Approcher le son de .
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Woodbox Records
Massimo Romeo
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Odieux Fonzy
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Interview de Gilmour :
Citation :
GS: Do you ever cut guitar parts direct into the board?
DG: Not very often, but it has happened once in a while. The solo in "Another Brick in the Wall, Part II" was done straight into the board. After it was recorded, the signal was then put through an amplifier to add that kind of amp tone.
Source : Guitar Shop, December 1996
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Interview de Bob Ezrin :
Citation :
People always ask me, 'How the hell did you get that astounding guitar sound at the end of "Another Brick in the Wall"?' That's just Dave DIRECT, with a little compression. We used a form of double compression: first we put the guitar through a very aggressive limiting amplifier, compressed that output, and overdrove it. The limiting amplifier makes it pop, and the compressor gives it a kind of density: the sound of being right in your face. But still, it's nothing so involved that it would have made that part sound good if Dave's playing hadn't been so brilliant. That's his first take too!"
Source : Guitar World, Feb. 1993
Before you play, ask yourself: will it improve upon the silence ?
Massimo Romeo
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