snare mono + snare stéréo (neurofunk) !

Phace & Misanthrop sont deux des meilleures artistes de drum'and'bass (neurofunk). Voici ce que j'ai pu lire dans une interview concernant la création d'un snare.


"You actually just need two good recorded snares, one that gives it the mono punch, can be a 909 or any snare that doesn't have a lot of high end stereo charachter, and a second which has that stereo charachter and brilliance you are looking for to go with the track."


Donc, il faut prendre un snare avec un bon punch mono et qui n'a pas de caractère stéréo dans les aigus, et un autre qui a ce caractère stéréo et cette brillance !

-  Comment repérer le caractère d'un snare comme phace le fait ?




"- What about mono, stereo ?

As i said before, a really important thing is to arrange your frequencies around the center pan position.
i also like to use what i call a mid/side group.
its a send group with a m/s decode plugin (voxengo), m/s delay,and a m/s encode plugin. then i send all elements  i think they could need a bitmore stereo to this group. dont overdo it or you getting problems with your mono  compatibility.
you can hear that effect in "moon clouds" and "mammoth" very much. the good thing with that effect is that you have space for your mono elements in the center position and you can crank up your bass and drum volume. Concerning the hi frequencies, its maybe a speaker thing.im used to the pairs of speakers and my studio.  If the tops sound screechy there, it will blow your ears in the club ..."


Il semblerait qu'il faille traiter différemment les éléments mono et stéréo (sous forme de groupes ?) pour libérer de la place, quelqu'un peut-il m'en dire plus ?