Cubasis vst 5.0 y a t'il une démo ? ( et quelles différences avec cubase vst 5.0 ? )
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Rouxxx
4880
Squatteur·euse d’AF
Membre depuis 20 ans
Sujet de la discussion Posté le 05/08/2005 à 17:29:44Cubasis vst 5.0 y a t'il une démo ? ( et quelles différences avec cubase vst 5.0 ? )
Une petite question , ne trouvant pas la démo de cubasis vst 5.0 sur le net, je recherche si possible des liens pour en trouver une et tester le logiciel.
et comme il y a peu de topics sur le sujet, plus de fiches techniques sur steinberg.fr , si quelqu'un peut m'expliquer les différences avec le cubase VST 5.0 , ce serait sympa.
et comme il y a peu de topics sur le sujet, plus de fiches techniques sur steinberg.fr , si quelqu'un peut m'expliquer les différences avec le cubase VST 5.0 , ce serait sympa.
...
- 1
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Rouxxx
4880
Squatteur·euse d’AF
Membre depuis 20 ans
2 Posté le 05/08/2005 à 19:56:36
C'est qu'il intéresse du monde mon topic 
...
Anonyme
577
3 Posté le 05/08/2005 à 20:13:40
C'est toujours commercialisé ça ?
je suis étonné !
je suis étonné !
Rouxxx
4880
Squatteur·euse d’AF
Membre depuis 20 ans
4 Posté le 05/08/2005 à 20:29:47
Ne vous bousculez pas, il y aura de la place pour tout le monde sur mon topic 
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deb76
3745
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Membre depuis 20 ans
5 Posté le 05/08/2005 à 20:56:02
Bonsoir,
Lis-tu l'anglais ? J'ai trouvé une description concernant Cubasis VST 5.0.
Lis-tu l'anglais ? J'ai trouvé une description concernant Cubasis VST 5.0.
Rouxxx
4880
Squatteur·euse d’AF
Membre depuis 20 ans
6 Posté le 05/08/2005 à 21:19:21
Merci deb.
tant que ca reste de l'anglais " technique" ca ne devrait pas me poser trop de problèmes.
ce qui m'intéresse surtout, c'est de savoir de quelles fonctionnalités je peux bénéficier face a un cubase vst.
j'aurai bien évidemment préféré tester une démo , mais je n'en trouve pas sur le net.
tant que ca reste de l'anglais " technique" ca ne devrait pas me poser trop de problèmes.
ce qui m'intéresse surtout, c'est de savoir de quelles fonctionnalités je peux bénéficier face a un cubase vst.
j'aurai bien évidemment préféré tester une démo , mais je n'en trouve pas sur le net.
...
deb76
3745
Squatteur·euse d’AF
Membre depuis 20 ans
7 Posté le 05/08/2005 à 22:07:58
Je regarde pour voir où porte les différences.
Le lien
http://www.amazon.co.uk/exec/obidos/ASIN/B0000VPAJ0/202-4476511-9426248
Features Cubasis VST
* 48 audio channels (WAV and MP3)
* 64 MIDI tracks
* Professional mixer
* More than 35 real-time effects
* 13 virtual instruments
* Input MIDI notes using your voice
* Supports 24-bit/96kHZ audio
* Professional 4-band EQ with graphical editing
* Surround Sound
* Integrated LoudMax for boosting your songs that radio level up your songs to that radio level
* Time stretch tool directly in arrangement
* More VST audio effect and instruments slots, use up to 8 virtual instruments at one time and add up to 4 send effects and 2 insert effects per channel
* MIDI Groove Control (including presets) that lets you choose and generate a variety of groove quantizations for your drum and instruments patterns, add shuffle and swing
* An interactive tutorial
* Sound editing, mastering and CD-R software included
* Includes two bonus CDs with samples and songs
* Includes Studio 8 LE video editing software
Reviews
Manufacturer's Description
Create original compositions like the pros quickly and easily with Steinberg Cubasis VST version 5. The software features up to 48 audio channels, 64 MIDI tracks, a professional mixer with real-time effects and a huge variety of virtual instruments. Compose songs, edit sounds, print your scores and burn CDs with surround sound.
Have you ever fantasized about becoming a professional recording artist? Well, stop dreaming and start creating with the newest version of Cubasis VST. Steinberg Cubasis VST 5.0 gives you every tool you need to produce and record music like the pros.
Create great music with the same tools used by professionals. With up to 48 audio channels (WAV and MP3), 64 MIDI tracks, a real-time mixer, and a wide variety of virtual instruments, let your creativity flow! Compose songs, edit sounds at 24-bit 96kHz, print your scores and then burn your own CDs with surround sound. With the built-in Voice Detective software, you can even input MIDI notes by singing.
Steinberg Cubasis VST incorporates 13 virtual instruments and over 35 professional effects, all of which can be used in real time. Stock instruments include classic analog synth emulations, a drum machine, virtual electric and acoustic guitars, and a singing monk! New instruments include a StagePiano, Drawbar Organ and the Model-E - a faithfully reproduced historic analog synth emulation.
Additional new features include a professional 4-band equalizer with graphical editing, a time stretch tool - for time stretching directly in the arrangement window - and a copy of Pinnacle Systems' Studio 8 LE video editing software - perfect for creating your own music videos!New effects include an Amp-/Speaker-Simulation that reproduces distorted guitar sounds and a dance filter that gives you the typical sweep from the low to high frequencies commonly found in popular house tracks. There's also a DeEsser to optimize vocals and a Subbass Synthesizer for reaching those low notes that really give your subwoofer a workout. The new VST Dynamics section includes a compressor, limiter and noise gate to add that professional touch to your tracks.
With the included WaveLab Lite and Master Unit software you can boost up your songs to a professional level and add all the subtle techniques the major recording studios use when they produce hit records. Even print your own CD, jewel-case cover and label.
With all of these features and more, it's easy to understand what we mean when we say Steinbergy Cubasis VST turns your PC into the ultimate music studio.
La traduction avec Systran, c'est pas top mais ça donne une petite idée.
Fonctions(Dispositifs)
* 48 canaux audio (WAV et MP3)
* 64 traces de MIDI
* Mixer professionnel
* Plus de 35 effets en temps réel
* 13 instruments virtuels
* Notes de MIDI d'entrée utilisant votre voix
* Appuis 24-bit/96kHZ audio
* EQ à 4 bandes(orchestres) professionnel avec rédaction graphique
* Entourez Son
* Intégré LoudMax pour augmenter vos chansons que la radio nivelle en haut vos chansons à ce niveau de radio
* Outil de période(bout) de temps directement dans entente
* Plus d'effet audio VST et des fentes d'instruments, utilisez jusqu'à 8 instruments virtuels une fois et élevez-vous 4 envoient des effets et 2 insèrent des effets par canal
* Le contrôle de Cannelure de MIDI (incluant définit d'avance) qui vous laisse choisir et produire une variété de quantifications de cannelure pour votre tambour et des modèles d'instruments, ajouter brouillent et l'oscillation
* Une classe de travaux dirigés interactive
* Rédaction de son, surmontant et logiciel de CD-R inclus
* Inclut deux CD de bonus avec des échantillons et des chansons
* Inclut le Studio 8 vidéo éditant le logiciel
La description de Fabricant
Créez des compositions originales comme le pros rapidement et facilement avec Steinberg Cubasis VST la version 5. Le logiciel montre jusqu'à 48 canaux audio, 64 traces de MIDI, un mixer professionnel avec des effets en temps réel et une variété énorme d'instruments virtuels. Composez des chansons, éditez des sons, imprimez votre grand nombre et brûlez le CD avec entoure le son.
Vous êtes-vous jamais livrés aux fantasmes du devenir d'un professionnel enregistrant l'artiste ? Bien, arrêtez de rêver et commencer à créer avec la version la plus nouvelle de Cubasis VST. Steinberg Cubasis VST 5.0 vous donne chaque outil que vous devez produire et la musique record comme le pros.
Créez la grande musique avec les mêmes outils utilisés par des professionnels. Avec jusqu'à 48 canaux audio (WAV et MP3), 64 traces de MIDI, un mixer en temps réel et une large variété d'instruments virtuels, laissent votre flux de créativité! Composez des chansons, éditez des sons à 24 particules 96kHz, imprimez votre grand nombre et brûlez ensuite votre CD propre avec entoure le son. Avec le logiciel de Détective de Voix incorporé, vous pouvez même des notes de MIDI d'entrée en chantant.
Steinberg Cubasis VST incorpore 13 instruments virtuels et plus de 35 effets professionnels, dont tous peuvent être utilisés en temps réel. Les instruments de réserve(valeur) incluent l'analogue classique synth des émulations, une boîte à rythme, des guitares électriques et acoustiques virtuelles et un moine chantant! De nouveaux instruments incluent un StagePiano, Drawbar l'Organe et le Modèle-E - un analogue historique fidèlement reproduit synth l'émulation.
Des nouvelles fonctions(dispositifs) complémentaires incluent un égaliseur à 4 bandes(orchestres) professionnel avec la rédaction graphique, un outil de période(bout) de temps - pour le temps s'étirant directement dans la fenêtre d'entente - et une copie du Studio des Systèmes de Pinacle 8 vidéo éditant le logiciel - perfectionne pour créer vos vidéos de musique propres! De nouveaux effets incluent un Amp-/Speaker-Simulation qui reproduit des sons de guitare déformés et un filtre de danse qui vous donne le champ typique du bas à de hautes fréquences généralement trouvées dans des traces de maison populaires. Il y a aussi un DeEsser pour optimiser des chants et un Synthétiseur de Sous-basse pour atteindre ces notes basses qui donnent vraiment une séance d'entraînement à votre caisson des graves. La nouvelle section de Dynamique VST inclut un compresseur, le limiteur et la porte sonore pour ajouter que le professionnel touche à vos traces.
Avec la Lumière de WaveLab incluse et le logiciel d'Unité de Maître vous pouvez augmenter en haut vos chansons à un niveau professionnel et ajouter toutes les techniques subtiles l'utilisation de studios d'enregistrement principale quand ils produisent des rapports(records) de coup(de chanson à succès). Imprimez même votre CD propre, la couverture de cas de bijou et l'étiquette.
Avec toutes ces fonctions(dispositifs) et plus, il est facile de comprendre ce que nous voulons dire quand nous disons que Steinbergy Cubasis VST transforme votre PC en studio de musique suprême.
STEINBERG Cubase VST/32 5.0
By Kent Carmical
http://remixmag.com/mag/remix_steinberg_cubase_vst/" onclick="window.open('https://fr.audiofanzine.com/go_url.php?url=http://' + escape('Le%20lien%20:%20http://remixmag.com/mag/remix_steinberg_cubase_vst/')); return false;" rel="nofollow" target="_blank">Le%20lien%20:%20http://remixmag.com/mag/remix_steinberg_cubase_vst/
Feb 1, 2002 12:00 PM
These days, it's all about power. Powerful computers and, yes, for those who can handle it, powerful software. Long a fave of all the Euro-thump jocks who make dance music across the big pond, Steinberg has certainly put its foot to the floor and upped the power of its flagship sequencer, Cubase, with 32-bit processing, 128 channels of digital audio, scads of excellent plug-ins, Internet collaboration and MP3 support.
CUED UP
If you're new to sequencing software or have developed temporary amnesia, here is a quick rundown of the Cubase evolution during the past 10 years. Basically, Cubase began as a MIDI-only sequencer for the Atari ST line of computers, which were quite popular in Europe. When Atari bit the dust, Steinberg ported Cubase to Macintosh and eventually to PC. Steinberg eventually added the ability to (sort of) record and play back audio with the MIDI tracks. Then the company got really ambitious and developed its Virtual Studio Technology (VST), which allowed for native (no additional hardware required) real-time audio processing. That was cause for much rejoicing, especially among computer manufacturers, because successful use of VST required a state-of-the-art CPU with especially big stones. Even with the most powerful machines, your compositional reach could easily exceed your CPU's grasp.
Steinberg realized that Cubase VST was pretty much held together with hairballs and chewing gum, and it was time to overhaul the whole thing. And, boy, did it! Cubase VST/32 5.0 is an incredible work of programming. It is incredibly stable, powerful and easy to use. If ever there were a single application giving you all the power of a recording studio, this has to be it. Here's a look at this wonder of the 21st century.
GET THEE ON MY HARD DRIVE
Installation and setup were no problem. As a matter of fact, Cubase is one of the easiest music-software applications I have ever set up. This is good for those who want to get going without having to study the manual for three months and spend a fortune on calls to tech support. That said, if you want to delve into the more advanced functions, block out a few days to get yourself up to speed.
Essentially, all you need to do is choose your audio engine — either the Mac's internal audio or ASIO-compatible sound card. Using the internal 16-bit audio capabilities of the Macintosh gives great results — many projects have been completed using just that method. This is great for laptops and gives you a truly portable studio.
Using a 24-bit sound card can really make a difference, though. Twenty-four-bit sound gives you more headroom (essentially how loud you can crank an input before it distorts and starts sounding bad). Sound cards can also have benefits of multiple ins and outs, so you can record more than two signals at a time. Multiple outputs also let you route individual tracks to their own separate outs to use with a mixer for additional mixing and processing with outboard effects. Steinberg invented a standard for audio-card drivers called ASIO (short for Audio Stream Input/Output). It's probably the most widely accepted form of audio driver. Just make sure you place your sound card's ASIO driver in the ASIO folder on your hard drive, and you'll be enjoying premium sound in no time.
WORKIN' IT
In the Arrange window, you'll do the bulk of your work (see Fig.1). The tracks are laid out horizontally from the left, with a display on the right that shows audio waveform or MIDI event bars. Double-clicking opens a track for editing and tweaking. In previous versions, things could get cluttered on your screen; every edit function, plug-in or whatever you were doing opened its own window, and before you knew it, you wished you had dual 56-inch monitors to deal with all the stuff on your desktop. Version 5.0 still has plenty of windows, but Cubase provides a couple of slick features to smooth things out. Using the Folder Tracks feature, the tracks in the Arrange window can be grouped together and collapsed into a single track. Let's say you have eight drum tracks cluttering up your Arrange window. All you have to do is group the eight tracks, and when you collapse them, the group only takes up one track in the window. When you want to edit one of the tracks, just open them up again and edit away.
Another feature new to version 5.0 is the Range tool, which lets you grab a track and stretch it to make it larger in the window for easier viewing when editing or recording. That may not sound like a big deal, considering the hundreds of cool features in Cubase 5.0, but if you think about all the time you'd spend goofing around with window sliders just to peep the track you want, you come to realize that it's the little things that make life grand.
And talk about editing — you sure do get sweet editing functions in Cubase 5.0 The one feature that blows my mind is the ability to time stretch your audio files by clicking and dragging the file to the place you want it to be — Cubase takes care of all the number crunching for you. The results are pretty good, too, as long as you don't push it too far.
MIDI doesn't get the short end of the stick either. All methods for editing MIDI are there. Key Edit (some people call this Piano Roll) represents notes as rectangles, and their lengths show the duration of the notes (see Fig. 2). List Edit, where you can get really down and dirty with your MIDI editing, shows MIDI events as text. Score Edit displays your magnum opus as musical notation — a great way to show off all that knowledge you amassed during childhood piano lessons. My favorite is the Drum Edit window, which is great for throwing together breaks on the quick.
While we're on the subject of editing, it's a good idea to take the time to learn the key commands. The key commands can reduce several menu and mouse clicks to pressing just one key. Just about every function has a key command, and if you don't like those, you can define your own key assignments.
THIRTY-TWO — TWICE AS NICE
That 32 tacked onto Cubase VST is very special; it means that Cubase can record at 32-bit resolution. So what does 32-bit resolution mean for the person on the street? It means that you now have nearly infinite headroom for recordings and mixdowns. (Actually, you don't have it for recording because there are no 32-bit audio cards available yet.) You can still make great use of 32-bit mode with 24-bit files, because all the internal processing in Cubase VST/32 is 32-bit. All you have to do is compare a 24-bit mix to one exported in 32-bit, and no explanation will be necessary — you can hear the difference. Another cool feature of 32-bit mode is TrueTape, which simulates the distinctive sound of analog tape in all its mechanical glory. The next time people you know try to slag digital recording for lacking “warmth,” hand them a mix done with TrueTape. It will be warm enough to make anyone a fan.
Of course, 32-bit mixes are all well and good, but what if you want to burn a CD of your track? Everyone knows that CDs are limited to 16 bits. This is where the demon of dithering raises its ugly head. Dithering basically chops off the extra bits that it can't handle — in this case, you lose 16 whole bits — which can sound pretty nasty. To compensate for that, Steinberg has licensed Apogee's UV-22 dithering algorithm to do the dirty work. Apogee makes some of the finest digital converters in the biz, and with Cubase, the software emulation certainly does the trick. You'll always loose some quality when dithering, but the UV-22 is the best option.
OTHER STUFF
VST/32 5.0 supports Rocket Network through Steinberg's InWire system. You can sign up for free and collaborate in real time with other Cubase users all over the planet. How do you work with someone in Sri Lanka if you don't have the same setup? Steinberg dismisses that dilemma by including 70 MB of standard sounds with its Universal Sound Module. The sounds are rather basic, but at least you and the person at the other end of the line will have the same sounds to muck around with.
Cubase also supports the Propellerhead ReWire standard. This is cool and allows you to pipe Reason or Rebirth directly into your mixer as if it were another virtual instrument — an excellent way to add live tracks as well as add VST effects to your Reason grooves. It all works together in perfect harmony.
SO MANY FEATURES, SO FEW PAGES
I have to admit, I was never a big Cubase fan, but version 5.0 sure has turned me around. The program is so much easier to set up than any other MIDI/audio sequencer (including earlier versions of Cubase), and it never crashed or gave me any trouble. Like any complex piece of software, it does take time to learn the multitude of functions, but the sweet thing about Cubase VST is that you can get started easily and learn the more esoteric functions as needed.
It's really tough to find faults in a program that is so well-designed — believe me, I tried. About the only whine I could muster was that the MIDI and audio were handled on separate mixers. My poor, addled brain found itself wishing that I had the option to have them together in one mixer, but that's it. If you're looking for a complete studio on your computer that won't bust your onions with a learning curve so steep you just want to give up, Cubase VST/32 version 5.0 is just what you want.
But Wait, There's More!
More plug-ins, that is. Cubase VST/32 5.0 ships with a healthy array of real-time effects, including reverbs, delays and filters, as well as several VST instruments. Here is a quick overview of what's included.
Effects
Mysterizer: This is sort of a virtual Kaoss Pad. Choose one of the eight effects: ring modulator, comb delay, mono delay, stereo delay, lowpass filter, highpass filter, bandpass filter and distortion. Just move the mouse pointer around on the x-y pad and let the fun begin.
Vocoder: Try this 24-band vocoder and noise modulator on your drum loops for instant industrial music. Robo voices galore!
BitCrusher: Holy Nine Inch Nails! Does 24-bit audio sound too sweet for you? Run it through BitCrusher and get your grunge on.
MIDI Gate: Use this gating effect for rhythmic chopping of sounds on your next Ibiza anthem.
SubBASS: Is your track a little weak on the low end? Plug in this, and you'll be blowin' speakers from coast to coast.
Da Tube: This tool simulates the effects of a tube amp without all the fuss.
Rotary: It's 1969 all over again! Rotary models the warble of an old Leslie rotary speaker. Crusty organ players with ponytails will probably gripe, but it sounds okay to me.
Ring Modulator: With this, you can take a nice-sounding track and turn it into a klanging, metallic-sounding monstrosity. Use at your own risk.
Autopole: This plug-in is a good re-creation of those expensive hardware filter boxes that famous people talk about in magazines. Autopole really lets you pour on the acid — I like it.
PhatSync: This rocks! Its two 16-step, pattern-based filters let you do rhythmic, pulsating filter effects that are synched to your song's tempo. Bust this one out first.
MIDI Comb: Finally, another freak-out plug-in lets you control a filter effect on an audio track with a MIDI track. It kind of sounds like rhythmic metallic madness.
Synths
JX16: JX16 sounds somewhat like an old Roland synth from back in the day. It has nice pads and lead sounds, and it doesn't take up a lot of processor power.
CS-40: This is a supereasy-to-use 6-voice, polyphonic virtual analog synthesizer.
LM-7: Another easily operable plug-in is this 24-bit drum machine with 16-step programming, just like in the good old days. You can tweak the individual drum sounds to your heart's content.
Product Summary
Le lien pour Cubase VST
Cubase VST/32 5.0
Pros: Easy to set up and use. Excellent sound quality in 32-bit mode. Tons of effects. Stable. Virtual synths and drum machine included. Apogee dithering converter. Compatible with a wide range of sound cards.
With the release of the Midex 8 MIDI interface, Steinberg has really upped the ante when it comes to MIDI timing accuracy. The Midex 8 uses Steinberg's Linear Timebase technology that is built into version 5.0 of Cubase. Linear Timebase technology takes the timing away from the computer's CPU, so MIDI timing accuracy does not suffer when audio or VST plug-ins bog down the computer's processor. Instead of the computer spreading out its timing over an 8-port MIDI interface, each port of the Midex 8 essentially has its own timing signal.
How does it work? Pretty damn well if you ask me. Although the Macintosh drivers were only in beta version at the time I tried the Midex 8, everything seemed to work properly. I stacked multiple MIDI channels through each of the eight ports with no problem. Then I played back as many channels of audio as my Mac could handle and still experienced no timing glitches. Lastly, I put tons of continuous controller messages (like pitch bend) on the MIDI tracks, and the Midex 8 didn't sweat. I didn't hook the Midex 8 to any high-dollar test equipment to prove its timing accuracy, but I couldn't hear any timing discrepancy, even when loaded down with all I could throw at it.
Le lien
http://www.amazon.co.uk/exec/obidos/ASIN/B0000VPAJ0/202-4476511-9426248
Features Cubasis VST
* 48 audio channels (WAV and MP3)
* 64 MIDI tracks
* Professional mixer
* More than 35 real-time effects
* 13 virtual instruments
* Input MIDI notes using your voice
* Supports 24-bit/96kHZ audio
* Professional 4-band EQ with graphical editing
* Surround Sound
* Integrated LoudMax for boosting your songs that radio level up your songs to that radio level
* Time stretch tool directly in arrangement
* More VST audio effect and instruments slots, use up to 8 virtual instruments at one time and add up to 4 send effects and 2 insert effects per channel
* MIDI Groove Control (including presets) that lets you choose and generate a variety of groove quantizations for your drum and instruments patterns, add shuffle and swing
* An interactive tutorial
* Sound editing, mastering and CD-R software included
* Includes two bonus CDs with samples and songs
* Includes Studio 8 LE video editing software
Reviews
Manufacturer's Description
Create original compositions like the pros quickly and easily with Steinberg Cubasis VST version 5. The software features up to 48 audio channels, 64 MIDI tracks, a professional mixer with real-time effects and a huge variety of virtual instruments. Compose songs, edit sounds, print your scores and burn CDs with surround sound.
Have you ever fantasized about becoming a professional recording artist? Well, stop dreaming and start creating with the newest version of Cubasis VST. Steinberg Cubasis VST 5.0 gives you every tool you need to produce and record music like the pros.
Create great music with the same tools used by professionals. With up to 48 audio channels (WAV and MP3), 64 MIDI tracks, a real-time mixer, and a wide variety of virtual instruments, let your creativity flow! Compose songs, edit sounds at 24-bit 96kHz, print your scores and then burn your own CDs with surround sound. With the built-in Voice Detective software, you can even input MIDI notes by singing.
Steinberg Cubasis VST incorporates 13 virtual instruments and over 35 professional effects, all of which can be used in real time. Stock instruments include classic analog synth emulations, a drum machine, virtual electric and acoustic guitars, and a singing monk! New instruments include a StagePiano, Drawbar Organ and the Model-E - a faithfully reproduced historic analog synth emulation.
Additional new features include a professional 4-band equalizer with graphical editing, a time stretch tool - for time stretching directly in the arrangement window - and a copy of Pinnacle Systems' Studio 8 LE video editing software - perfect for creating your own music videos!New effects include an Amp-/Speaker-Simulation that reproduces distorted guitar sounds and a dance filter that gives you the typical sweep from the low to high frequencies commonly found in popular house tracks. There's also a DeEsser to optimize vocals and a Subbass Synthesizer for reaching those low notes that really give your subwoofer a workout. The new VST Dynamics section includes a compressor, limiter and noise gate to add that professional touch to your tracks.
With the included WaveLab Lite and Master Unit software you can boost up your songs to a professional level and add all the subtle techniques the major recording studios use when they produce hit records. Even print your own CD, jewel-case cover and label.
With all of these features and more, it's easy to understand what we mean when we say Steinbergy Cubasis VST turns your PC into the ultimate music studio.
La traduction avec Systran, c'est pas top mais ça donne une petite idée.
Fonctions(Dispositifs)
* 48 canaux audio (WAV et MP3)
* 64 traces de MIDI
* Mixer professionnel
* Plus de 35 effets en temps réel
* 13 instruments virtuels
* Notes de MIDI d'entrée utilisant votre voix
* Appuis 24-bit/96kHZ audio
* EQ à 4 bandes(orchestres) professionnel avec rédaction graphique
* Entourez Son
* Intégré LoudMax pour augmenter vos chansons que la radio nivelle en haut vos chansons à ce niveau de radio
* Outil de période(bout) de temps directement dans entente
* Plus d'effet audio VST et des fentes d'instruments, utilisez jusqu'à 8 instruments virtuels une fois et élevez-vous 4 envoient des effets et 2 insèrent des effets par canal
* Le contrôle de Cannelure de MIDI (incluant définit d'avance) qui vous laisse choisir et produire une variété de quantifications de cannelure pour votre tambour et des modèles d'instruments, ajouter brouillent et l'oscillation
* Une classe de travaux dirigés interactive
* Rédaction de son, surmontant et logiciel de CD-R inclus
* Inclut deux CD de bonus avec des échantillons et des chansons
* Inclut le Studio 8 vidéo éditant le logiciel
La description de Fabricant
Créez des compositions originales comme le pros rapidement et facilement avec Steinberg Cubasis VST la version 5. Le logiciel montre jusqu'à 48 canaux audio, 64 traces de MIDI, un mixer professionnel avec des effets en temps réel et une variété énorme d'instruments virtuels. Composez des chansons, éditez des sons, imprimez votre grand nombre et brûlez le CD avec entoure le son.
Vous êtes-vous jamais livrés aux fantasmes du devenir d'un professionnel enregistrant l'artiste ? Bien, arrêtez de rêver et commencer à créer avec la version la plus nouvelle de Cubasis VST. Steinberg Cubasis VST 5.0 vous donne chaque outil que vous devez produire et la musique record comme le pros.
Créez la grande musique avec les mêmes outils utilisés par des professionnels. Avec jusqu'à 48 canaux audio (WAV et MP3), 64 traces de MIDI, un mixer en temps réel et une large variété d'instruments virtuels, laissent votre flux de créativité! Composez des chansons, éditez des sons à 24 particules 96kHz, imprimez votre grand nombre et brûlez ensuite votre CD propre avec entoure le son. Avec le logiciel de Détective de Voix incorporé, vous pouvez même des notes de MIDI d'entrée en chantant.
Steinberg Cubasis VST incorpore 13 instruments virtuels et plus de 35 effets professionnels, dont tous peuvent être utilisés en temps réel. Les instruments de réserve(valeur) incluent l'analogue classique synth des émulations, une boîte à rythme, des guitares électriques et acoustiques virtuelles et un moine chantant! De nouveaux instruments incluent un StagePiano, Drawbar l'Organe et le Modèle-E - un analogue historique fidèlement reproduit synth l'émulation.
Des nouvelles fonctions(dispositifs) complémentaires incluent un égaliseur à 4 bandes(orchestres) professionnel avec la rédaction graphique, un outil de période(bout) de temps - pour le temps s'étirant directement dans la fenêtre d'entente - et une copie du Studio des Systèmes de Pinacle 8 vidéo éditant le logiciel - perfectionne pour créer vos vidéos de musique propres! De nouveaux effets incluent un Amp-/Speaker-Simulation qui reproduit des sons de guitare déformés et un filtre de danse qui vous donne le champ typique du bas à de hautes fréquences généralement trouvées dans des traces de maison populaires. Il y a aussi un DeEsser pour optimiser des chants et un Synthétiseur de Sous-basse pour atteindre ces notes basses qui donnent vraiment une séance d'entraînement à votre caisson des graves. La nouvelle section de Dynamique VST inclut un compresseur, le limiteur et la porte sonore pour ajouter que le professionnel touche à vos traces.
Avec la Lumière de WaveLab incluse et le logiciel d'Unité de Maître vous pouvez augmenter en haut vos chansons à un niveau professionnel et ajouter toutes les techniques subtiles l'utilisation de studios d'enregistrement principale quand ils produisent des rapports(records) de coup(de chanson à succès). Imprimez même votre CD propre, la couverture de cas de bijou et l'étiquette.
Avec toutes ces fonctions(dispositifs) et plus, il est facile de comprendre ce que nous voulons dire quand nous disons que Steinbergy Cubasis VST transforme votre PC en studio de musique suprême.
STEINBERG Cubase VST/32 5.0
By Kent Carmical
http://remixmag.com/mag/remix_steinberg_cubase_vst/" onclick="window.open('https://fr.audiofanzine.com/go_url.php?url=http://' + escape('Le%20lien%20:%20http://remixmag.com/mag/remix_steinberg_cubase_vst/')); return false;" rel="nofollow" target="_blank">Le%20lien%20:%20http://remixmag.com/mag/remix_steinberg_cubase_vst/
Feb 1, 2002 12:00 PM
These days, it's all about power. Powerful computers and, yes, for those who can handle it, powerful software. Long a fave of all the Euro-thump jocks who make dance music across the big pond, Steinberg has certainly put its foot to the floor and upped the power of its flagship sequencer, Cubase, with 32-bit processing, 128 channels of digital audio, scads of excellent plug-ins, Internet collaboration and MP3 support.
CUED UP
If you're new to sequencing software or have developed temporary amnesia, here is a quick rundown of the Cubase evolution during the past 10 years. Basically, Cubase began as a MIDI-only sequencer for the Atari ST line of computers, which were quite popular in Europe. When Atari bit the dust, Steinberg ported Cubase to Macintosh and eventually to PC. Steinberg eventually added the ability to (sort of) record and play back audio with the MIDI tracks. Then the company got really ambitious and developed its Virtual Studio Technology (VST), which allowed for native (no additional hardware required) real-time audio processing. That was cause for much rejoicing, especially among computer manufacturers, because successful use of VST required a state-of-the-art CPU with especially big stones. Even with the most powerful machines, your compositional reach could easily exceed your CPU's grasp.
Steinberg realized that Cubase VST was pretty much held together with hairballs and chewing gum, and it was time to overhaul the whole thing. And, boy, did it! Cubase VST/32 5.0 is an incredible work of programming. It is incredibly stable, powerful and easy to use. If ever there were a single application giving you all the power of a recording studio, this has to be it. Here's a look at this wonder of the 21st century.
GET THEE ON MY HARD DRIVE
Installation and setup were no problem. As a matter of fact, Cubase is one of the easiest music-software applications I have ever set up. This is good for those who want to get going without having to study the manual for three months and spend a fortune on calls to tech support. That said, if you want to delve into the more advanced functions, block out a few days to get yourself up to speed.
Essentially, all you need to do is choose your audio engine — either the Mac's internal audio or ASIO-compatible sound card. Using the internal 16-bit audio capabilities of the Macintosh gives great results — many projects have been completed using just that method. This is great for laptops and gives you a truly portable studio.
Using a 24-bit sound card can really make a difference, though. Twenty-four-bit sound gives you more headroom (essentially how loud you can crank an input before it distorts and starts sounding bad). Sound cards can also have benefits of multiple ins and outs, so you can record more than two signals at a time. Multiple outputs also let you route individual tracks to their own separate outs to use with a mixer for additional mixing and processing with outboard effects. Steinberg invented a standard for audio-card drivers called ASIO (short for Audio Stream Input/Output). It's probably the most widely accepted form of audio driver. Just make sure you place your sound card's ASIO driver in the ASIO folder on your hard drive, and you'll be enjoying premium sound in no time.
WORKIN' IT
In the Arrange window, you'll do the bulk of your work (see Fig.1). The tracks are laid out horizontally from the left, with a display on the right that shows audio waveform or MIDI event bars. Double-clicking opens a track for editing and tweaking. In previous versions, things could get cluttered on your screen; every edit function, plug-in or whatever you were doing opened its own window, and before you knew it, you wished you had dual 56-inch monitors to deal with all the stuff on your desktop. Version 5.0 still has plenty of windows, but Cubase provides a couple of slick features to smooth things out. Using the Folder Tracks feature, the tracks in the Arrange window can be grouped together and collapsed into a single track. Let's say you have eight drum tracks cluttering up your Arrange window. All you have to do is group the eight tracks, and when you collapse them, the group only takes up one track in the window. When you want to edit one of the tracks, just open them up again and edit away.
Another feature new to version 5.0 is the Range tool, which lets you grab a track and stretch it to make it larger in the window for easier viewing when editing or recording. That may not sound like a big deal, considering the hundreds of cool features in Cubase 5.0, but if you think about all the time you'd spend goofing around with window sliders just to peep the track you want, you come to realize that it's the little things that make life grand.
And talk about editing — you sure do get sweet editing functions in Cubase 5.0 The one feature that blows my mind is the ability to time stretch your audio files by clicking and dragging the file to the place you want it to be — Cubase takes care of all the number crunching for you. The results are pretty good, too, as long as you don't push it too far.
MIDI doesn't get the short end of the stick either. All methods for editing MIDI are there. Key Edit (some people call this Piano Roll) represents notes as rectangles, and their lengths show the duration of the notes (see Fig. 2). List Edit, where you can get really down and dirty with your MIDI editing, shows MIDI events as text. Score Edit displays your magnum opus as musical notation — a great way to show off all that knowledge you amassed during childhood piano lessons. My favorite is the Drum Edit window, which is great for throwing together breaks on the quick.
While we're on the subject of editing, it's a good idea to take the time to learn the key commands. The key commands can reduce several menu and mouse clicks to pressing just one key. Just about every function has a key command, and if you don't like those, you can define your own key assignments.
THIRTY-TWO — TWICE AS NICE
That 32 tacked onto Cubase VST is very special; it means that Cubase can record at 32-bit resolution. So what does 32-bit resolution mean for the person on the street? It means that you now have nearly infinite headroom for recordings and mixdowns. (Actually, you don't have it for recording because there are no 32-bit audio cards available yet.) You can still make great use of 32-bit mode with 24-bit files, because all the internal processing in Cubase VST/32 is 32-bit. All you have to do is compare a 24-bit mix to one exported in 32-bit, and no explanation will be necessary — you can hear the difference. Another cool feature of 32-bit mode is TrueTape, which simulates the distinctive sound of analog tape in all its mechanical glory. The next time people you know try to slag digital recording for lacking “warmth,” hand them a mix done with TrueTape. It will be warm enough to make anyone a fan.
Of course, 32-bit mixes are all well and good, but what if you want to burn a CD of your track? Everyone knows that CDs are limited to 16 bits. This is where the demon of dithering raises its ugly head. Dithering basically chops off the extra bits that it can't handle — in this case, you lose 16 whole bits — which can sound pretty nasty. To compensate for that, Steinberg has licensed Apogee's UV-22 dithering algorithm to do the dirty work. Apogee makes some of the finest digital converters in the biz, and with Cubase, the software emulation certainly does the trick. You'll always loose some quality when dithering, but the UV-22 is the best option.
OTHER STUFF
VST/32 5.0 supports Rocket Network through Steinberg's InWire system. You can sign up for free and collaborate in real time with other Cubase users all over the planet. How do you work with someone in Sri Lanka if you don't have the same setup? Steinberg dismisses that dilemma by including 70 MB of standard sounds with its Universal Sound Module. The sounds are rather basic, but at least you and the person at the other end of the line will have the same sounds to muck around with.
Cubase also supports the Propellerhead ReWire standard. This is cool and allows you to pipe Reason or Rebirth directly into your mixer as if it were another virtual instrument — an excellent way to add live tracks as well as add VST effects to your Reason grooves. It all works together in perfect harmony.
SO MANY FEATURES, SO FEW PAGES
I have to admit, I was never a big Cubase fan, but version 5.0 sure has turned me around. The program is so much easier to set up than any other MIDI/audio sequencer (including earlier versions of Cubase), and it never crashed or gave me any trouble. Like any complex piece of software, it does take time to learn the multitude of functions, but the sweet thing about Cubase VST is that you can get started easily and learn the more esoteric functions as needed.
It's really tough to find faults in a program that is so well-designed — believe me, I tried. About the only whine I could muster was that the MIDI and audio were handled on separate mixers. My poor, addled brain found itself wishing that I had the option to have them together in one mixer, but that's it. If you're looking for a complete studio on your computer that won't bust your onions with a learning curve so steep you just want to give up, Cubase VST/32 version 5.0 is just what you want.
But Wait, There's More!
More plug-ins, that is. Cubase VST/32 5.0 ships with a healthy array of real-time effects, including reverbs, delays and filters, as well as several VST instruments. Here is a quick overview of what's included.
Effects
Mysterizer: This is sort of a virtual Kaoss Pad. Choose one of the eight effects: ring modulator, comb delay, mono delay, stereo delay, lowpass filter, highpass filter, bandpass filter and distortion. Just move the mouse pointer around on the x-y pad and let the fun begin.
Vocoder: Try this 24-band vocoder and noise modulator on your drum loops for instant industrial music. Robo voices galore!
BitCrusher: Holy Nine Inch Nails! Does 24-bit audio sound too sweet for you? Run it through BitCrusher and get your grunge on.
MIDI Gate: Use this gating effect for rhythmic chopping of sounds on your next Ibiza anthem.
SubBASS: Is your track a little weak on the low end? Plug in this, and you'll be blowin' speakers from coast to coast.
Da Tube: This tool simulates the effects of a tube amp without all the fuss.
Rotary: It's 1969 all over again! Rotary models the warble of an old Leslie rotary speaker. Crusty organ players with ponytails will probably gripe, but it sounds okay to me.
Ring Modulator: With this, you can take a nice-sounding track and turn it into a klanging, metallic-sounding monstrosity. Use at your own risk.
Autopole: This plug-in is a good re-creation of those expensive hardware filter boxes that famous people talk about in magazines. Autopole really lets you pour on the acid — I like it.
PhatSync: This rocks! Its two 16-step, pattern-based filters let you do rhythmic, pulsating filter effects that are synched to your song's tempo. Bust this one out first.
MIDI Comb: Finally, another freak-out plug-in lets you control a filter effect on an audio track with a MIDI track. It kind of sounds like rhythmic metallic madness.
Synths
JX16: JX16 sounds somewhat like an old Roland synth from back in the day. It has nice pads and lead sounds, and it doesn't take up a lot of processor power.
CS-40: This is a supereasy-to-use 6-voice, polyphonic virtual analog synthesizer.
LM-7: Another easily operable plug-in is this 24-bit drum machine with 16-step programming, just like in the good old days. You can tweak the individual drum sounds to your heart's content.
Product Summary
Le lien pour Cubase VST
Cubase VST/32 5.0
Pros: Easy to set up and use. Excellent sound quality in 32-bit mode. Tons of effects. Stable. Virtual synths and drum machine included. Apogee dithering converter. Compatible with a wide range of sound cards.
With the release of the Midex 8 MIDI interface, Steinberg has really upped the ante when it comes to MIDI timing accuracy. The Midex 8 uses Steinberg's Linear Timebase technology that is built into version 5.0 of Cubase. Linear Timebase technology takes the timing away from the computer's CPU, so MIDI timing accuracy does not suffer when audio or VST plug-ins bog down the computer's processor. Instead of the computer spreading out its timing over an 8-port MIDI interface, each port of the Midex 8 essentially has its own timing signal.
How does it work? Pretty damn well if you ask me. Although the Macintosh drivers were only in beta version at the time I tried the Midex 8, everything seemed to work properly. I stacked multiple MIDI channels through each of the eight ports with no problem. Then I played back as many channels of audio as my Mac could handle and still experienced no timing glitches. Lastly, I put tons of continuous controller messages (like pitch bend) on the MIDI tracks, and the Midex 8 didn't sweat. I didn't hook the Midex 8 to any high-dollar test equipment to prove its timing accuracy, but I couldn't hear any timing discrepancy, even when loaded down with all I could throw at it.
luciolis
6796
Je poste, donc je suis
Membre depuis 21 ans
8 Posté le 05/08/2005 à 22:11:38
deb76
3745
Squatteur·euse d’AF
Membre depuis 20 ans
9 Posté le 05/08/2005 à 22:37:27
Oui, ça je peux te le certifier, c'est une version allégée par rapport à Cubase 5. Mais en fait, tout dépend de ce que tu veux en faire. Tu peux déjà pas mal travailler avec Cubasis. Il y a très certainement des pistes en moins, audios et midi, peut-être moins de VST mais ca se trouve maintenant facilement sur le net y compris des gratuits et performants.
Si tu n'es pas un passionné de bidouilles et autres manipulations midi (modules Logical et IPS) ça peut être intéressant.
Ceci étant, je suis persuadé que tu trouver aujourd'hui Cubase 5.1 VST à un prix défiant toute concurrence. Moi perso, c'est celui que j'utilise, notamment pour les modules ci-dessus.
Si tu n'es pas un passionné de bidouilles et autres manipulations midi (modules Logical et IPS) ça peut être intéressant.
Ceci étant, je suis persuadé que tu trouver aujourd'hui Cubase 5.1 VST à un prix défiant toute concurrence. Moi perso, c'est celui que j'utilise, notamment pour les modules ci-dessus.
Rouxxx
4880
Squatteur·euse d’AF
Membre depuis 20 ans
10 Posté le 05/08/2005 à 23:08:33
Merci pour ce lien et la traduction.
Cubasis est a 30 euros en ce moment.
je n'ai pu utiliser cubase qu'en cours de stage ou chez des amis , et c'est vraiment pratique pour l'enregistrement ( la fonction dont j'ai absolument besoin c'est l'overdub , pratique quand on veut enregistrer des choeurs)
et cubasis se vend encore dans le commerce.( cubase vst 5.0 , soit j'ai mal cherché , soit il se vend plus )
et j'ai fortement l'impression que cubasis vst 5 n'a pas grand chose a envier a cubase sl ( qui lui , coute quand même 350 euros. ) ( mais je me trompe peut être
)
et je n'ai pas besoin de fonctions midi avancées. juste pouvoir enregistrer de l'audio en overdub.
pour cubase vst 5.0 si tu sais ou le trouver a un prix intéressant, je pourrai être preneur.
[HS]il y a des bons passages a relever quand même :
24 particules 96kHz
64 traces de MIDI
....
Cubasis est a 30 euros en ce moment.
je n'ai pu utiliser cubase qu'en cours de stage ou chez des amis , et c'est vraiment pratique pour l'enregistrement ( la fonction dont j'ai absolument besoin c'est l'overdub , pratique quand on veut enregistrer des choeurs)
et cubasis se vend encore dans le commerce.( cubase vst 5.0 , soit j'ai mal cherché , soit il se vend plus )
et j'ai fortement l'impression que cubasis vst 5 n'a pas grand chose a envier a cubase sl ( qui lui , coute quand même 350 euros. ) ( mais je me trompe peut être
)et je n'ai pas besoin de fonctions midi avancées. juste pouvoir enregistrer de l'audio en overdub.
pour cubase vst 5.0 si tu sais ou le trouver a un prix intéressant, je pourrai être preneur.
[HS]il y a des bons passages a relever quand même :
24 particules 96kHz
64 traces de MIDI
....
...
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