Se connecter
Se connecter
Mot de passe oublié ?
ou
Créer un compte
ou
Se connecter avec Facebook
Notifications
< Retour vers Tascam Portastudio 144
Agrandir
Ajouter ce produit à
  • Mon ancien matos
  • Mon matos actuel
  • Mon futur matos
Tascam Portastudio 144
Photos
1/71
Tascam Portastudio 144

Studio intégré analogique de la marque Tascam

2 avis
Présentation du produit Présentation
Avis 2 2
Comparateur de prix
Petites annonces
Forums 1 1

Utilisé par Dave Stewart

  • 0 réponse
  • 1 participant
  • 242 vues
  • 1 follower
Sujet de la discussion Utilisé par Dave Stewart
https://www.soundonsound.com/techniques/classic-tracks-eurythmics-sweet-dreams

Soon after, Lennox travelled to her native Scotland to visit her parents, leaving Stewart with time alone to further his experiments with the Wasp, pairing it with EDP’s matching proto‑sequencer the Spider, and a TEAC 144 Portastudio. “I kind of voraciously learned how to use that really quickly,” he says of the latter, “and I realised it was little miracle. I had done things before, even before I met Annie actually, where I’d managed to get my hands on a Revox tape recorder, and I’d bounce things in a really crappy way, back and forth, and make a kind of montage of stuff.

“But with this Portastudio and the Wasp and the Spider sequencer, and then the [roland TR‑606] Drumatix, in one way or another I managed to manipulate the drums and the sequenced keyboard together. Then I was able to choose which sections I’d sequenced and sort of fly them over and bounce them. So I’m recording on track one with the sequencer, but then I’d sort of send it to track three or four and then I could switch it in and out when I didn’t want it. I could drop in if I wanted to change to a different chord or note or sequence. So I kinda built a track, kept bouncing back and forth. Some of them became the actual tracks on the Sweet Dreams album.”

http://www.watoowatoo.net/mk/