Sujet Analyse musicologiques d'oeuvres
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impressionant ca c'est de la reponse!
merci marie
Honte à moi. J'ai posté juste en dessous de ces adresses. Je me suis laissé emporter par la folie "postrice" de Marie, cet après-midi (ou ce matin, ça dépend).
swoonboy
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impressionant ca c'est de la reponse!
merci marie
Il faut se forcer à se contredire pour éviter de se conformer à son propre goût "Marcel Duchamp" - ma vie modulaire
Pevets
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pianonoir
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La premiere page...
swoonboy
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Wolfen
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pianonoir
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Pevets
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Honte à moi. J'ai posté juste en dessous de ces adresses. Je me suis laissé emporter par la folie "postrice" de Marie, cet après-midi (ou ce matin, ça dépend).Anonyme
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Cool ça reprend vie... hi hi hi
Marie...
Marie...
Anonyme
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Quelques info au sujet de Chopin pour pianonoir...
Christophe Grabowski and John Rink, Annotated Catalogue of Chopin's First Editions (Cambridge University Press, forthcoming 2004); this is the principal outcome of a four-year Leverhulme-funded research project on 'Chopin's First Editions: Documentary and Historical Analysis'
Musical Performance: A Guide to Understanding, ed. John Rink (Cambridge: Cambridge University Press, 2002)
Reviewed in Music Teacher
Chopin: The Piano Concertos (Cambridge: Cambridge University Press, 1997)
Reviewed in Times Literary Supplement, Musical Times
The Practice of Performance: Studies in Musical Interpretation, ed. John Rink (Cambridge: Cambridge University Press, 1995)
Reviewed in Analisi, Diastema, Indiana Theory Review, Journal of the Royal Musical Association, La Cartellina, Musicae Scientiae, Music Analysis, Music Perception, Musurgia, Notes, Orpheotron and Times Literary Supplement
Chopin Studies 2, ed. John Rink and Jim Samson (Cambridge: Cambridge University Press, 1994)
Reviewed in BBC Music Magazine, Classical Piano, Journal of the Royal Musical Association, Musical Times, Music Analysis and Times Literary Supplement
Fryderyk Chopin, Piano Concerto in E minor Op. 11 (with newly composed second-piano part), The Complete Chopin: A New Critical Edition (London: Peters Edition, forthcoming 2005)
Fryderyk Chopin, Piano Concerto in F minor Op. 21 (with newly composed second-piano part), The Complete Chopin: A New Critical Edition (London: Peters Edition, forthcoming 2006)
'The State of Play in Performance Studies', in The Music Practitioner, ed. Jane Davidson and Hubert Eiholzer (Aldershot: Ashgate, forthcoming 2004)
'Les Concertos de Chopin et la notation de l'execution', in Frederic Chopin: Texte, Interpretation, Reception, ed, Jean-Jacques Eigeldinger (Paris: Fayard, forthcoming 2004)
‘Chopin and Performance Studies’, in Chopin and his Work in the Context of Culture, ed. Irena Poniatowska, 2 vols. (Cracow: Musica Iagellonica, 2003),
'Chopin's Concertos and the Notation of Performance', in Chopin 1849/1999: Aspekte der Rezeptions- und Interpretationsgeschichte, ed. Andreas Ball-staedt (Schiengen: Edition Argus, 2003)
Process in the Light of the Sources, ed. Artur Szklener (Warsaw: Narodowy Instytut Fryderyka Chopina, 2003),
'Analysis and (or?) Performance', in Musical Performance: A Guide to Understanding, ed. John Rink (Cambridge: Cambridge University Press, 2002),
'The Profession of Music', in The Cambridge History of Nineteenth-Century Music, ed. Jim Samson (Cambridge University Press, 2001),
'The Legacy of Improvisation in Chopin', in Muzyka w kontekscie kultury, ed. Malgorzata Janicka-Slysz, Teresa Malecka and Krzysztof Szwajgier (Cracow: Akademia Muzyczne, 2001),
'Translating Musical Meaning: The Nineteenth-Century Performer as Narrator', in Rethinking Music, ed. Nicholas Cook and Mark Everist (Oxford: Oxford University Press, 1999),
'Opposition and Integration in the Piano Music', in The Cambridge Companion to Brahms, ed. Michael Musgrave (Cambridge: Cambridge University Press, 1999),
'"Structural Momentum" and Closure in Chopin's Nocturne Op. 9, No. 2', in Schenker Studies 2, ed. Carl Schachter and Hedi Siegel (Cambridge: Cambridge University Press, 1999),
'Playing in Time: Rhythm, Metre and Tempo in Brahms's Fantasien Op. 116', in The Practice of Performance: Studies in Musical Interpretation, ed. John Rink (Cambridge: Cambridge University Press, 1995),
'Authentic Chopin: History, Analysis and Intuition in Performance', in Chopin Studies 2, ed. John Rink and Jim Samson (Cambridge: Cambridge University Press, 1994),
'Tonal Architecture in the Early Music', in The Cambridge Companion to Chopin, ed. Jim Samson (Cambridge: Cambridge University Press, 1992),
'The Rhetoric of Improvisation: Beethoven's Fantasy Op. 77', Secondo Convegno Europeo di Analisi Musicale, ed. Rossana Dalmonte and Mario Baroni (Trento: Università degli Studi di Trento, 1992).
'Select Bibliography of Literature Related to Schenker by British Authors or in British Publications since 1980', in Schenker Studies, ed. Hedi Siegel (Cambridge: Cambridge University Press, 1990),
'The Barcarolle: Auskomponierung and Apotheosis', in Chopin Studies, ed. Jim Samson (Cambridge: Cambridge University Press, 1988),
Marie....
Christophe Grabowski and John Rink, Annotated Catalogue of Chopin's First Editions (Cambridge University Press, forthcoming 2004); this is the principal outcome of a four-year Leverhulme-funded research project on 'Chopin's First Editions: Documentary and Historical Analysis'
Musical Performance: A Guide to Understanding, ed. John Rink (Cambridge: Cambridge University Press, 2002)
Reviewed in Music Teacher
Chopin: The Piano Concertos (Cambridge: Cambridge University Press, 1997)
Reviewed in Times Literary Supplement, Musical Times
The Practice of Performance: Studies in Musical Interpretation, ed. John Rink (Cambridge: Cambridge University Press, 1995)
Reviewed in Analisi, Diastema, Indiana Theory Review, Journal of the Royal Musical Association, La Cartellina, Musicae Scientiae, Music Analysis, Music Perception, Musurgia, Notes, Orpheotron and Times Literary Supplement
Chopin Studies 2, ed. John Rink and Jim Samson (Cambridge: Cambridge University Press, 1994)
Reviewed in BBC Music Magazine, Classical Piano, Journal of the Royal Musical Association, Musical Times, Music Analysis and Times Literary Supplement
Fryderyk Chopin, Piano Concerto in E minor Op. 11 (with newly composed second-piano part), The Complete Chopin: A New Critical Edition (London: Peters Edition, forthcoming 2005)
Fryderyk Chopin, Piano Concerto in F minor Op. 21 (with newly composed second-piano part), The Complete Chopin: A New Critical Edition (London: Peters Edition, forthcoming 2006)
'The State of Play in Performance Studies', in The Music Practitioner, ed. Jane Davidson and Hubert Eiholzer (Aldershot: Ashgate, forthcoming 2004)
'Les Concertos de Chopin et la notation de l'execution', in Frederic Chopin: Texte, Interpretation, Reception, ed, Jean-Jacques Eigeldinger (Paris: Fayard, forthcoming 2004)
‘Chopin and Performance Studies’, in Chopin and his Work in the Context of Culture, ed. Irena Poniatowska, 2 vols. (Cracow: Musica Iagellonica, 2003),
'Chopin's Concertos and the Notation of Performance', in Chopin 1849/1999: Aspekte der Rezeptions- und Interpretationsgeschichte, ed. Andreas Ball-staedt (Schiengen: Edition Argus, 2003)
Process in the Light of the Sources, ed. Artur Szklener (Warsaw: Narodowy Instytut Fryderyka Chopina, 2003),
'Analysis and (or?) Performance', in Musical Performance: A Guide to Understanding, ed. John Rink (Cambridge: Cambridge University Press, 2002),
'The Profession of Music', in The Cambridge History of Nineteenth-Century Music, ed. Jim Samson (Cambridge University Press, 2001),
'The Legacy of Improvisation in Chopin', in Muzyka w kontekscie kultury, ed. Malgorzata Janicka-Slysz, Teresa Malecka and Krzysztof Szwajgier (Cracow: Akademia Muzyczne, 2001),
'Translating Musical Meaning: The Nineteenth-Century Performer as Narrator', in Rethinking Music, ed. Nicholas Cook and Mark Everist (Oxford: Oxford University Press, 1999),
'Opposition and Integration in the Piano Music', in The Cambridge Companion to Brahms, ed. Michael Musgrave (Cambridge: Cambridge University Press, 1999),
'"Structural Momentum" and Closure in Chopin's Nocturne Op. 9, No. 2', in Schenker Studies 2, ed. Carl Schachter and Hedi Siegel (Cambridge: Cambridge University Press, 1999),
'Playing in Time: Rhythm, Metre and Tempo in Brahms's Fantasien Op. 116', in The Practice of Performance: Studies in Musical Interpretation, ed. John Rink (Cambridge: Cambridge University Press, 1995),
'Authentic Chopin: History, Analysis and Intuition in Performance', in Chopin Studies 2, ed. John Rink and Jim Samson (Cambridge: Cambridge University Press, 1994),
'Tonal Architecture in the Early Music', in The Cambridge Companion to Chopin, ed. Jim Samson (Cambridge: Cambridge University Press, 1992),
'The Rhetoric of Improvisation: Beethoven's Fantasy Op. 77', Secondo Convegno Europeo di Analisi Musicale, ed. Rossana Dalmonte and Mario Baroni (Trento: Università degli Studi di Trento, 1992).
'Select Bibliography of Literature Related to Schenker by British Authors or in British Publications since 1980', in Schenker Studies, ed. Hedi Siegel (Cambridge: Cambridge University Press, 1990),
'The Barcarolle: Auskomponierung and Apotheosis', in Chopin Studies, ed. Jim Samson (Cambridge: Cambridge University Press, 1988),
Marie....
pianonoir
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Membre depuis 19 ans
Merci beaucoup Marie mais euh... 
j ai pas compris grand chose!
j ai pas compris grand chose! - < Liste des sujets
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