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Pik1
Publié le 06/02/05 à 21:14
Caract:
24-bit internal processing
24-bit analog-to-digital and digital-to-analog conversion
240 presets
16 User programs
44.1kHz S/PDIF output (may be set to wet or dry for use as a high-quality, stand-alone converter)
Simultaneous analog and digital outputs
Independent processing of each input
Dual programs that combine two independent effects in four routing configurations
Multiple delay, modulation, and pitch effects
Tap Tempo
Full MIDI control
Software-selectable MIDI Out/Thru connector
Two-stage headroom indicators
Global Mix and Tempo Modes
Headphone output
High impedance inputs for instruments
Push-button or footswitch selection of dry or muted audio output
20Hz-20kHz±1dB frequency responses
effets:
Plate, Gate, Hall, Chamber, and Room . . . Legendary Lexicon programs that recreate the acoustics of reverberant spaces.
Ambience . . . World-class programs available for room sounds without reverberation.
Tremolo . . . Programs that offer classic shapes such as square, sawtooth, triangle, sine, and rectified sine. The Adjust knob changes the synchronization of the left and right sweeps to produce mono or stereo effects, and the Tap button matches the tremolo rate of the program with the tempo of the music.
Rotary . . . Programs that simulate a Leslie-style cabinet. Like the physical model, the high (horn) and low (drum) frequencies are separated and “spun” in opposite directions. Horn and drum speeds are independent, designed with the acceleration and deceleration characteristics that simulate the inertia of the original mechanical elements.
Chorus . . . Programs inherited from the award-winning PCM Series that pan six independently-randomized delay voices across the stereo field to create a rich, airy effect that multiplies a single source into several.
Flange . . . Programs that feature two 2-tap delays, one per channel. Mixing the two tap delays together creates characteristic flange effects such as swishing, tunneling, and fading.
Pitch . . . Programs that shift monophonic sources within a range of one octave up to two octaves down.
Detune . . . Programs with one pair of voices per channel, one sharp and one flat. These voices add a delayed or pitch-shifted version of the source to thicken the sound, creating a particularly effective simulation of double-tracking.
Delay and Echo . . . Programs that include mono (5.5 seconds), stereo (2.7 seconds), and 6-voice multi-tap effects – each of which can be used to create tape echo or digital delay effects.
Dual Programs . . . Programs that combine two independent effects in four routing configurations. Dual-channel processing allows the MPX 110 to combine Delay and Reverb algorithms, or either algorithm with a Flange, Pitch, or Chorus algorithm. Dual programs are available in four routing configurations: Dual Stereo (Parallel), Cascade, Mono Split, and Dual Mono.
connectique midi in/out-truh donc éditable via un pc deux jack en in et deux autre en out
modéle rackable standard 19"
UTILISATION
Simple à utilisé, on peut utilisé les deux proc indépendament, en fait en dual program aprés avoir cablé le fx sur la console comme expliké dans le manuel on se retrouve sur le aux 1 avec le 1er effet, et sur le aux 2 avec le second effet. en double utlisation mais sur un seul aux on a 4 routage different, ce qui peut donné des choses interressante, et rapide ! suffit juste de tourné un potard.
QUALITÉ SONORE
J'ai pas d'élément de comparaison mis a part mes VSTi et Reason.... mais les effets en général son simple et bien efficace, le delay ne déforme pas le son kom je sais pas koi kom certain VSTi et les reverb sont douces et ne tache pas le son comme Reason. le pitch ma fait déliré. pour faire des varation en live sur des rythmik c pas mal. le delay ou le reverb pour faire une monté avant un evenement est super efficace aussi.
AVIS GLOBAL
+: simple, effiface, pas cher (190€ chez nos amis Allemand) utilisation en live, multiple routages
-: pas de bouton on/off
24-bit internal processing
24-bit analog-to-digital and digital-to-analog conversion
240 presets
16 User programs
44.1kHz S/PDIF output (may be set to wet or dry for use as a high-quality, stand-alone converter)
Simultaneous analog and digital outputs
Independent processing of each input
Dual programs that combine two independent effects in four routing configurations
Multiple delay, modulation, and pitch effects
Tap Tempo
Full MIDI control
Software-selectable MIDI Out/Thru connector
Two-stage headroom indicators
Global Mix and Tempo Modes
Headphone output
High impedance inputs for instruments
Push-button or footswitch selection of dry or muted audio output
20Hz-20kHz±1dB frequency responses
effets:
Plate, Gate, Hall, Chamber, and Room . . . Legendary Lexicon programs that recreate the acoustics of reverberant spaces.
Ambience . . . World-class programs available for room sounds without reverberation.
Tremolo . . . Programs that offer classic shapes such as square, sawtooth, triangle, sine, and rectified sine. The Adjust knob changes the synchronization of the left and right sweeps to produce mono or stereo effects, and the Tap button matches the tremolo rate of the program with the tempo of the music.
Rotary . . . Programs that simulate a Leslie-style cabinet. Like the physical model, the high (horn) and low (drum) frequencies are separated and “spun” in opposite directions. Horn and drum speeds are independent, designed with the acceleration and deceleration characteristics that simulate the inertia of the original mechanical elements.
Chorus . . . Programs inherited from the award-winning PCM Series that pan six independently-randomized delay voices across the stereo field to create a rich, airy effect that multiplies a single source into several.
Flange . . . Programs that feature two 2-tap delays, one per channel. Mixing the two tap delays together creates characteristic flange effects such as swishing, tunneling, and fading.
Pitch . . . Programs that shift monophonic sources within a range of one octave up to two octaves down.
Detune . . . Programs with one pair of voices per channel, one sharp and one flat. These voices add a delayed or pitch-shifted version of the source to thicken the sound, creating a particularly effective simulation of double-tracking.
Delay and Echo . . . Programs that include mono (5.5 seconds), stereo (2.7 seconds), and 6-voice multi-tap effects – each of which can be used to create tape echo or digital delay effects.
Dual Programs . . . Programs that combine two independent effects in four routing configurations. Dual-channel processing allows the MPX 110 to combine Delay and Reverb algorithms, or either algorithm with a Flange, Pitch, or Chorus algorithm. Dual programs are available in four routing configurations: Dual Stereo (Parallel), Cascade, Mono Split, and Dual Mono.
connectique midi in/out-truh donc éditable via un pc deux jack en in et deux autre en out
modéle rackable standard 19"
UTILISATION
Simple à utilisé, on peut utilisé les deux proc indépendament, en fait en dual program aprés avoir cablé le fx sur la console comme expliké dans le manuel on se retrouve sur le aux 1 avec le 1er effet, et sur le aux 2 avec le second effet. en double utlisation mais sur un seul aux on a 4 routage different, ce qui peut donné des choses interressante, et rapide ! suffit juste de tourné un potard.
QUALITÉ SONORE
J'ai pas d'élément de comparaison mis a part mes VSTi et Reason.... mais les effets en général son simple et bien efficace, le delay ne déforme pas le son kom je sais pas koi kom certain VSTi et les reverb sont douces et ne tache pas le son comme Reason. le pitch ma fait déliré. pour faire des varation en live sur des rythmik c pas mal. le delay ou le reverb pour faire une monté avant un evenement est super efficace aussi.
AVIS GLOBAL
+: simple, effiface, pas cher (190€ chez nos amis Allemand) utilisation en live, multiple routages
-: pas de bouton on/off