There’s a certain quality about some 60’s and early 70’s guitar tones that seem to be rather exclusive of that psychadelic era. If you hear Mick Ronson on Bowie’s Ziggy Stardust era (live in “Santa Monica ‘72” is great), Pink Floyd at The Piper at the Gates of Dawn or British blues masterpieces by The Yardbirds, Cream, Faces, Stones and so on, those searing and cutting guitar tones sound like they could rip one’s ear apart from his head! The funny thing: they don’t, and they sound great! Remember when some mop-topped kids met Dylan, grass, acid and grew up to change music forever?
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