Hand-hammering and re-creating cymbals
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Johan VDS
Sorry for writing in English but my French is terrible. I understand it a bit but I can't write it.
I am a Belgian drummer from Bruges who also hammers cymbals.
I once started hammering cymbals because (to me) no modern factory made cymbal has the "old Turkish K Zildjian" kind of darkness and complexity anymore.
I hammer pro- and also some non-pro-level factory cymbals into much richer sounding cymbals.
Besides creating light complex jazz cymbals, I also hammer heavier rock-oriented cymbals to dramatically enrich the sound.
The cymbals I've hammered can be seen and heard on this INDEX PAGE. Mind you, I have hammered most of these cymbals to suit my personal taste (dark and trashy) but I can also brighten the sound of cymbals with a different hammering method.
Some "before and after modification" files can be heard HERE.
Some student cymbals I hammered into professional cymbals can be listened to HERE.
Here are some pictures (the soundfiles can be found on the site).
This was a Paiste Signature Power ride, hammered to sound like the old 60's Tony Williams ride, but a little heavier:

This was a Zildjian ZBT 20" ride, now a very complex thin professional jazz ride.
This was once a Paiste 2002 22" ride:

Here's a "before and after" pic of a cheap 16" Headliner crash cymbal, now a professional dark thin crash:

pistonpistache
I'm not sure a ZBT could sound as good as a HH, because it's not B20 bronze.
Some of us have already tried to "re-design" their old wrecked carpy sound cymbals. Most of them by turning the edge to get a chinese like cymbal. But they were not really convinced.
But i must say it sounds. You re really self confident to get ready to touch the 20" K dre pallemaerts. Not surprisingly, it's, to my mind, the one that has change the least. (the AAX is really amazing
thanks for sharing !

Johan VDS
Citation : I'm not sure a ZBT could sound as good as a HH, because it's not B20 bronze.
That is true, but if you hammer B8 very extensively the sound can become much richer and warmer, almost like B20. But it takes very much time, so the factories don't do that.Citation : Some of us have already tried to "re-design" their old wrecked carpy sound cymbals. Most of them by turning the edge to get a chinese like cymbal. But they were not really convinced.
Changing a regular cymbal into a china must be done by hammering (only). Not bending the edge, that doesn't work. There are several china's on my site that I hammered from regular cymbals, like crashes or hihatcymbals.Citation : You re really self confident to get ready to touch the 20" K dre pallemaerts. Not surprisingly, it's, to my mind, the one that has change the least.
Well the self-confidence comes from years of experience.Dré Pallemaerts asked me to change the sound of his old K only a little bit, he only wanted it to be less stiff and a bit more mellow. So that's what I did. But I've had to change old K's very radically too.
IroncobrA
m1²
for what I saw, both look and sound changes are really impressive.
where did you get these skills ? is it your job ?
do you work with your natural ear during rework or do you use some NASA-related
test and measuring devices ? do you have some pictures of your workshop and tools ?
http://www.reverbnation.com/deinmas
pistonpistache
Citation : Dré Pallemaerts asked me
you know him ?! I'd like to !
I must say i m dreamming of K constantinople 22" thin nights and days. If I had one, I woul prefer cuting my hand, than hammering it
m1² is right, I'd like to know more and more.

Johan VDS
I hope one day I will be able to make a living from it but the problem is that I am a cymbal lover and I spend far too much money on buying cymbals...
Many people say that I should have a more attractive website to work professionally. But I don't want my cymbals getting sold because the website looks nice. I want people to buy the cymbals only for their sound, not because of a marketing strategy.
pistonpistache
Don't you protect your ears?
Johan VDS
Citation : I didn't even notice you were selling some
That's because they don't have to get sold, I love them all !Citation : Don't you protect your ears?
No, I want to be able to listen constantly to check the evolution of sound. Most of the hammering is usually not so loud anyway.Anonyme
Lapin
m1²
Depending on how you communicate around your activity, I think you can easily get in touch with sound-loving (?!) customers, rather than teenagers dreaming about having jOeY jOrdisSon cymbal sound from their crappy ZBT (for 50€ of course).
Very sincerely , it would be a pity to lose money in practicing your passion, and it would be a pity too not to earn some little cash from it.
For example you could get a simple and affordable website, picturing your workshop and techniques, with of course your database of audio files, and then propose your services or any pseudo-commercial activity you want to launch.
At least, make people understand that you are not just a DIY-geek who wants to show his hobby. No marketting anyway !..
http://www.reverbnation.com/deinmas
Johan VDS
Citation : At least, make people understand that you are not just a DIY-geek who wants to show his hobby. No marketting anyway !
May be you are right, but I hope that when people listen to the soundfiles they will automatically hear that I'm no DIY-geek
Citation : rather than teenagers dreaming about having jOeY jOrdisSon cymbal sound from their crappy ZBT
Well I certainly don't make Joey Jordison sounds but I have been able to convince some rocking teenagers to listen and appreciate richer and more complex sounding (heavy) cymbals. I'm very happy to hammer ZBT's for teenagers when they appreciate a richer sounding cymbal compared to what they can buy in the shop.pistonpistache
I want to send mine before Lapin, who is from belgium too.
Just to get him jealous.
m1² is right anyway, very few people (I think most of them already posted here), like dark thrashy cymbal. I don't say "jazz", because I hate this way to reduce the way to play.
I ll ask you for a price by private mail. Business is forbidden here
Johan VDS
Citation : I still have my meteor, and i found them.
Meinl Meteors are brass cymbals like Paiste 302 and Sabian Solar. Brass has very little sound potential. I can't make professional cymbals from them, not even good cymbals. So don't spend any money on that. Only a small minority of brass cymbals have more potential (like brass cymbals from Pearl are usually made from a much better sounding brass variety).
The interesting cheap cymbals to upgrade are the ones made from B8 alloy.
Johan VDS
20" Tony Williams (Nefertiti) ride :

20" Complex Dry Crashride :

20" Dry Complex Rough Ride :

pistonpistache
Johan VDS
18" Complex Light Ride 1340 gr:
http://users.telenet.be/cymbzdrumz/1_RECREATED_CUSTOM_CYMBALS/2_CRASHES_and_RIDES_18_inch_and_bigger/18_Complex_Light_Ride_1340gr_%28from_Ufip%29.mp3

20" Light Complex Dry Jazz ride 1870gr:
http://users.telenet.be/cymbzdrumz/1_RECREATED_CUSTOM_CYMBALS/2_CRASHES_and_RIDES_18_inch_and_bigger/20_Light_Complex_Dry_Jazz_ride_1870gr_%28from_Zildjian_Avedis%29.mp3

20" Complex Light Jazz Ride 1850gr :
http://users.telenet.be/cymbzdrumz/1_RECREATED_CUSTOM_CYMBALS/2_CRASHES_and_RIDES_18_inch_and_bigger/20_Complex_Light_Jazz_Ride_1850gr_%28from_Zildjian_Avedis%29.mp3

And finally, a 22" Paiste Signature Power Ride, hammered and lathed into a 22,75" Extra Dark ride, 2820 gr. The very soft B15 "Paiste Alloy" allowed me to make the cymbal 0,75" larger!
http://users.telenet.be/cymbzdrumz/1_RECREATED_CUSTOM_CYMBALS/2_CRASHES_and_RIDES_18_inch_and_bigger/22%2C75_Extra_Dark_Ride_2820gr_%28from_Paiste_Signature_22_Power_Ride%29.mp3

Pics and soundfiles of many other cymbals on my webspace !
Anonyme
Johan VDS
Please copy the entire link to a new browser window to hear the soundfile.
http://users.telenet.be/cymbzdrumz/1_RECREATED_CUSTOM_CYMBALS/5_NEFERTITI_RIDES_and_related/20_Complex_Medium_Ride_2335gr_(from_Zildjian_Avedis).mp3

Johan VDS
13" Light hats :
http://users.telenet.be/cymbzdrumz/1_RECREATED_CUSTOM_CYMBALS/3_HIHATS/13_Light_Hihats_577_775gr_%28from_Paiste_2002%29.mp3

15" Light hats :
http://users.telenet.be/cymbzdrumz/1_RECREATED_CUSTOM_CYMBALS/3_HIHATS/15_Light_Hihats_894_924gr_%28from_Paiste_2002%29.mp3

Johan VDS
http://users.telenet.be/cymbzdrumz/1_RECREATED_CUSTOM_CYMBALS/2_CRASHES_and_RIDES_18_inch_and_bigger/20_Bright_Medium_Complex_Ride_2210gr_%28from_Sabian_AA%29.mp3

Johan VDS
http://users.telenet.be/cymbzdrumz/1_RECREATED_CUSTOM_CYMBALS/4_SPLASHES-CHINAS-EFFECTCYMBALS/18_Ripple_Trash_1850gr_(from_Ufip).mp3

Also a newly hammered 24" Tony Williams ("Nefertiti") ride 2985 grams.
http://users.telenet.be/cymbzdrumz/1_RECREATED_CUSTOM_CYMBALS/5_NEFERTITI_RIDES_and_related/24_Dark_Complex_Ride_2985_gr_(from_Zildjian_Avedis).mp3

Some more new cymbals, including hihats and effects, can be found on my site (cf my signature beneath).
Menclay_703
Johan VDS
14" Bright Crisp Hihats 903-1130gr
http://users.telenet.be/cymbzdrumz/1_RECREATED_CUSTOM_CYMBALS/3_HIHATS/14_Bright_Crisp_Hihats_903_1130gr_-from_Paiste_2002.mp3

18" Bright Dry Ride 1530gr
http://users.telenet.be/cymbzdrumz/1_RECREATED_CUSTOM_CYMBALS/2_CRASHES_and_RIDES_18_inch_and_bigger/18_Bright_Dry_Ride_1530gr_-from_Paiste_2002.mp3

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