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Très bonne guitare pour gagner en technique/vitesse type shred, sweep picking, taping etc...
Publié le 13/02/15 à 17:36J'ai utilisé cette guitare sur une table Yamaha avec une pédale de distorsion Line 6 Uber Metal pour jouer principalement du metal; l'achat de cette pelle avait pour but de me lancer dans le milieu du soliste et du shred.
Lutherie correcte, l'électronique et la finition sont de même. La guitare tenait moyennement l'accord, la corde de sol était assez foireuse mais sinon le reste niquel. Le manche est vraiment fin, très bien taillé pour le shred justement, étant conducteur, l'accès aux aigus était simplissime. La forme superstrat me convenait bien qu'elle penchait un poil de la tête en étant sanglée assez haute.
Les sons clairs sont pas mauvais mais ce n'est pas vraiment son point...…
Lutherie correcte, l'électronique et la finition sont de même. La guitare tenait moyennement l'accord, la corde de sol était assez foireuse mais sinon le reste niquel. Le manche est vraiment fin, très bien taillé pour le shred justement, étant conducteur, l'accès aux aigus était simplissime. La forme superstrat me convenait bien qu'elle penchait un poil de la tête en étant sanglée assez haute.
Les sons clairs sont pas mauvais mais ce n'est pas vraiment son point...…
Lire la suite
J'ai utilisé cette guitare sur une table Yamaha avec une pédale de distorsion Line 6 Uber Metal pour jouer principalement du metal; l'achat de cette pelle avait pour but de me lancer dans le milieu du soliste et du shred.
Lutherie correcte, l'électronique et la finition sont de même. La guitare tenait moyennement l'accord, la corde de sol était assez foireuse mais sinon le reste niquel. Le manche est vraiment fin, très bien taillé pour le shred justement, étant conducteur, l'accès aux aigus était simplissime. La forme superstrat me convenait bien qu'elle penchait un poil de la tête en étant sanglée assez haute.
Les sons clairs sont pas mauvais mais ce n'est pas vraiment son point fort. Les micros, des Duncans Designed, avaient un bon rendement dans les saturations extrêmes, c'était net, précis, plutôt froid mais ça convenait à mon style musical. Le micro chevalet, ne rendait pas bien la saturation lors de mes solos, c'était trop brouillon. En revanche, le micro manche était parfait pour cela. Donc 1 micro pour les rythmiques, l'autre pour les solos.
Ce qui m'a le plus dérangé est son FR qui fut défectueux pour ma part, ainsi que les attaches sangles qui tenaient pas très bien. J'ai bloqué le FR et le soucis était réglé, néanmoins c'est dommage de ne pas utiliser un FR quand il y en a un, autant prendre un chevalet fixe qui tient parfaitement l'accord.
Le sillet m'a aussi, au tout début de la possession de cette guitare, posé soucis: la corde de Mi aigu était, comparée à mes autres guitares, placée trop vers le bord du manche, ce qui fait que je foiré parfois mes solos ou mes bends et la corde partait hors du manche, mais ce n'est qu'une question d'habitude.
Sinon pour le prix, c'est une excellente guitare, bien taillée pour l'apprentissage du shred et des techniques typées metal.
Lutherie correcte, l'électronique et la finition sont de même. La guitare tenait moyennement l'accord, la corde de sol était assez foireuse mais sinon le reste niquel. Le manche est vraiment fin, très bien taillé pour le shred justement, étant conducteur, l'accès aux aigus était simplissime. La forme superstrat me convenait bien qu'elle penchait un poil de la tête en étant sanglée assez haute.
Les sons clairs sont pas mauvais mais ce n'est pas vraiment son point fort. Les micros, des Duncans Designed, avaient un bon rendement dans les saturations extrêmes, c'était net, précis, plutôt froid mais ça convenait à mon style musical. Le micro chevalet, ne rendait pas bien la saturation lors de mes solos, c'était trop brouillon. En revanche, le micro manche était parfait pour cela. Donc 1 micro pour les rythmiques, l'autre pour les solos.
Ce qui m'a le plus dérangé est son FR qui fut défectueux pour ma part, ainsi que les attaches sangles qui tenaient pas très bien. J'ai bloqué le FR et le soucis était réglé, néanmoins c'est dommage de ne pas utiliser un FR quand il y en a un, autant prendre un chevalet fixe qui tient parfaitement l'accord.
Le sillet m'a aussi, au tout début de la possession de cette guitare, posé soucis: la corde de Mi aigu était, comparée à mes autres guitares, placée trop vers le bord du manche, ce qui fait que je foiré parfois mes solos ou mes bends et la corde partait hors du manche, mais ce n'est qu'une question d'habitude.
Sinon pour le prix, c'est une excellente guitare, bien taillée pour l'apprentissage du shred et des techniques typées metal.
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tjon901
Naturelles finition SLX
Publié le 15/11/11 à 19:04 (contenu en anglais)The Jackson X series is a new line of guitar from Jackson that take a lot of the construction features of their high end guitars and puts them on lower end guitars so more people can afford them. A lot of their models are neck through which you do not see much on guitars of this price. The guitar I am reviewing is an SLX but it does not look like the one in the picture. It is the natural version which surprisingly comes with a different set of pickups. The natural version has a natural finish to it so you can clearly see the basswood body attached to the maple neck. The guitar is neck through so the basswood body is just wings on the neck. The neck has a 24 fret compound radius rosewood fretboard. There is a locking nut for the Floyd Rose. The pickups are different on the Natural model. This model comes with passive EMG pickups. The control layout is typical with a volume and tone with a 3 way switch.
UTILIZATION
This guitar plays a lot like a high end Jackson. The neck through construction means that there is no neck joint to get in the way. It is smooth all the way up the 24 frets. The compound radius fretboard means you get a comfortable action all the way up the neck as well. On the higher frets the radius is flatter so you can get a lower action for your leads and on the lower frets the radius is more round so you can play chords more comfortably. The Floyd Rose was okay. Its not an original Floyd Rose but it is good enough if you dont plan on standing on it.
SOUNDS
Jacksons do not normally have basswood bodies so the tone is a bit different on this than other Jacksons. I cant think of many other guitars that have basswood bodies with neck through maple necks. At least the wood combination looks good with the natural finish. The passive EMG pickups are not the greatest. They are pretty fizzy and thin. I would most likely swap these out if this was my guitar. If you are a beginner and still have a low end amp then these pickups will work just fine for you. Some X models come with real active EMG's and some do not. I would make that a priority in picking a guitar from this line over looks and shape. Getting one of the X series guitars that come with real EMG's can save you a lot of money in the future and they are not that much more expensive than the other models.
OVERALL OPINION
I like the X series on the surface. The guitars are very well priced. You can get this model for 600 bucks. I just wish there was more consistantcy through the line. The green finished version of this guitar comes with Duncan Design pickups while the natural finished on comes with passive EMG's. And there is another soloist in the X series that comes with active EMG's. It is quite confusing. If you dont mine the passive EMG's and are looking for a cool looking soloist that doesnt cost and arm and a leg the SLX natural Soloist is a pretty cool guitar.
UTILIZATION
This guitar plays a lot like a high end Jackson. The neck through construction means that there is no neck joint to get in the way. It is smooth all the way up the 24 frets. The compound radius fretboard means you get a comfortable action all the way up the neck as well. On the higher frets the radius is flatter so you can get a lower action for your leads and on the lower frets the radius is more round so you can play chords more comfortably. The Floyd Rose was okay. Its not an original Floyd Rose but it is good enough if you dont plan on standing on it.
SOUNDS
Jacksons do not normally have basswood bodies so the tone is a bit different on this than other Jacksons. I cant think of many other guitars that have basswood bodies with neck through maple necks. At least the wood combination looks good with the natural finish. The passive EMG pickups are not the greatest. They are pretty fizzy and thin. I would most likely swap these out if this was my guitar. If you are a beginner and still have a low end amp then these pickups will work just fine for you. Some X models come with real active EMG's and some do not. I would make that a priority in picking a guitar from this line over looks and shape. Getting one of the X series guitars that come with real EMG's can save you a lot of money in the future and they are not that much more expensive than the other models.
OVERALL OPINION
I like the X series on the surface. The guitars are very well priced. You can get this model for 600 bucks. I just wish there was more consistantcy through the line. The green finished version of this guitar comes with Duncan Design pickups while the natural finished on comes with passive EMG's. And there is another soloist in the X series that comes with active EMG's. It is quite confusing. If you dont mine the passive EMG's and are looking for a cool looking soloist that doesnt cost and arm and a leg the SLX natural Soloist is a pretty cool guitar.
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Hatsubai
De couleur Crazy et la qualité décente
Publié le 02/11/11 à 02:10 (contenu en anglais)Jackson has started releasing their new X series guitars lately. They're different from the older X series, so keep that in mind. These are meant for people who want a decent quality guitar but without the huge price tag that normally comes with it. The guitar features a basswood body, a maple neck-thru neck, a rosewood fretboard with 24 frets, sharkfin inlays, a licensed floyd rose bridge, two humbuckers, one volume, one tone and a three way switch.
UTILIZATION
The guitar was actually put together fairly nicely. The inlays were done quite well, so there was no issue there. I didn't notice any major fillers in the fretboard. The fretwork was pretty solid for the price. It wasn't perfect, but it was more than usable, and I was able to get some real low action without any issues. The bridge on this is a licensed floyd rose. It's not the best in the world, but I've played worse. It would be worth swapping it for either an original or a Gotoh version, in my opinion. The rest of the guitar was pretty much standard.
SOUNDS
The first thing I should mention is that this guitar does not have the "standard" Jackson tone woods. In fact, maple with basswood wings is pretty unique. Not many manufacturers use this combo, and I'm not sure how good it really sounds. It's kinda odd. The pickups are licensed Duncan pickups that don't really sound that inspiring. They average pickups that I think are most likely going to get replaced by serious guitarists. If you're going to replace them, be sure to get some pickups that aren't too overly bright as the maple neck-thru design can really get piercing at times if you're not careful. Then again, it depends on what kind of tone you're going for and how that particular guitar sounds.
OVERALL OPINION
I really like the color on this, and while there are features of this guitar I'm not crazy about (basswood wings, the licensed floyd and cheap pickups), the overall guitar is pretty decent for what you're getting. If you wait for these things to hit the used market, with a few mods, they'll be strong contenders if you ask me.
UTILIZATION
The guitar was actually put together fairly nicely. The inlays were done quite well, so there was no issue there. I didn't notice any major fillers in the fretboard. The fretwork was pretty solid for the price. It wasn't perfect, but it was more than usable, and I was able to get some real low action without any issues. The bridge on this is a licensed floyd rose. It's not the best in the world, but I've played worse. It would be worth swapping it for either an original or a Gotoh version, in my opinion. The rest of the guitar was pretty much standard.
SOUNDS
The first thing I should mention is that this guitar does not have the "standard" Jackson tone woods. In fact, maple with basswood wings is pretty unique. Not many manufacturers use this combo, and I'm not sure how good it really sounds. It's kinda odd. The pickups are licensed Duncan pickups that don't really sound that inspiring. They average pickups that I think are most likely going to get replaced by serious guitarists. If you're going to replace them, be sure to get some pickups that aren't too overly bright as the maple neck-thru design can really get piercing at times if you're not careful. Then again, it depends on what kind of tone you're going for and how that particular guitar sounds.
OVERALL OPINION
I really like the color on this, and while there are features of this guitar I'm not crazy about (basswood wings, the licensed floyd and cheap pickups), the overall guitar is pretty decent for what you're getting. If you wait for these things to hit the used market, with a few mods, they'll be strong contenders if you ask me.
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Fiche technique
- Fabricant : Jackson
- Modèle : X Soloist SLX
- Série : X
- Catégorie : Guitares de forme SC
- Fiche créée le : 05/09/2011
General
- Model Name : Soloist™ SLX
- Model Number / Color :
- 2916220503 / Black
- 2916220576 / Snow White
- 2916220519 / Taxi Cab Yellow
- 2916220529 / Slime Green
- 2916220552 / Metallic Red
- Series : X Series
- MSRP : $733.32
Body
- Body Material : Basswood
- Body Finish : Gloss Polyurethane
- Body Shape : Soloist™
Neck
- Neck Material : 3-Piece Maple Neck-Through-Body with Graphite Reinforcement
- Neck Finish : Gloss / Painted
- Neck Shape : Through-Body Maple Speed Neck with Tilt-Back Scarf Joint Headstock
- Neck Binding : 1-Ply Black
- Scale Length : 25.5" (64.8 cm)
- Fingerboard : Rosewood
- Fingerboard Radius : 12" to 16" Compound Radius (304.8 mm to 406.4 mm)
- Number of Frets : 24
- Fret Size : Jumbo
- String Nut : Floyd Rose® Special Locking
- Nut Width : 1.6875" (42.8 mm)
- Position Inlays : Pearloid Sharkfin
- Truss Rods : Dual-Action
- Head Stock Binding : 1-Ply Black
- Headstock : Jackson® Pointed 6-In-Line
Electronics
- Bridge Pickup : Duncan Designed™ HB-102B Humbucking
- Neck Pickup : Duncan Designed™ HB-103N Humbucking
- Controls : Master Volume, Master Tone
- Pickup Switching : 3-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups, Position 3. Neck Pickup
- Pickup Configuration : HH
Hardware
- Bridge : Floyd Rose® Special Double Locking 2-Point Tremolo
- Hardware Finish : Black
- Tuning Machines : Jackson® Sealed Die-Cast
- Control Knobs : Knurled Dome
- Switch Tips : Black
Miscellaneous
- Strings : NPS, .009-.042 Gauges
- Unique Features : Through-Body neck construction, Floyd Rose® Special Bridge, Duncan Designed™ HB-102-B and HB-102N Pickups
Source : http://www.jacksonguitars.com/series/x-series/models/soloist-slx/
Distribué par fenderfrance
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Autres catégories dans Guitares électriques Solid Body
Autres dénominations : x soloistslx, xsoloistslx