Sujet Comment avoir le meme niveau de volume que les ingés pros ,

Citation de scare :

Ton thread ne traite pas exactement de la même question

Effectivement... D'ailleurs ces questions ont été maintes fois traité sur AF...

Non malheureusement ce n'est pas précisé.... d'ailleurs un certain souffle est présent sur la voix... (qu'on peut entendre sur la version album/radio)...

J'essayerai de faire une video/capture d'écran avec un son WAV.. je dois juste encore trouver comment... ça pourrait être plus explicite que par écrit

ET pourtant c'est au mix que tout se fait!

“I recorded Lily’s voice with the Neuman U87, going through the Neve 1073 and then an 1176. Most of her vocals were recorded in the cottages where we wrote, which is the reason that there’s so much volume automation on her vocal track; on 52/53 is the vocal double, which is muted; and 54-71 are alternate vocal tracks that are also muted. The rooms often had stone walls and were really live and echoey, and every little background sound could be heard, so I had to do a lot of automation between words. Yeah, there are a lot of plug-ins on the vocal track! I automated the Pitch Correction, occasionally nudging a note that bugged me. It’s not there all the time. The EQ adds some top end and takes off some sub frequencies, to clean up the track. The compressor works just like a regular vocal compressor, just keeping the vocal level in check a little bit, but nothing major. I had never ever used the Exciter before, but when I was messing around with the vocal, I liked what it did, even though I’m not entirely sure what, and I left it on. The Tape Delay is just a very subtle delay that I also filtered to make it sound dark. The Gain is there just for level adjustment, and the additional EQ adds yet more top end, and was something I added as a last-minute thing.”