Oscillator Aliasing – The maximum (highest) fundamental frequency of the oscillators was mistakenly set much higher than the anti-aliasing filters. This made it possible to transpose the oscillators to a point where only the aliasing frequencies were heard. The maximum fundamental frequency has been fixed, so that it complements the anti-aliasing filters. Some additional optimizations have been made to the oscillator anti-aliasing algorithm which increased the (alias-free) range of the oscillators by ~ one octave.
C. FEATURE UPDATES AND ENHANCEMENTS
New Filters! – Three new filter types have been added.
OP 4-Pole Highpass - This filter is based on our “MG” 4-pole lowpass filter model. It has a steeper cut-off and more extreme resonance than the “OB” highpass. Like the “MG”, it will self-oscillate when the resonance is turned all the way up. It can thus be used as a fourth (or fifth) oscillator.
Comb 3 – Based on a different design than Comb’s 1 and 2, it has deeper notches and more pronounced resonance.
Comb 4 – Similar to Comb3, but with negative feedback. This will oscillate and even clip when the resonance is turned up.
« What is full of redundancy or formula is predictably boring. What is free of all structure or discipline is randomly boring. In between lies art. » (Wendy Carlos)
Studio R7
875
Posteur·euse AFfolé·e
Membre depuis 20 ans
2Posté le 26/04/2005 à 10:55:43
Mais quand donc vont-ils ajouter une section de reverb/delay, dans l'OS ?
C'est tout ce qu'il manque à ce synthétiseur, semble-t-il !