Ouvrages et liens sur la synthèse sonore. Du debutant a l'expert

Citation :
EDIT : mon programme est en Maple. Je pense que ca doit etre ça car toutes mes valeurs sont entre -1 et 1...La proportionnalité est conservée j'espère...Sinon un son audible moyen (qqun qui parle à 2 mètres) ca représente quoi en dB à peu près ?

Hors sujet : Tu devais pas ecouter mon morcal toi

Hors sujet : Je l'ai écouté deux fois, faut que je trouve le temps de le réécouter et de donner un avis En tout cas c'est le meilleur morceau que j'ai pu écouter de toi Choc sérieusement :wolfen:

Citation : Sommaire

1 Introduction
1.1 The Purpose of this Document
1.2 Acknowledgements

2 Oscillator Waveform Modification
2.1 Sync
2.2 Frequency Modulation Techniques
2.3 Wave Shaping
2.4 Vector Synthesis
2.5 Wave Sequencing
2.6 Audio-Rate Crossfading
2.7 Wave Terrain Synthesis
2.8 VOSIM
2.9 FOF Synthesis
2.10 Granular Synthesis

3 Filter Techniques
3.1 Resonant Filters as Oscillators
3.2 Serial and Parallel Filter Techniques
3.3 Audio-Rate Filter Cutoff Modulation
3.4 Adding Analog Feel
3.5 Wet Filters

4 Noise Generation
4.1 White Noise
4.2 Brown Noise
4.3 Pink Noise
4.4 Pitched Noise

5 Percussion
5.1 Bass Drum Synthesis
5.2 Snare Drum Synthesis
5.3 Synthesis of Gongs, Bells and Cymbals
5.4 Synthesis of Hand Claps

6 Additive Synthesis
6.1 What is Additive Synthesis?
6.2 Resynthesis
6.3 Group Additive Synthesis
6.4 Morphing
6.5 Transients
6.7 Which Oscillator to Use

7 Physical Modeling
7.1 Introduction to Physical Modeling
7.2 The Karplus-Strong Algorithm
7.3 Tuning of Delay Lines
7.4 Delay Line Details
7.5 Physical Modeling with Digital Waveguides
7.6 String Modeling
7.7 Woodwind Modeling
7.8 Related Links

8 Speech Synthesis and Processing
8.1 Vocoder Techniques
8.2 Speech Synthesis
8.3 Pitch Tracking

9 Using the Logic Modules
9.1 Complex Logic Functions
9.2 Flipflops, Counters other Sequential Elements
9.3 Asynchronous Elements
9.4 Arpeggiation

10 Algorithmic Composition
10.1 Chaos and Fractal Music
10.2 Cellular Automata
10.3 Cooking Noodles

11 Reverb and Echo Effects
11.1 Synthetic Echo and Reverb
11.2 Short-Time Reverb
11.3 Low-Fidelity Echo and Reverb

12 Distortion Effects
12.1 Distortion using Nonlinearities
12.2 Multiband Distortion
12.3 Polynomial Distortion
12.4 Distortion using Time-Variant Systems

13 Frequency and Pitch Shifting
13.1 Frequency Shifting
13.2 Pitch Shifting

14 Spatialization

15 Emulating Classic Synths
15.1 General Guidelines
15.2 Yamaha DX7
15.3 Octave Cat
15.4 ARP Odyssey
15.5 Casio
15.6 Hallsey Mark 1 and 2
15.7 Other Emulations

Citation :
the paper is a tutorial intended to serve as a reference in the field of digital audio effects in the electronicmusic industry for those who are new to this specialization of digital signal processing. The effects presented are those that are demanded most often, hence they will serve as a good toolbox. The algorithms chosen are of such a fundamental nature that they will find application unbiquitously and often.