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A little JAM-SESSION.

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Sujet de la discussion A little JAM-SESSION.
Here's a track recorded during a jam-session on which you can hear my cymbals being played by British studio/session drummer Emre Ramazanoglu. He has been playing my cymbals for a while. As you'll hear, he uses a selection of my trashier cymbals.

http://www.emremusic.com/ChrisJerometrack.mp3

To rule out any misunderstandings, he doesn't endorse my cymbals but he has given up his Zildjian endorsement because he wanted to play my cymbals.
I simply don’t give endorsements to anyone since the “blanks” I prefer to use (mainly professional Zildjian, Sabian and Ufip cymbals) are far too expensive and my profits are very low as it is. Also, I don’t even charge half of my work when modifying other people's cymbals. So if you see anyone famous playing my cymbals… they have payed for them, just like anybody else.

Anyway, Emre is awesome drummer and he is also an engineer/producer, so I am proud that he prefers to play my cymbals. He has recorded and worked with artists such as
Shakira
Prodigy
Tricky
Afrika Bambaata
Alison Moyet
Sneaker Pimps
Keith Tippet
Jim Abbiss
Neil Macllellan
Mekon

Emre also plays drums (and my cymbals) on the forthcoming Lou Rhodes album (out in september), which he has also produced. Lou Rhodes is the singer from the British triphop-band Lamb.
See and hear my custom cymbals:JOHAN Custom Cymbals
2
Formidable.
Le mec annule son endorsement Zildjian pour acheter des cymbales belges, bien sûr.
Et les artistes avec qui il a enregistré, j'ai regardé les 3,4 premiers, aucune trace de ce batteur dans leurs crédits.
Et la marmotte, elle fait quoi dans tout ça ?
"DeJohnette, c'est quand je veux." (Laurent Bataille)
3
Pourquoi tant de scépticisme ?


:oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo: :oo:



:fleche:
4
MON PAUVRE FOUDEBOL! tu ne dois pas être bien copain avec Google, ou alors c'est ta souris qu'elle est malatte; moi j'ai trouvé ça tout de suite sur le site de Tamburo, tu sais, ces batteries italiennes pourries qui endorsent des batteurs merdiques:

Emre Ramazanoglu
http://www.emremusic.com


06/07/2006 - Goa-Boa Festival Genova

Lou Rhodes
28/07/2006 - Canada

Trickbaby
04/07/2006 - Big Chill UK

Lou Rhodes
05/07/2006 - Dranouter Folk Festival (Belgio)

Lou Rhodes
07/07/2006 - Jazz Cafe, Londra (UK)

Lou Rhodes
08/07/2006 - Jazz Cafe, Londra (UK)

Lou Rhodes
Drumset: Tamburo Opera Natural Brown; Bass drum: 22x16, Tom Tom 10x8, Tom Tom 13x8, Floor tom 16x16, Opera snare 14x6,5, Opera snare 12x8, Gong drum 20x6.

Band: Lou Rhodes Band + sessions

Collaborations: Selected Experience:
(pr = produce, pt = ProTools,mx = mixing, en = engineer, pg = programming, dr = drumming, cp = composing)


Shakira (Sony)
ProTools Vocal editing for live DVD (pt)
Michael Jackson (Two Seas Records)
Drumming for song on new album produced by Good/Tait/Muggleston(dr)
William Orbit (Multiple Labels)
Drum Programming and ProTools for two tracks on new Nappy Roots Album, and add. programming for Dido track (pt/pg)
Lou Rhodes (Singer from Lamb)
Producing her new solo album (pr/pt/en/pg)
Bobby Gillespie
Engineering ProTools and mixing for solo track (en/pt/mx,)
Prodigy (XL Records)
Drumming and engineering for one live production and one album track (en/pt/pg/dr)
Tricky (Multiple Labels)
Protools, engineering mixing, live production, on several ongoing projects (including work with Eeka Mouse, Rico and Radana (pt/en/pg)
Boilerhouse Boys (Production Team)
Working with them on a project for the Beau Girls (pt/en/mx/pg)
Afrika Bambaata (Wall of Sound)
Collaboration on track with Mekon (pt/en/pg/pr/cp)
Infadels (Wall of Sound)
Remix with Mekon (pt/en/pg/pr/cp)
Tom Middleton (P Records)
Engineering, protools, mixing and drumming/percussion for Tom’s debut Cosmos Album (en/pt/pg/mx/dr)
Oddur Runarsson (Infinite Bloom)
Producing and recording Oddur's debut album(Pr/en/pt/pg/dr)
Oxide and Neutrino (East West)
Protools and Drumming for New Single (pt/dr)
Trickbaby (EMI)
Drumming and Protools work (dr/pt)
Harvey (Go! Beat – So Solid Crew)
Drumming for new single (dr)
Carl Cox (Independent)
Drum Programming for one track of new album (pr)
Rob Da Bank (Sunday Best)
Protools for his radio1 essential mix (pt)
Sneaker Pimps (Tommy Boy Records)
Touring drum kit, ProTools editing and engineering for Splinter and Bloodsport album (pt/dr)
My Red Cell (V2 Records)
Tracking for NME cover cds (en/pt)Marc Almond (Bluestar Records)
Two tracks for EP produced by Mekon (pt/en/pg/cp + co-mix)
Sikth (Gut Records)
ProTools editing for new Single produced by John Fryer (pt)
Tiger Aspect (Film Production Company)
Composing, programming, engineering, performing and producing forty tracks for ‘Future Fighting Machines 2’ for the Tech Channel a theme tune to a new series on
Discovery Channel and a new teen drama series on Channel 4 (cp/pr/pt/en/pg,dr)
Trash Money (Showbiz Records)
Production, mixing and drumming both studio and live for debut album (pr,pt,en,pg,dr)
Zohar (Independent)
Drumming for new tours and gigs (dr)
Drum Sample CDs and Native Instruments Plug-Ins (Zero-G/ Native Instruments)
‘Return to the Planet of the Breaks’ (awarded ‘5/5’ in Sound on Sound and 9/10 in Computer Music Magazine), ‘The Operating Table’ (to be released early 2003 as a Native Instruments Plug-In and Refill for Reason, with endorsing quotes from Nile Rodgers, Flood and Neil Macllelan,. The first CD is also endorsed by Digidesign. I also did all the final ProTools editing on the the new 5.1 surround drum sample cd from Abbey Road (produced by Haydyn Bendall) also endorsed by Digidesign.
(pr/pt/en/pg/dr/cp)
One Minute Silence (Warners)
Drum recording (en/pt)
Aconite Thrill (Mighty Atom Records)
Drum recording (en/pt)
SAE (School of Audio Engineering)
A series of evening guest lectures and ProTools workshops for the degree pupils
Hothouse Flowers (Hummingbird)
Protools editing for new Album (pt)
John Spillane (IRL)
Mix and protools for new album track (mx)
Dreem Teem (Magic Records)
Percussion, and live production, performance (pr/pt/en/pg/dr)
Mekon (Wall of Sound Records)
Many and varied projects, eg – singles, remixes, dj tools, add prods + new album. (pt/pr/en/dr/cp + mixes)
Darling (Disco Volante)
Album, singles, live production + touring for Jim Abbiss’s own band (pt/pg/dr)
Dirty Beatniks (Wall of Sound Records)
Live show production + touring + mixes and remix work (pt/en/pg/dr + mixes)
Maxim (XL records)
Two tracks for the prodigy frontman’s album produced by Jim Abbiss (pt/pg/dr)
Fashion Show Sound Design and Composition (Jon Gosling Productions)
McQueen, Ghost, Givenchy, Matthew Williamson, Fendi, Lancome, Chloe, Miele, Jaeger, Ungaro, Frost French, Gucci, Jonathon Saunders, Sophia Koko Solakis, + more
(pt/en/pg/cp + mixes)
Kid Galahad (Ignition Records)
Remix, live set production, engineering for new album (pr/pt/pg/en)
King Kooba (Second Skin)
Live production, touring, album and single tracks (pr/pt/en/pg/dr/cp)
Themroc (Wall of Sound Records)
Mixing remix of Zoot Woman’s single ‘Automatic’ and new mix jobs (pt/pg/ + mix)
Keith Tippet (Independent Jazz Artist – Official British Musical Ambassador)
Workshops and concerts (Dr)
Alison Moyet (Sony)
Jim Abbiss production of album track (pt/pg/dr)


Curriculum: CV
Emre Ramazanoglu
Age: 29
Nationality: British


Emre came to London in 1998 and began working as a session drummer and programmer for various electronic-based acts. He then hooked up with Jim Abbiss (producer of The Music, DJ Shadow) and worked as his protools operator/programmer and drummer for two years. During this period he was managed by Sandy Dworniak. He then went completely freelance and since then has worked with many different artists and labels.


Emre is very experienced with protools editing, programming and recording, logic audio, current music software, most samplers, vintage and modern synths, and studio outboard gear. Em also has a large amount of studio recording and programming equipment and a very good relationship with an excellent recording studio in North London where he does a great deal of engineering and protools work. Em also has a protools TDM mix and edit suite where he does most of his composition and editing work.


Emre also produces sample cds and his first ‘Return to the Planet of the Breaks’ (released through Zero-G) has just received maximum scores in several music magazines. Emre has now had his next generation of protools samples cds endorsed by Digidesign (creators of ProTools) and has recently released ‘The Operating Table’ (created with David Westlake from Sneaker Pimps which has just received endorsements from Nile Rodgers, Neil Macllelan.and Flood as a well as top marks from many music publications. Em also works freelance for Zero-G developing their ProTools products.


As well as these Emre has done a great deal of work with sound design for fashion shows and films. These protools-heavy jobs consist of creating twenty minute pieces for the catwalk combining original composition with DJ-style mixes. Recent clients have been Alexander McQueen, Chloe, Ghost, Givenchy, Jaeger and Langcome, Gucci, Frost French, Ungaro, Matthew Williamson, Johnathon Saunders, Carlos Miele, Rifat Ozbek, Sophia Kokosolaki and others.

Upcoming projects include work with Adam Freeland, Oddur Runnarson, Lou Rhodes (lamb), Trickbaby, Bailey Tzuke, Marie Miller, Ashok, Nemo, Mekon, Michael Jackson, Alexander Mcqueen, Rifat Ozbek, Ashley Isham and others
Soft
5
C'est ce qu'on appelle noyer le poisson.
Mon pauvre Johan, tu prends vraiment les gens pour des imbéciles.
Dans tout ce copier/coller, on se rend bien compte d'une chose, ce garçon, certainement talentueux, ne joue pas de la batterie avec les grands noms cités, mais a une fois un jour été assistant de l'ingé son sur un titre ou a aidé à programmer une BAR, le truc typique du gars malin qui sait exploiter ses quelques relations.
Sur quels albums de Tricky, Prodigy, Michael Jackson, Shakira, Keith Tippet, etc, a-t'il vraiment joué de la batterie ? Aucun.
Quelle tournée a-t'il fait avec eux ? Aucune.
Un coup de cymbale un jour ici, un remplacement sur une date en banlieue ici, jamais rien de plus important que ça.
Très respectable, certes, mais certainement pas suffisant pour se poser en garnd batteur de référence.
Ce type est un vague ingénieur Pro Tools, rien de plus.
Que pour toi ce soit un grand batteur qui fait des super trucs en dit long sur ta conception du métier, et ton honnêteté en la matière.
Il n'a jamais enregistré un album important à la la batterie, ni fait de concert avec un grand nom, alors il faut arrêter de pipeauter, merci.
On va être sympa, et dire que tes cymbales sont aussi bonnes que ce type est un grand batteur.
CQFD.
Et sur son site, il précise bien que TOUTES ses cymbales sont exclusivement des Zildjian.
Tiens, pendant qu'on y est, quel grand batteur est endorsé Tamburo ?
Google recense les pages internet, mais pour les musiciens pros, c'est AMG.
Et pour ta superstar de la batterie, le résultat est zéro.
Contente toi de continuer à essayer d'embourber des naifs, et arrête de faire le malin, merci.
"DeJohnette, c'est quand je veux." (Laurent Bataille)
6
Hi Mr FoudeBOL, how shall I call your reaction ? Criticism ? I don't think so. I think the word "hatred" is more suitable here. It's very easy to spit and insult people...if you are hiding behide an anonymous nickname like "FoudeBOL" :8) If you want to resort to hatred, I suggest that you have the courage to display your REAL name.

Anyway, it's not because Emre has not updated the his website for a while, that I'm telling a lie. The Zildjians on his website are no more...they have all been replaced with my cymbals. If you doubt it, just ask him. He'll even send you pictures of his setup.

Did I say Emre is a very well known or important drummer? No I didn't, you are putting words into my mouth which I did not say. Read my post, I have simply said Emre is a "British studio/session drummer", I never said he is world famous.
But if you say he's just a simple Pro Tools engineer, then how come the album "Beloved" from Lou Rhodes (former singer of Lamb) has been nominated for a Mercury Prize (the equivalent of a Grammy)?

Emre is one the few people who have actually given up an endorsement to play my cymbals, and chooses to tell other people about it. So that makes me proud, whether he is wellknown or not.
Other more well know drummers, who not only have an endorsement with a big cymbal brand, but who also get sponsored by the brand have come to me with their cymbals to have them modified secretly, because the cymbals they are endorsing don't satisfy them. But these drummers ask me to keep silent about that because they don't want to lose their endorsement and sponsorship.

Anyway, also other people like Dré Pallemaerts (who is a famous jazzdrummer in both Belgium and France, he often plays with Toots Thielemans) or Luke Flowers from the Cinematic Orchestra play my cymbals. Also jazz drummers from New York. Even rock drummers, like the drummer from Soulwax.

All I wanted was to give people a chance to listen to how my cymbals sound in a musical context, which the track from Emre displays. And I am proud he plays my cymbals because he is an excellent drummer. Whether he is well known or not is of less importance to me than it is to you.
See and hear my custom cymbals:JOHAN Custom Cymbals
7
Ecris en français, merci.
"DeJohnette, c'est quand je veux." (Laurent Bataille)
8

Message de modération : Je cadenasse.

Johan-> Il y a une tolérance sur le fait que tu postes en anglais étant donné l'intéret de tes cymbales (et le fait que je bave devant aussi).

Mais ce thread n'apporte rien de nouveau, et on est même à mon avis dans la publicité perso. Donc niet

Je le laisse se perdre au fond du forum avant de la supprimer.




Et aucun jugement de ma part sur le contenu des posts, libre à Férid de rentrer dans le lard si c'est sans insultes ni attaques perso comme c'est le cas ici.