On en pense quoi dans les chaumières de cette bête de course ?
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Anonyme
521410
Sujet de la discussion Posté le 08/12/2004 à 11:31:47On en pense quoi dans les chaumières de cette bête de course ?
Hein !
Ca sonne chaud, puissant et tout et tout ?
Ca sonne chaud, puissant et tout et tout ?
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Number-6
26460
Vie après AF ?
Membre depuis 21 ans
2 Posté le 08/12/2004 à 16:14:45
Dixit le site officiel :
GENERAL SPECIFICATIONS
Voices: two.
Multitimbrality: two part; Parameters: patch, volume
Audio outputs: one stereo per voice. One main stereo and main mono output.
Interface: 1 rotary encoder, 12 knobs, 30 tactile switches, 21 LEDS.
Display: 16 x 2 back lit liquid crystal.
Memory: 256 sound patches,128 multi patches in RAM.
Weight: 10 lbs.
Dimensions: 2 rack spaces, 15 inches deep.
Power: 90 - 250 volts AC auto switching.
VOICE ARCHITECTURE
Two voltage controlled discrete analog oscillators and one sub wave of Oscillator 1
Waveforms: triangle, sawtooth and variable width square. All waveforms output simultaneously. Syncing of Osc 2 to Osc 1.
Two voltage controlled discrete analog filters
24db (classic Moog), 12 db (classic Oberheim). 12db filter has low pass, bandpass, high pass and band reject modes. Each voice has the capability of having four different filters available for use. Additional filters (up to 2 per voice) can be added as desired in any number. Filters do not operate in series or parallel. Current additional filters available: Roland 303, Arp 2600.
Three low frequency oscillators (LFO3 fixed to voice panning)
Waveforms: triangle, sawtooth, reverse sawtooth, square, noise, random. Up to three destinations and depths each for LFOs 1&2 with range, delay, key trigger, phase, mode (mono or poly), quantize, midi sync.
Three multiple stage envelope generators
Attack, decay, sustain and release with inverting and multiple triggering. Envelopes 1&2 have additional delay, decay2, and breakpoint parameters. Envelope 1 fixed to filter frequency. Envelope 2 fixed to amplifier level. Envelope 3 is assignable with up to three destinations and depths.
Arpeggiator
Parameters: tempo, direction, range, interval, midi sync.
Glide
Linear or exponential. Parameters: time, mode (auto, legato, glissando), autoglide interval, dynamics, destination.
Unison mode
One or two voices.
Additional Features
Oscillator 2 audio frequency modulation. Destinations: Osc 1 frequency, Osc 1 pulse width, filter frequency. White noise generator. Auto triggering external input processor on each voice. Parameters: input level, trigger level, mix level, window.
Modulation Destinations
LFOs1&2 and envelope 3: VCO 1&2 frequency, pulse width, and mix level, VCF frequency and resonance, noise level, Xmod amount, LFOs 1&2 rate and depth, VCA level, external mix level.
MIDI Specifications
In out and thru. Receives: program change, bank select, glide on/off, glide time, volume, SYSEX. Controllers: dynamics, modwheel, bender, pressure destination and amount (x2). Controller 1 assignment: dyn, mod, pressure, bend, tracking, continuous cont #2 (x2), controller 1 amount (x2). Controller 2 assignment - same as controller 1 (x2), controller 2 amount (x2). Dynamics, tracking, and bender have positive and negative modulation. Fixed continuous controller assignments for all key functions.
MIDI Controllers
Dynamics, modwheel, bender, pressure, tracking, breath controller: all LFO1&2 and envelope 3 destinations, including envelopes 1, 2, and 3 attack, decay, sustain, release, amount.
A mon avis dans la catégorie phat synth il se pose là.
GENERAL SPECIFICATIONS
Voices: two.
Multitimbrality: two part; Parameters: patch, volume
Audio outputs: one stereo per voice. One main stereo and main mono output.
Interface: 1 rotary encoder, 12 knobs, 30 tactile switches, 21 LEDS.
Display: 16 x 2 back lit liquid crystal.
Memory: 256 sound patches,128 multi patches in RAM.
Weight: 10 lbs.
Dimensions: 2 rack spaces, 15 inches deep.
Power: 90 - 250 volts AC auto switching.
VOICE ARCHITECTURE
Two voltage controlled discrete analog oscillators and one sub wave of Oscillator 1
Waveforms: triangle, sawtooth and variable width square. All waveforms output simultaneously. Syncing of Osc 2 to Osc 1.
Two voltage controlled discrete analog filters
24db (classic Moog), 12 db (classic Oberheim). 12db filter has low pass, bandpass, high pass and band reject modes. Each voice has the capability of having four different filters available for use. Additional filters (up to 2 per voice) can be added as desired in any number. Filters do not operate in series or parallel. Current additional filters available: Roland 303, Arp 2600.
Three low frequency oscillators (LFO3 fixed to voice panning)
Waveforms: triangle, sawtooth, reverse sawtooth, square, noise, random. Up to three destinations and depths each for LFOs 1&2 with range, delay, key trigger, phase, mode (mono or poly), quantize, midi sync.
Three multiple stage envelope generators
Attack, decay, sustain and release with inverting and multiple triggering. Envelopes 1&2 have additional delay, decay2, and breakpoint parameters. Envelope 1 fixed to filter frequency. Envelope 2 fixed to amplifier level. Envelope 3 is assignable with up to three destinations and depths.
Arpeggiator
Parameters: tempo, direction, range, interval, midi sync.
Glide
Linear or exponential. Parameters: time, mode (auto, legato, glissando), autoglide interval, dynamics, destination.
Unison mode
One or two voices.
Additional Features
Oscillator 2 audio frequency modulation. Destinations: Osc 1 frequency, Osc 1 pulse width, filter frequency. White noise generator. Auto triggering external input processor on each voice. Parameters: input level, trigger level, mix level, window.
Modulation Destinations
LFOs1&2 and envelope 3: VCO 1&2 frequency, pulse width, and mix level, VCF frequency and resonance, noise level, Xmod amount, LFOs 1&2 rate and depth, VCA level, external mix level.
MIDI Specifications
In out and thru. Receives: program change, bank select, glide on/off, glide time, volume, SYSEX. Controllers: dynamics, modwheel, bender, pressure destination and amount (x2). Controller 1 assignment: dyn, mod, pressure, bend, tracking, continuous cont #2 (x2), controller 1 amount (x2). Controller 2 assignment - same as controller 1 (x2), controller 2 amount (x2). Dynamics, tracking, and bender have positive and negative modulation. Fixed continuous controller assignments for all key functions.
MIDI Controllers
Dynamics, modwheel, bender, pressure, tracking, breath controller: all LFO1&2 and envelope 3 destinations, including envelopes 1, 2, and 3 attack, decay, sustain, release, amount.
A mon avis dans la catégorie phat synth il se pose là.
multiform
15286
Drogué·e à l’AFéine
Membre depuis 22 ans
6 Posté le 14/12/2004 à 12:14:14
Clyde , un membre AF a ou a eu un Omega 8, tu peux tojours lui envoyer un mail car il ne semble plus trop trainer sur les forums
multiform
15286
Drogué·e à l’AFéine
Membre depuis 22 ans
8 Posté le 14/12/2004 à 12:36:36
Bé, si tu vas pas directement demander à ceux qui l'ont tu risques pas d'avoir de réponses, d'ailleurs y-a 0 inscrit sur ce mailing forum
Anonyme
521410
9 Posté le 14/12/2004 à 12:39:23
T'as raison ...
mais toi ques tu fais là, tu passais par hasard ? et t'as vu de la lumière ?
mais toi ques tu fais là, tu passais par hasard ? et t'as vu de la lumière ?
multiform
15286
Drogué·e à l’AFéine
Membre depuis 22 ans
10 Posté le 14/12/2004 à 12:52:38
J'ai vu que t'avais pas de réponse et comme je connais un membre qui a Omega8 je te refile son pseudo, voili, tout simple
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