you count the modern and classic modes on the the two lead channels. This amp can be a bit confusing upon first glance. It looks like something out of some space ship. It has a tone of features and a tone of control and all of them are lit up like a Christmas tree. There is so much going on with this amp that it makes it some what confusing. You eventually get the feel for it but it certainly is not a plug and play kind of amp. If you are used to looking at the front of a Marshall amp or a Peavey or even a Mesa Boogie aside form the Mark V, then looking at this might worry you how to dial it in. There is a system tot he madness but it can take a you a while to find the balance necessary to get a good tone out of this amp.
This amp does have a clean and crunch channel but the reason for getting this amp is not a clean and crunch channel you can get that out of many other amps. This is ultra high gain and saturation. This is an amp that is extremely saturated and extremely modern in its voicing. This sound like German metal amp which it is and you can not dial that out of any lead channel.
OVERALL OPINION
At new these amp comes in right at around $3999. A bit of a price for a amp. This is an amp that someone who knows what they what is going to buy and probably and active touring musician.
Tube Driver circuit for effect devicesAlso serves as a separate 5th channel that can be selected directly (with or without EQ)Modern and Classic sound-shaping buttons determine the basic voicing of all 4 channels,2 gain variants for each of the basic
channels:
Gain Boost and Hi Gain3 voicing sections: one EQ for Clean and Crunch (Main Channel 1), one for Lead I and Lead II (Main Channel 2) and another for the Tube DriverEvery channel sports a dedicated Treble knobVarious sound-shaping buttons tuned to match the tonal requirements of the given channelsLarge spring reverb with separate knobs for the 2 Main Channels3 effect loops:
FX Loop I and FX Loop II are variable, switchable effect loops, while Serial FX Loop is a separate circuit that can be used in series with 2 main effect loopsEach effect loop may be activated for each channel as well as for the Tube Driver circuit2 each power amp Master and Presence knobs, accessible via MIDIVariable MIDI-switchable power amp output (50 or 100 watts) with hot impedance adjustmentA/B speaker switching with separate impedance selector for connected speaker systemsBalanced, frequency-compensated XLR line output for routing preamp or power amp signals to mixers or recording gearMIDI In and Thru ports serve to integrate the amp into a MIDI system128 MIDI presets, accessible via 16 MIDI channelsOffers three different remote interface ports:
Serial Amp Control Port accepts the Custom Z-9 Footswitch (sold separately); the MIDI In accepts the Z-9 for use as a simple MIDI footcontroller or any other MIDI footcontrollerAmp is equipped with a stereo jack that takes a dual footswitch allowing you to switch the four channels remotelyProgrammable Noise Gate for suppressing noise in the Crunch, Lead I, and Lead II channels
UTILIZATION
Specifications
Preamp:
4 channels: Clean, Crunch, Lead 1, Lead 2, each one in modern or classic mode, featuring mega-low punch, noise gate, 3 FX loops (one serial, two parallel), tube driver circuit (extra channel plus EQ for direct switching to power amp), 5 x ECC 83 preamp tubes
Master Section:
100 watts (4 x EL 34 tubes), half-drive mode (50 watts), Master A/B switch, Presence A/B switch, Deep Boost, electronic tube protection circuit, Speaker A/B switch.
Outputs:
Balanced recording out, cable test/impedance check, Speaker A/B out (4, 8, 16 ohms), Z-9 footswitch port, MIDI In/THRU.
MIDI-programmable functions at a glance, storable in any combination as required:
Channel switches, preamp boosts, normal/ultra bright, modern/classic mode, preamp defeat, FX loops, tube driver circuit, mega-low punch, depth boost, reverb, noise gate, Master A/B, Presence A/B, Speaker A/B, Half-Power switch (100/50 watts).
Dimensions & Weight:
71 x 27 x 29 cm, 26 kg
SOUNDS
This amp says it has four channels but it really has 6 different voicings if you count the modern and classic modes on the the two lead channels. This amp can be a bit confusing upon first glance. It looks like something out of some space ship. It has a tone of features and a tone of control and all of them are lit up like a Christmas tree. There is so much going on with this amp that it makes it some what confusing. You eventually get the feel for it but it certainly is not a plug and play kind of amp. If you are used to looking at the front of a Marshall amp or a Peavey or even a Mesa Boogie aside form the Mark V, then looking at this might worry you how to dial it in. There is a system tot he madness but it can take a you a while to find the balance necessary to get a good tone out of this amp.
This amp does have a clean and crunch channel but the reason for getting this amp is not a clean and crunch channel you can get that out of many other amps. This is ultra high gain and saturation. This is an amp that is extremely saturated and extremely modern in its voicing. This sound like German metal amp which it is and you can not dial that out of any lead channel.
OVERALL OPINION
At new these amp comes in right at around $3999. A bit of a price for a amp. This is an amp that someone who knows what they what is going to buy and probably and active touring musician.