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johnraePretty Good
Publié le 21/06/12 à 11:50
(contenu en anglais)The Shure KSM27 is a side-address condenser microphone with a cardioid polar pattern. It was made with studio use in mind, but it's a pretty rugged unit overall. It has a great sound and reproduces very accurately. It runs on 48V Phantom Power. It sounds great through a variety of pre amps. It doesn't color the sound too much either, very faithful, good reproduction.The roll off and pad are very precise, you can see the difference in a spectrometer, and it's pretty impressive. The KSM27 is physically a solid mic for the money, and it's built for quality. It has more switches/features than cheaper mics. I think it's best suited for guitar or to add a slightly warm sound to instruments or vocals. It's a solid piece of craftsmanship compared to cheaper condensers now flooding the market. I would highly recommend this mic to people recording instruments like guitar, double bass, saxes, and clarinets. Nothing too strong as to preserve the diaphragm, but softer instruments like woodwinds and strings are perfect.
OVERALL OPINION
My favorite thing about this mic is the quality of sound and build. It's simply a piece of art, and a GREAT deal at 400 bucks. Mics like this that are cheaper, awesome quality, and well built are being released to fill the gap between low end and very high end mics. It's a great time to take advantage of the deals companies are offerning on great mics like these. This is a great mic for any beginner, home studio, or mid level studio space. It's not a professional mic by any standards, but still an awesome piece of equipment. I would recommend this to people who need a good and reliable microphone for studio applications, as condenser mics are generally not suited for live performance and this one is no exception. Well built as it is, it must be treated with care and delicacy.10
stompboxjonbien arrondi
Publié le 18/06/12 à 06:28 (contenu en anglais)The Shure SM27 is a well rounded mic that is a condenser mic that doesn’t cost a lot of money and will provide you with a pretty good sound. It came out years ago for around 400 or maybe a little more than that. But now can be purchased brand new for less than 300 dollars. I am not sure why its such a difference in price but im all for it.
OVERALL OPINION
Some of the key features of the SM 27 are that it can react very quick and use its mesh layers to reduce wind and popping noises on your “P” words. This mic is not really made for instruments but I have used it on some before and it seemed to work great. I have actually even seen It in a local rock station being used to interview people such as bands that are local or local business owners for radio ads and it works great. Some bad news about it though is that I have heard that its not very heavy duty and if it gets dropped the wrong way it can really mess the mic up and not make it work properly again. Plus a few people told me there mic chord gets shorted out from time to time and they have to keep replacing it. It could be do to something with the hook up on the mic or just that they kept getting cheap chords.
Overall, the mic seems worth it to me, I havent had a bad experience with it. I kept it at home and didn’t take it anywhere with the fear of something happening to it. But for use at home or in a bigger studio it will work for you. Plus it’s a Shure, so you know you are getting good quality. Buy it and try it out.00- ericthegreat
mic très bonne pour pas cher
Publié le 21/12/11 à 07:27 (contenu en anglais)The Shure KSM27 is a vocal condenser microphone that is suitable for both use in the studio and the stage. I have only used it in the studio, but it definitely has the look and the shape of a stage microphone. However, since it is a condenser microphone it does need to be treated with a little bit more care than a normal dynamic microphone would because it is more sensitive. It does also require phantom power as all condenser microphones do, so you need to have it plugged into a board that has phantom power if you are going to use it for live shows.
OVERALL OPINION
I've been using the Shure KSM27 for a few months here and there as a cheap option for laying down ideas. I believe that this is what the M-Audio Aries is best suited for and I don't think I would recommend using it for much else in terms of use in the studio. It has a pretty decent overall sound, but lacks a certain fullness that I would look for in a good condenser microphone. Although I can't say that I have any experience doing so, I would bet that even though this is a condenser mic, that it would be suited well for live shows, granted you have the phantom power to use with it. I say this because of the general make up of the mic, and how it is indeed a hand held mic. It is specifically designed for vocals and definitely looks like a vocal mic. The price of the Shure KSM27 is really cheap and is probably the main reason that people will be interested in this mic. While it isn't one of the better mics by a long shot of mics that I have used either in the studio or for live shows, it will get the job done in both applications, of course depending what you are trying to do.
00 - soccerplayer25Publié le 27/03/08 à 16:45 (contenu en anglais)The Shure KSM27 is a condenser microphone that I have used both in the studio and live. It works great for all applications and especially as overheads on a drum set in a live The shape of it makes it easy to capture a wide array of sounds and makes it easy to capture most of the sound you are after.
OVERALL OPINION
I've been using this microphone for about six months. Its got a very clear and full sound to me, although it does color it a bit. I went with the thinking that you really can't go wrong with a Shure, and I was not disappointed. The price is very reasonable for a great sounding condenser mic. The shock mount it comes with is a great feature as well, as it makes it extremely easy to place. I also have a MXL 990 and an Audio Technica and I would have to say that this is my favorite of the three even though it is the most expensive. While it doesn't have the craftsmanship or sound of a Neumann, it doesn't claim to and for the price you shouldn't expect it. To me it is worth the price to have a great sounding condenser built with the quality that I am assured of with Shure products. Overall, if I were to break mine I would certainly get a new one.00 
moosersPublié le 17/07/10 à 22:58 (contenu en anglais)The Shure KSM27 is a large diaphragm condenser microphone that I've used in the recording studio. I guess you could use this for recording a live show, but I've never done so, so this review will focus on using the KSM27 in the studio. While this microphone is widely seen in studios, Shure has recently discontinued making it, replacing it with the SM27. The mic has a cardioid polar pick up pattern, with a frequency response ranging from 20 Hz to 20 kHz. The mic also has a -15 db pad. The mic comes with a shock mount, velvet case, and a carrying case.
OVERALL OPINION
The Shure KSM27 is an overall great sounding condenser microphone. It's the perfect in between microphone, as it has a pro studio sound without having the large price tag. I've used the KSM27 for a variety of applications, including vocals, acoustic guitar, and a set of them as drum overheads one time. The mic has a very vibrant sound, with a lot of overall clarity. The most recent thing that I used the KSM27 was for recording acoustic guitar with an API 512 mic preamplifier, which was a great combination as it yielded a very clean sounding guitar for me. While the KSM27 isn't on par with some of the best condenser microphones out there, it's outstanding for the price. If you're looking for an all purpose large diaphragm condenser microphone for your home studio, the Shure KSM27 should definitely be considered, as to me it's one of the best all around condenser microphones for the price. There are definitely a lot of condenser microphones to choose from in this price range, but Shure is a company that has built an incredible reputation for themselves, as it's very well known that they make quality microphones that sound great and last a lifetime. Now that they no longer make the KSM27, you can probably find it even cheaper used. Definitely a great microphone choice for any studio...00- JayDMusic
I. Amour. Ce. Mic.
Publié le 18/07/10 à 21:14 (contenu en anglais)This is a fantastic, silver, cardioid condenser mic. It's got so much mic packed in a small little case with three EQ options that make your vocals sound crisp, warm and clear. It's an XLR microphone, requiring the use of an interface, analog-to-digital converter, mixer, or standalone preamp. It's an amazing recording mic.
OVERALL OPINION
Overall, I love it. I love it more than my unborn son. It's my go-to mic for everything vocal. I have rappers, singers, talkers, people who just speak and let the mic do the rest. I love this mic mainly for its ability to EQ just perfectly. It has an option for a heavy roll-off in the lower ranges, or a softer one. I choose the softer one, and it rivals a Neumann. My friend who owns both a Neumann and a KSM27 recommended this mic to me, and I got it the next day. This mic is a fantastic piece of engineering. The box is packed precisely with everything you need including a unique shockmount with good elastics that will not come undone like most other shockmounts, and it's very easy to install the shockmount on the mic stand and the mic in the shockmount. Overall, with the exception of a Neumann, I wouldn't have it any other way.00 
Anonyme Publié le 30/09/11 à 19:52 (contenu en anglais)The Shure KSM27 is a recently discontinued large diaphragm condenser microphone that is initially remarkable for how small it truly is. Shure has recently discontinued this microphone, replacing it with a fundamentally different SM27. It is a very barebones microphone, having a typical condenser microphone frequency response pattern starting down at 20 Hz and going all the way up to 20,000 Hz. The pad on this microphone gives it 15 dB more headroom, and the Shure KSM27 comes with the complete package of a shock mount, a velvet pouch, and a sturdy carrying case. It has a fixed polar pattern in the typical cardioid.
Keep in mind, this was a smaller, cheaper version of the KSM32, and while they share characteristics, the KSM27 certainly has a few distinct qualities to it that leave it able to perform every role the 32 did, but in a slightly different way.
OVERALL OPINION
The KSM27 is a great sounding microphone. Shure is very good with this, as over the years they have consistently failed to make a bad microphone. Just like its bigger brother the KSM32, the Shure KSM27 can fill a variety of roles. I've heard it on vocals, guitar, drum overheads, guitar cabs, and a bunch of other fun applications, like a wood block. This microphone shines, because it has that sound that one would imagine if the world just became more colorful. It sounds odd, but that is the experience I had with the KSM27. When I listened to it, I just felt the room light up. It was extremely vibrant, and while I love it, I can certainly see where the more subtle sound of the KSM32 or the newer version of the KSM27, the SM27.
Shure never fails, and it's a wonder why they discontinued this microphone at all; they could have offered the SM27 as a different flavor, because I really did like the SM27.00- ThunderStickPublié le 09/10/07 à 19:36Le KSM27 est un micro électrostatique à transistors, captage latéral, configuration cardioïde. Il est équipé d'un diaphragme Mylar à couche d'or 24 carats, épaisse de 2.5 µm. La connection XLR ainsi que les composants internes (préampli de classe A) sont également plaqués or 24 carats.
Sa réponse transitoire est digne des modèles de légende, sa courbe de fréquence plane (excepté une bosse à partir de 3 KHz pour davantage de brillance) allant de 20 à 20000 Hz.
Un atténuateur - 15 dB se trouve derrière le microphone, à côté du sélecteur de réponse basses fréquences, permettant de se parer contre l'ecrêtage dû aux pressions accoustiques extrêmes. Il est cependant peu probable qu'il serve, car …Lire la suiteLe KSM27 est un micro électrostatique à transistors, captage latéral, configuration cardioïde. Il est équipé d'un diaphragme Mylar à couche d'or 24 carats, épaisse de 2.5 µm. La connection XLR ainsi que les composants internes (préampli de classe A) sont également plaqués or 24 carats.
Sa réponse transitoire est digne des modèles de légende, sa courbe de fréquence plane (excepté une bosse à partir de 3 KHz pour davantage de brillance) allant de 20 à 20000 Hz.
Un atténuateur - 15 dB se trouve derrière le microphone, à côté du sélecteur de réponse basses fréquences, permettant de se parer contre l'ecrêtage dû aux pressions accoustiques extrêmes. Il est cependant peu probable qu'il serve, car le SPL maximum recevable est de 137 dB (sans l'atténuateur. Avec: 152 dB).
Pour ceux qui ne désirent pas de graves, un interrupteur relié à un filtre coupe-bas à trois positions se trouve derrière le microphone.
AVIS GLOBAL
<ul> J'utilise ce microphone depuis un peu plus d'un an, et bien qu'il convienne à tous les usages en raison de ses caractéristiques (j'enregistre absolument tout avec), en live et enregistrement je lui réserve une place en overheads pour ma batterie, apparié avec un second KSM27 (on dit le KSM141 plus indiqué pour cela, mais le KSM27 sonne merveilleusement bien). A l'heure d'aujourd'hui, il n'y a rien dans ce microphone qui m'ait déplu. Les puristes amateurs de Neumann y trouveront probablement à redire, mais sans aller dans le luxe je trouve ce microphone parfait: solide, belle gueule, fonctionnel. Pour ce qui est du son: très neutre, aucune coloration, reproduction des graves d'une dimension impressionnante, aigus fidèles et fines, excellente balance tonale. Presque tous les microphones que j'ai testé avant le KSM27 sont ma possession, et ils sont presque tous de la marque Shure car je suis un inconditionnel. Tous ont leur personnalité propre, je ne peux donc pas comparer. J'ai testé une fois un Rode NT1 et un T-Bone SCT 2000 en magasin, et malgré qu'il sonnent extraordinairement bien, je préfère encore le KSM27 (je possède néanmoins un SCT 2000 pour le chant, le circuit lampes donne un superbe son). Le rapport qualité/prix est bluffant: on est loin de Behringer en terme de prix, mais aussi en matière de qualité - il est donc logique d'y mettre un peu plus de son porte-monnaie ! Si je n'ai qu'une phrase à dire, au risque de sortir un "slogan", la voici: c'est de l'excellence à prix d'or. Avec l'expérience, je referai ce choix sans hésitation aucune.Lire moins30 - whizPublié le 01/09/04 à 23:45Bruit trés faible, trés bonne restitution de la voix.
AVIS GLOBAL
Trés bon micro d'entrée de gamme assez polyvalent avec un son agréable.
Parfait pour les petits budgets niveau qualité prix.00