Quelques infos sur le net.
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Posteur·euse AFfamé·e
Membre depuis 20 ans
Sujet de la discussion Posté le 30/11/2005 à 18:20:48Quelques infos sur le net.
Here’s a quick summary of the text, sans the marketing blurb. The pictures
on the web + just the FAQ section may give a better overview of the unit’s
capabilities than the text on the main page.
The unit was shown at Tokyo’s NAMM-equivalent show; the website still
doesn’t have any pricing or ship date info.
* * *
Main Page:
-Works like 3 RC-20XLs
-Each “Phrase” can be independently recorded/played back/overdubbed
-On/off states of each “Phrase” can be controlled freely
-A “Patch” consists of three “Phrases” (i.e. it’s a 3-stereo-track-looper)
-Two “Play Modes”;
a. Multi Mode - 3 Phrases in a Patch can be combined freely
b. Single Mode - Switching between 3 Phrases
-Max recording time: 24 min (stereo)/49 min (mono)
-one shot/reverse/fade in “etc.” playback modes
-Fade outs and Loop ending settings can be adjusted even when phrases are
not being played back
-Sub Out can be assigned to specific Phrases or the guide tone
-Max. 4 exp.pedals/footswitches
-Playback speed can be altered in realtime, by tap tempo or via expression
pedal.
-Can force Phrases of different tempos to play back in the same tempo
(”Tempo Sync” feature)
-Loop Quantize during recording
-MIDI tempo sync
-USB Connectivity
-Settings can be stored on computer
-WAV import/export (16 bit/44.1kHz/Stereo/Mono)
-Comes with a Loop Phrase CD
FAQ:
1.
What features are new on the RC-50 compared to the RC-20XL?
Max. recording time: 49min (mono)
Stereo
3 simultaneous Phrases max.
Storage of 297 Phrases max.
379 rhythm patterns
7 pedals
Connectivity for 4 external footswitches
Expression (?)
USB
Sub Outs
MIDI In/Out
Playback Speed Realtime Control
MIDI tempo sync
2.
What can you control off the expression pedals?
Phrase Level,
Phrase Pan,
Current Level (the level of the “Current Phrase”)
Current Pan (panning of the “Current Phrase”)
Guide Level
Patch Level
Patch Tempo
note: the “Original Tempo” cannot be controlled from the exp.ped.
Level and Tempo ranges are as follows:
Level: 0 - 200
Tempo: 40-250
3.
So how does the “tempo” feature work in relation to playback speed? Can
Phrases with different tempos be played back at the same tempo, or in other
words, in sync?
“Original Tempo” / “Patch Tempo”:
When a Phrase is recorded, its tempo settings are stored as an “Original
Tempo”.
Every patch can have a tempo setting independent of the Original Tempos, and
this Patch info is called the “Patch Tempo”.
Every Phrase may have a different tempo. Let’s take this example –
Phrase 1: 100bpm
Phrase 2: 120bpm
Phrase 3: 80bpm
In such a situation, we don’t know what the master tempo is. This is where
the “Patch Tempo” comes in. You can have each Phrase lock to the Patch
Tempo, or not. Elaborating on the above scenario, you can have a setting
like this:
Phrase 1: 100bpm / Tempo Sync: ON
Phrase 2: 120bpm / Tempo Sync: ON
Phrase 3: 80bpm / Tempo Sync: OFF
When you apply a Tempo Sync, Phrases having different Original Tempos will
play in sync, with the same Tempo.
Assuming a Patch Tempo of 120, playback of the above example will be as follows:
Phrase 1: Playback speed will be faster than the original recording
(100bpm), at 120bpm.
Phrase 2: Playback speed happens to be the same as the original (120bpm).
Phrase 3: Tempo Sync is off, so playback speed will not be altered.
-Expression Pedal Control of Patch Tempo
The Patch Tempo can be altered in realtime from an expression pedal such as
the RC-50.
max. and min. values for the tempo are user-defineable.
4.
When recording on top of a prerecorded Phrase, can I record just the new
stuff onto a different phrase?
Yep.
In Multi Mode, the playback/recording of three different snippets can be set
totally independent of each other.
An example would be to record on Phrase 1, then record something on Phrase 2
while Phrase 1 is playing back.
You can also overdub on the same Phrase, if you so wish.
5.
Can you record simultaneously off the Inst., mic, and Aux inputs?
Yes. All inputs will be mixed and recorded within the same Phrase.
Adjustments can be made from the Input Level section.
It’s not possible to record the different input sources on independent
tracks (Phrases) though.
6.
Terminology - What’s a “Phrase”, “Patch”, and “Current Phrase”?
Phrase: Think of it as one loop. A “phrase” is Roland lingo for a loop.
Patch: It’s a collection of three loops. RC-50 has 99 Patches.
Current Phrase: To record a loop, you need to specify where you’re
recording. The selected Phrase is a “Current Phrase”. Rec/Play/Overdub
operations are always applied on the Current Phrase. Likewise, the
indicators show the status for the Current Phrase.
One selects the Current Phrase by stepping on the Phrase 1/2/3 switch.
7.
What controls are available via MIDI?
-External MIDI sync
-Program Change/Control Change transmission: When switching a Patch, Program
Change messages are sent. External footswitch and expression pedal
operations are also sent as Continuous Controller messages.
-Pach Changes from external controllers
-Other operations from external controllers (CC#1/CC#7/CC#80): Via MIDI, one
can adjust parameters that can’t be controlled from the RC-50’s footswitches
or pedals.
Both Global and Patch settings can be altered via CC’s. It’s possible to
specify whether every parameter is Global or applied only on a Patch.
8.
So what can you do via USB?
- Backup of user data onto a computer
- Recovery, by sending settings store on a computer back onto an RC-50
- Export of RC-50 phrase data onto a computer (WAV)
- Import of WAV files in a computer, onto an RC-50
RC-50 acts as a USB mass storage class device.
It doesn’t act as a USB MIDI device.
9.
Can I punch in sections of Phrase while overdubbing?
Yes.
There are 3 Overdubbing Modes, and one of them is “Momentary Punch-in”.
a. Overdub - Records material on top an existing Phrase.
b. Replace - Overwrites material onto a Phrase; acts like a single-tap delay.
c. Momentary Punch-In - Overwrites material only while the Rec/Play/Overdub
pedal is depressed. Great for correcting parts of a Phrase.
There’s an Overdub Mode switch dedicated to the feature.
on the web + just the FAQ section may give a better overview of the unit’s
capabilities than the text on the main page.
The unit was shown at Tokyo’s NAMM-equivalent show; the website still
doesn’t have any pricing or ship date info.
* * *
Main Page:
-Works like 3 RC-20XLs
-Each “Phrase” can be independently recorded/played back/overdubbed
-On/off states of each “Phrase” can be controlled freely
-A “Patch” consists of three “Phrases” (i.e. it’s a 3-stereo-track-looper)
-Two “Play Modes”;
a. Multi Mode - 3 Phrases in a Patch can be combined freely
b. Single Mode - Switching between 3 Phrases
-Max recording time: 24 min (stereo)/49 min (mono)
-one shot/reverse/fade in “etc.” playback modes
-Fade outs and Loop ending settings can be adjusted even when phrases are
not being played back
-Sub Out can be assigned to specific Phrases or the guide tone
-Max. 4 exp.pedals/footswitches
-Playback speed can be altered in realtime, by tap tempo or via expression
pedal.
-Can force Phrases of different tempos to play back in the same tempo
(”Tempo Sync” feature)
-Loop Quantize during recording
-MIDI tempo sync
-USB Connectivity
-Settings can be stored on computer
-WAV import/export (16 bit/44.1kHz/Stereo/Mono)
-Comes with a Loop Phrase CD
FAQ:
1.
What features are new on the RC-50 compared to the RC-20XL?
Max. recording time: 49min (mono)
Stereo
3 simultaneous Phrases max.
Storage of 297 Phrases max.
379 rhythm patterns
7 pedals
Connectivity for 4 external footswitches
Expression (?)
USB
Sub Outs
MIDI In/Out
Playback Speed Realtime Control
MIDI tempo sync
2.
What can you control off the expression pedals?
Phrase Level,
Phrase Pan,
Current Level (the level of the “Current Phrase”)
Current Pan (panning of the “Current Phrase”)
Guide Level
Patch Level
Patch Tempo
note: the “Original Tempo” cannot be controlled from the exp.ped.
Level and Tempo ranges are as follows:
Level: 0 - 200
Tempo: 40-250
3.
So how does the “tempo” feature work in relation to playback speed? Can
Phrases with different tempos be played back at the same tempo, or in other
words, in sync?
“Original Tempo” / “Patch Tempo”:
When a Phrase is recorded, its tempo settings are stored as an “Original
Tempo”.
Every patch can have a tempo setting independent of the Original Tempos, and
this Patch info is called the “Patch Tempo”.
Every Phrase may have a different tempo. Let’s take this example –
Phrase 1: 100bpm
Phrase 2: 120bpm
Phrase 3: 80bpm
In such a situation, we don’t know what the master tempo is. This is where
the “Patch Tempo” comes in. You can have each Phrase lock to the Patch
Tempo, or not. Elaborating on the above scenario, you can have a setting
like this:
Phrase 1: 100bpm / Tempo Sync: ON
Phrase 2: 120bpm / Tempo Sync: ON
Phrase 3: 80bpm / Tempo Sync: OFF
When you apply a Tempo Sync, Phrases having different Original Tempos will
play in sync, with the same Tempo.
Assuming a Patch Tempo of 120, playback of the above example will be as follows:
Phrase 1: Playback speed will be faster than the original recording
(100bpm), at 120bpm.
Phrase 2: Playback speed happens to be the same as the original (120bpm).
Phrase 3: Tempo Sync is off, so playback speed will not be altered.
-Expression Pedal Control of Patch Tempo
The Patch Tempo can be altered in realtime from an expression pedal such as
the RC-50.
max. and min. values for the tempo are user-defineable.
4.
When recording on top of a prerecorded Phrase, can I record just the new
stuff onto a different phrase?
Yep.
In Multi Mode, the playback/recording of three different snippets can be set
totally independent of each other.
An example would be to record on Phrase 1, then record something on Phrase 2
while Phrase 1 is playing back.
You can also overdub on the same Phrase, if you so wish.
5.
Can you record simultaneously off the Inst., mic, and Aux inputs?
Yes. All inputs will be mixed and recorded within the same Phrase.
Adjustments can be made from the Input Level section.
It’s not possible to record the different input sources on independent
tracks (Phrases) though.
6.
Terminology - What’s a “Phrase”, “Patch”, and “Current Phrase”?
Phrase: Think of it as one loop. A “phrase” is Roland lingo for a loop.
Patch: It’s a collection of three loops. RC-50 has 99 Patches.
Current Phrase: To record a loop, you need to specify where you’re
recording. The selected Phrase is a “Current Phrase”. Rec/Play/Overdub
operations are always applied on the Current Phrase. Likewise, the
indicators show the status for the Current Phrase.
One selects the Current Phrase by stepping on the Phrase 1/2/3 switch.
7.
What controls are available via MIDI?
-External MIDI sync
-Program Change/Control Change transmission: When switching a Patch, Program
Change messages are sent. External footswitch and expression pedal
operations are also sent as Continuous Controller messages.
-Pach Changes from external controllers
-Other operations from external controllers (CC#1/CC#7/CC#80): Via MIDI, one
can adjust parameters that can’t be controlled from the RC-50’s footswitches
or pedals.
Both Global and Patch settings can be altered via CC’s. It’s possible to
specify whether every parameter is Global or applied only on a Patch.
8.
So what can you do via USB?
- Backup of user data onto a computer
- Recovery, by sending settings store on a computer back onto an RC-50
- Export of RC-50 phrase data onto a computer (WAV)
- Import of WAV files in a computer, onto an RC-50
RC-50 acts as a USB mass storage class device.
It doesn’t act as a USB MIDI device.
9.
Can I punch in sections of Phrase while overdubbing?
Yes.
There are 3 Overdubbing Modes, and one of them is “Momentary Punch-in”.
a. Overdub - Records material on top an existing Phrase.
b. Replace - Overwrites material onto a Phrase; acts like a single-tap delay.
c. Momentary Punch-In - Overwrites material only while the Rec/Play/Overdub
pedal is depressed. Great for correcting parts of a Phrase.
There’s an Overdub Mode switch dedicated to the feature.
*-**-*-**-*-**-*-*-*-*-**-*-**-*-*
Il ne faut pas confondre les fa chauds et les mi-cuits.
Projet en cours : 50NDM - 1 morceau par semaine durant 1 an ^^
Spawn-X
21538
Vie après AF ?
Membre depuis 19 ans
2 Posté le 24/01/2006 à 02:51:22
Spawn-X
21538
Vie après AF ?
Membre depuis 19 ans
3 Posté le 28/04/2006 à 00:58:31
Citation : 7.
What controls are available via MIDI?
-External MIDI sync
-Program Change/Control Change transmission: When switching a Patch, Program
Change messages are sent. External footswitch and expression pedal
operations are also sent as Continuous Controller messages.
-Pach Changes from external controllers
-Other operations from external controllers (CC#1/CC#7/CC#80): Via MIDI, one
can adjust parameters that can’t be controlled from the RC-50’s footswitches
or pedals.
Both Global and Patch settings can be altered via CC’s. It’s possible to
specify whether every parameter is Global or applied only on a Patch.
Si c'est le cas, ça va être carrément mortel pour déclancher la lecture de certaines machines comme l'AdrenaLinn de Roger Linn ou une BàR traditionnelle.
Et accessoirement, ça me permettrait d'avoir un Tap-Tempo générateur de Midi-Clock qui serait centralisé et me permettrait de piloter mes BàR, mes AdrenaLinn, mais aussi, et surtout, la synchro des effets de mon GT-Pro (Delays, Slicers, etc...)...
C'est bien simple, j'en salive de plaisir!!!
Vivement la parution de ce foutu manuel!!!
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