déphasage du à l'utilisation de plugins
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Et d'après toi, le french condom, il vient vraiment du Gers ? 
Allez pour compliquer ta réflexion, un lien qui affirme que la NY comp, la vraie, c'est centré tout en mono. Il y a des exemples audio.
https://www.pro-tools-expert.com/logic-pro-expert/2018/11/14/authentic-ny-compression-its-more-than-just-your-regular-parallel-compression
[quote]Parallel compression is fantastic, both on mixes or a subgroup. Now with Logic Pro X’s new compressor, one can quickly learn how it sounds in different applications. The plug-in’s 7 modes all have a mix control with even some presets that use this parameter by default so I’d invite you to experiment and learn how it sounds and interacts.
Authentic New York compression works a little differently while still being a parallel compression process. The key difference is that the compressor is detecting a sum of the left and right channels and most essentially, that the compressed signal output is 100% mono and centered. The compression applied tends to have a setting that is such that there are considerable artifacts such as pumping, way more than one would normally use. When re-combined with the dry signal, this allows a masking effect where the initial attack provides a fully stereo spatial image and the compression component focuses the signal’s energy straight down the middle without the listener hearing the compression artifacts. This is one of the magical audio sleight of hand techniques that can really make a mix come together. It’s actually a great way to use the so-called “all button” or “British mode” on an 1176 style processor. Our friends from the UK will be relieved to know that I’ll refrain from another joke at this time.[/quote]
Allez pour compliquer ta réflexion, un lien qui affirme que la NY comp, la vraie, c'est centré tout en mono. Il y a des exemples audio.
https://www.pro-tools-expert.com/logic-pro-expert/2018/11/14/authentic-ny-compression-its-more-than-just-your-regular-parallel-compression
[quote]Parallel compression is fantastic, both on mixes or a subgroup. Now with Logic Pro X’s new compressor, one can quickly learn how it sounds in different applications. The plug-in’s 7 modes all have a mix control with even some presets that use this parameter by default so I’d invite you to experiment and learn how it sounds and interacts.
Authentic New York compression works a little differently while still being a parallel compression process. The key difference is that the compressor is detecting a sum of the left and right channels and most essentially, that the compressed signal output is 100% mono and centered. The compression applied tends to have a setting that is such that there are considerable artifacts such as pumping, way more than one would normally use. When re-combined with the dry signal, this allows a masking effect where the initial attack provides a fully stereo spatial image and the compression component focuses the signal’s energy straight down the middle without the listener hearing the compression artifacts. This is one of the magical audio sleight of hand techniques that can really make a mix come together. It’s actually a great way to use the so-called “all button” or “British mode” on an 1176 style processor. Our friends from the UK will be relieved to know that I’ll refrain from another joke at this time.[/quote]
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