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Hatsubai « Top notch delays »
Publié le 02/06/11 à 03:12
(contenu en anglais)
This is probably Eventide's second most famous pedal they have released. It contains all of their super famous delay algorithms and a looper. It's fully MIDI, updatable by USB 2.0, true bypass, can work in guitar or line level applications and can work in either mono or stereo.
UTILIZATION
Eventide did an awesome job in making this pedal. First of all, it's extremely sturdy and built like a tank. You could hurl this thing off the top floor of a building, and it should still work. The switches are extremely high quality, and it's true bypass so there will be no direct harm to your tone. The menus themselves are a lot easier to use than the rack stuff, I've found. There are tons and tons of features in here, so it's hard to exactly explain every little detail, so it's best to read the manual. The Eventide manuals are fairly long and a bit boring, but if you take the time to sit down with them, you'll know the thing in and out. The best thing is that this pedal is fully MIDI. You can have tons of presets set up and switch them all with a MIDI board. That means no fumbling around on the ground all the time every time you want to switch to different presets that are a few banks away.
SOUND QUALITY
The delays in this pedal are truly spectacular. First of all, it contains a basic delay. With so many other huge delay pedals like this, they forget that all you need is a basic delay for most part. That's a big thing I wanted. On top of that, they have tons of different delays such as reverse and modulated delay to help give unique sounds that can't easily be created with run of the mill delay pedals.
OVERALL OPINION
If you don't need any of the pitch effects that the PitchFactor offers, this is the pedal you'll want to try to get. It's a bit expensive, but it's worth every penny. The delays are top notch, it's built like a tank, has full MIDI implementation and is true bypass.
UTILIZATION
Eventide did an awesome job in making this pedal. First of all, it's extremely sturdy and built like a tank. You could hurl this thing off the top floor of a building, and it should still work. The switches are extremely high quality, and it's true bypass so there will be no direct harm to your tone. The menus themselves are a lot easier to use than the rack stuff, I've found. There are tons and tons of features in here, so it's hard to exactly explain every little detail, so it's best to read the manual. The Eventide manuals are fairly long and a bit boring, but if you take the time to sit down with them, you'll know the thing in and out. The best thing is that this pedal is fully MIDI. You can have tons of presets set up and switch them all with a MIDI board. That means no fumbling around on the ground all the time every time you want to switch to different presets that are a few banks away.
SOUND QUALITY
The delays in this pedal are truly spectacular. First of all, it contains a basic delay. With so many other huge delay pedals like this, they forget that all you need is a basic delay for most part. That's a big thing I wanted. On top of that, they have tons of different delays such as reverse and modulated delay to help give unique sounds that can't easily be created with run of the mill delay pedals.
OVERALL OPINION
If you don't need any of the pitch effects that the PitchFactor offers, this is the pedal you'll want to try to get. It's a bit expensive, but it's worth every penny. The delays are top notch, it's built like a tank, has full MIDI implementation and is true bypass.